Flatline (Doctor Who)
250 – "Flatline" | |||||
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Doctor Who episode | |||||
Promotional image showing the trapped Doctor in the shrunken TARDIS | |||||
Cast | |||||
Others
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Production | |||||
Writer | Jamie Mathieson | ||||
Director | Douglas Mackinnon | ||||
Script editor |
David P Davis Richard Cookson | ||||
Producer | Nikki Wilson | ||||
Executive producer(s) |
Steven Moffat Brian Minchin | ||||
Incidental music composer | Murray Gold | ||||
Series | Series 8 | ||||
Length | 45 minutes | ||||
Originally broadcast | 18 October 2014 | ||||
Chronology | |||||
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"Flatline" is the ninth episode of the eighth series of the British science fiction television programme Doctor Who, written by Jamie Mathieson, and directed by Douglas Mackinnon. The episode stars Peter Capaldi and Jenna Coleman, with Joivan Wade and Christopher Fairbank guest starring.
Plot
On returning Clara to London, the Doctor finds something is draining energy from the TARDIS and they end up in Bristol instead. They find the TARDIS' exterior size has shrunk as a result of the energy drain, and the Doctor sends Clara out to learn more while he tries to stop the drainage. Clara befriends Rigsy, a graffiti artist now performing community service with a small crew. Rigsy explains several people have gone missing recently, their disappearances memorialized by a mural in a pedestrian tunnel painted by an unknown person. Clara returns to find the TARDIS has shrunk even farther, with the Doctor unable to physically get out. He passes her his sonic screwdriver, psychic paper, and an earpiece to let him communicate with her, and asks her to carry the TARDIS with her as she rejoins Rigsy, taking on the role of "Doctor Oswald" and adopting several of the Doctor's mannerisms.
At the flat of the latest disappearance (who is shown taken in the cold opener) they find nothing amiss save for a strange mural of a desert on one wall. With help of PC Forrest, they enter the flat of the first disappearance, and the Doctor instructs them to tear out a wall believing the source is within. In the next room, PC Forrest is suddenly absorbed into the floor, and by the time Clara and Rigsy arrive, she is gone. The Doctor is drawn to another wall mural, and realises it is the shape of a human nervous system, suspecting that is the fate of PC Forrest; he concludes the desert mural in the other flat was a close-up of the skin of the last victim. He deduces that they are being attacked by creatures that live in two dimensions, which he later names the Boneless, trying to experiment in understanding the third dimension. The Boneless trap the two in the room by flattening the door handle to two dimensions, but Clara and Rigsy escape through a window using a hanging chair. During the escape, Danny Pink calls Clara as she is late for their meeting in London. The Doctor overhears the call and knows that Clara has lied, both to Danny about discontinuing her travels with the Doctor, and to the Doctor in affirming Danny's acceptance of her traveling with the Doctor.
Clara and Rigsy race to stop the community workers from painting over the murals in the tunnel, which the Doctor has deduced are disguises for the Boneless. After one worker is adsorbed, Clara directs the rest to a nearby train maintenance yard, and follows the Doctor's instructions to try to communicate with the Boneless using mathematics. When another worker is taken by the Boneless, they flee into a disused tunnel, finding that the Boneless have blocked their escape route by flattening the door to two dimensions. As they watch, the Boneless begin to project themselves into three-dimensional versions of their past victims and give chase. The Doctor provides Clara a device to unflatten the door, allowing them to escape, but this further allows the Boneless to drain more energy from the TARDIS and shrink it further. It spills out of Clara's handbag and falls onto an active train track; the Doctor activates the TARDIS's Siege mode to protect it from harm from an oncoming train, but leaving it powerless to revert out or for the Doctor to communicate with Clara.
Clara is able to stop an out-of-service train and they use it to attempt to ram the oncoming Boneless and give themselves time, but they simply transform it to a two-dimensional image. As they flee, Clara finds the TARDIS, now resembling a Gallifreyan cube, and takes it with her. In a disused office, Clara comes up with a plan, and has Rigsy paint a realistic-looking door on the back of a large poster which they then hang over an open doorway in a tunnel; when the Boneless encounter the fake door, they try to unflatten it with their energy but this instead funnels power back to the TARDIS situated behind the poster. The Doctor uses the energy to restore the TARDIS to normal. Realising they have no interest in peace, the Doctor uses the TARDIS and sonic screwdriver to stop the Boneless, sending them back to their dimension with a warning to those who survive the trip to never return. The Doctor returns everyone to the surface safely. Clara rejects a call from Danny, catching the Doctor's attention. He notes that she enjoyed 'playing the Doctor' for the day.
The episode concludes with Missy, seated in a darkened room, watching Clara's adventure on a tablet computer. Missy says, with regard to Clara, that she has "chosen well".
Continuity
The TARDIS exterior was also shrunk to doll house size in the serial Logopolis, with the Fourth Doctor trapped inside.[1] The Doctor conversely shrank the interior of the Monk's TARDIS in The Time Meddler, thereby trapping the Monk outside of it and stranded powerless on 11th century Earth.[2]
The further-miniaturised TARDIS in "siege mode" resembles the Pandorica, the inescapable prison first mentioned in "The Eleventh Hour" and shown fully in "The Pandorica Opens".[3]
The end of the opening scene slowly reveals an Anamorphic projection of a Boneless' victim's face, recalling the skull in Holbein's The Ambassadors.[4]
Production
The read through for "Flatline" took place on 19 May 2014. Filming began soon afterwards, on 28 May, and concluded on 18 June 2014.[1]
Reception
Overnight viewing figures were estimated at 4.6 million, the lowest overnight rating for the show since "The Hungry Earth" in 2010 and the second lowest rating since the show returned in 2005.[5] The episode was watched by a total of 6.71 million viewers.[6] In the US, this episode was seen by 0.75 million viewers, being also the lowest rating for the series.[7]
The episode received critical acclaim, with many praising Mathieson's script, Coleman's performance and the uniquely designed monsters. The episode also received an AI of 85, considered excellent.[8] Neela Debnath of The Independent praised Capaldi and Coleman's performances and believed this episode to be the stronger of Mathieson's two episodes, although she was critical of the CGI effects.[9] Matt Risley of IGN gave the episode 8.3 out of 10, praising the concept of the episode and the performance of Coleman, but criticising the guest cast.[10] Morgan Jeffery of Digital Spy gave a mixed review of the episode, calling it "a bumpy ride." He too was critical of the supporting cast, citing lack of depth to their personalities. He was however, positive of the CGI, calling it "the most impressive and distinctive this show has featured in recent memory." Overall he gave the episode 3 stars out of five.[11]
Reviewing the episode for The Daily Telegraph, Michael Hogan noted that Christopher Fairbank was billed as the guest star but Joivan Wade outshone him. He stated that the episode had "outlandishly original ideas, smartly executed. It was thrillingly unsettling and ultimately satisfying."[12] Dan Martin, for The Guardian, wrote that Jamie Mathieson's script "is one of the more effective demonstrations of how to do the 'cheap one'." Martin also stated that Clara is "becoming more and more like the Doctor".[13] Alasdair Wilkins of The A.V. Club awarded the episode a B+, stating that "the show is on a hot streak we haven't seen in a long, long time". Wilkins closed his review by saying "'Flatline' isn't perfect, but it underlines just how great the 12th Doctor and Clara have been for each other, and how great their pairing has been for the show, if for no other reason than their complex relationship has forced the show to be thoughtful in a way it hasn't in quite some time".[14]
References
- ↑ 1.0 1.1 "Doctor Who, Series 8, Flatline - Flatline: Fact File". Doctor Who. BBC. 18 October 2014. Retrieved 10 November 2014.
- ↑ BBC episode guide: The Time Meddler.
- ↑ "Flatline", Doctor Who TV (review) (UK).
- ↑ "Flatline – Doctor Who’s 250th story is an outstanding, gritty tribute to Banksy", Radio Times (review) (UK)
- ↑ Miller, Paul (7 June 2010). "Who's 'Hungry Earth' draws 4.4 million". Digital Spy. Retrieved 19 October 2014.
- ↑ "Doctor Who series 8 ratings accumulator", Doctor Who TV (UK).
- ↑ "SHOWBUZZDAILY’s Top 25 Saturday Cable Originals: 10.18.2014".
- ↑ "Doctor Who Series 8 (2014) UK Ratings Accumulator".
- ↑ "Doctor Who 'Flatline' review: Clara isn't half bad as the Time Lord", The Independent (UK).
- ↑ Doctor Who: 'Flatline' (review), UK: IGN, 18 Oct 2014.
- ↑ "Doctor Who series 8 'Flatline' recap: a bumpy ride", Digital Spy (UK).
- ↑ Hogan, Michael, "Doctor Who review: 'Flatline'", The Daily Telegraph.
- ↑ Martin, Dan (18 Oct 2014), "Doctor Who recap: series 34, episode 9 'Flatline'", The Guardian (UK).
- ↑ "Doctor Who 'Flatline'", AV club (TV club).
External links
Wikiquote has quotations related to: Twelfth Doctor |
- "Flatline" at the BBC Doctor Who homepage
- "Flatline" on TARDIS Data Core, an external wiki
- "Flatline" at Doctor Who: A Brief History Of Time (Travel)
- "Flatline" at the Internet Movie Database
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