Filmography and awards of Stanley Kubrick
The Filmography and awards of Stanley Kubrick:
Filmography
Year | Film | Director | Producer | Writer | Other | Notes |
---|---|---|---|---|---|---|
1951 | Day of the Fight | Yes | Yes | Yes | Yes | Himself (unaccredited cameo), cinematographer, editor (unaccredited); sound department (unaccredited). |
Flying Padre | Yes | Yes | Yes | Cinematographer; uncredited as writer | ||
1953 | Fear and Desire | Yes | Yes | Yes | Cinematographer and editor; sound department (unaccredited) | |
The Seafarers | Yes | Yes | Cinematographer, editor and sound department | |||
1955 | Killer's Kiss | Yes | Yes | Yes | Yes | Story, cinematographer and editor |
1956 | The Killing | Yes | Yes | Producer (uncredited) | ||
1957 | Paths of Glory | Yes | Yes | Producer (uncredited) | ||
1960 | Spartacus | Yes | ||||
1962 | Lolita | Yes | Uncredited as screenwriter and producer | |||
1964 | Dr. Strangelove | Yes | Yes | Yes | ||
1968 | 2001: A Space Odyssey | Yes | Yes | Yes | Yes | Special photographic effects designer and director |
1971 | A Clockwork Orange | Yes | Yes | Yes | Additional camera operator (unaccredited) | |
1975 | Barry Lyndon | Yes | Yes | Yes | ||
1980 | The Shining | Yes | Yes | Yes | Co-written with Diane Johnson | |
1987 | Full Metal Jacket | Yes | Yes | Yes | Yes | Murphy (unaccredited voice cameo) |
1999 | Eyes Wide Shut | Yes | Yes | Yes | Additional camera operator (unaccredited) | |
As noted above, the 2001 film A.I.: Artificial Intelligence directed by Steven Spielberg is dedicated to Kubrick who originally had rights to the source material, provided the concept for the film, and did much of the groundwork preparation for it, including having supervised both story treatments and the conceptual art that were used in the final project. Spielberg made enormous efforts to be visually faithful to Kubrick's visual conception for the film.
Two scholarly books that are comparative critical studies of Kubrick's work discuss this film and even list it in their filmography.[1] The website "The Kubrick Corner"[2] also treats this as part of Kubrick's work. Finally, a book on the making of the film with a foreword by Spielberg also treats the film throughout as effectively a collaboration between Stanley Kubrick and Steven Spielberg.[3] Other scholarly treatments of Kubrick largely ignore AI.[4] A 2012–2013 retrospective of Kubrick's film at Los Angeles County Museum of Art is showing all of Kubrick's films over a period of two months, but does not include A.I.[5]
Awards and nominations
All of Stanley Kubrick's films from Paths of Glory till the end of his career, except for The Shining, were nominated for Academy Awards and/or Golden Globe Awards, in various categories. 2001: A Space Odyssey received numerous technical awards, including a BAFTA award for cinematographer Geoffrey Unsworth and an Academy Award for best visual effects, which Kubrick (as director of special effects on the film) received. This was Kubrick's only personal Academy Award win among 13 nominations. Nominations for his films were mostly in the areas of cinematography, art design, screenwriting, and music. Only four of his films were nominated by either an Academy Award or Golden Globe Award for their acting performances, Spartacus, Lolita, Dr. Strangelove, and A Clockwork Orange.
Personal awards for Kubrick:
Year | Title | Awards (limited to Academy Awards, Golden Globe Awards, British Academy Film Awards (BAFTA), Saturns, and Razzies) |
---|---|---|
1953 | Fear and Desire | |
1955 | Killer's Kiss | Locarno International Film Festival Prize for Best Director (won) |
1956 | The Killing | Nominated–BAFTA Award for Best Film from Any Source |
1957 | Paths of Glory | |
1960 | Spartacus | Golden Globe Award for Best Motion Picture – Drama (won) Nominated–BAFTA Award for Best Film from Any Source Nominated–Golden Globe Award for Best Director |
1962 | Lolita | Nominated–Academy Award for Best Adapted Screenplay (Kubrick's extensive work on this was uncredited; the nominee was Vladimir Nabokov) Nominated–Golden Globe Award for Best Director |
1964 | Dr. Strangelove | BAFTA Award for Best British Film (won) BAFTA Award for Best Film from Any Source (won) New York Film Critics Circle Award for Best Director (won) Nominated–Academy Award for Best Picture Nominated–Academy Award for Best Director Nominated–Academy Award for Best Adapted Screenplay Nominated–BAFTA Award for Best British Screenplay (nomination shared with Peter George and Terry Southern) |
1968 | 2001: A Space Odyssey | Academy Award for Best Visual Effects (won) Nominated–Academy Award for Best Director Nominated–Academy Award for Best Original Screenplay (nomination shared with Arthur C. Clarke) Nominated–BAFTA Award for Best Film |
1971 | A Clockwork Orange | New York Film Critics Circle Award for Best Picture (won) New York Film Critics Circle Award for Best Director (won) Nominated–Academy Award for Best Picture Nominated–Academy Award for Best Director Nominated–Academy Award for Best Adapted Screenplay Nominated–Golden Globe Award for Best Motion Picture – Drama Nominated–Golden Globe for Best Director Nominated–BAFTA Award for Best Film Nominated–BAFTA Award for Best Screenplay |
1975 | Barry Lyndon | BAFTA Award for Best Director (won) Nominated–Academy Award for Best Picture Nominated–Academy Award for Best Director Nominated–Academy Award for Best Adapted Screenplay Nominated–Golden Globe Award for Best Motion Picture – Drama Nominated–Golden Globe for Best Director Nominated–BAFTA Award for Best Film |
1987 | Full Metal Jacket | Nominated–Academy Award for Best Adapted Screenplay (nomination shared with Michael Herr and Gustav Hasford) |
1999 | Eyes Wide Shut |
Kubrick received two awards from major film festivals: Best Director from the Locarno International Film Festival in 1959 for Killer's Kiss, and Filmcritica Bastone Bianco Award at the Venice Film Festival in 1999 for Eyes Wide Shut. He also was nominated for the Golden Lion of the Venice Film Festival in 1962 for Lolita. The Venice Film Festival awarded him the Career Golden Lion in 1997. He received the D.W. Griffith Lifetime Achievement Award from the Directors Guild of America, and another life-achievement award from the Director's Guild of Great Britain, and the Career Golden Lion from the Venice Film Festival. Posthumously, the Sitges - Catalonian International Film Festival awarded him the Honorary Grand Prize for life achievement in 2008. He also received the coveted Hugo Award three times for his work in science fiction.[6]
References
- ↑ The British Film Institute's book on Kubrick Naremore, James (2007). On Kubrick. British Film Institute. ISBN 978-1-84457-142-0. contains a chapter on AI and lists it in the filmography in the back. The anthology The Philosophy of Stanley KubrickAbrams, Jerold J. (2007). The Philosophy of Stanley Kubrick. University Press of Kentucky. ISBN 978-0-8131-2445-2. contains an essay by Jason Eberl comparing the concepts of machine intelligence in 2001 and AI, and lists AI in the filmography as "completed by Steven Spielberg".
- ↑ The Kubrick Corner
- ↑ Struthers, Jane (2009). A.I. Artificial Intelligence: From Stanley Kubrick to Steven Spielberg: The Vision Behind the Film. Thames & Hudson. ISBN 978-0-500-51489-4.
- ↑ Notable examples would be Patrick Webster's Love and Death in Kubrick: A Critical Study of the Films from Lolita through Eyes Wide Shut and Randy Rasmussen's Stanley Kubrick; Seven Films Analyzed.
- ↑ List of films shown at LACMA Kubrick retrospective
- ↑ "The Hugo Awards: Search Results: Kubrick". The Hugo Awards. Retrieved October 28, 2011.
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