Ferdinand Kauer
Ferdinand August Kauer (January 18, 1751 – April 13, 1831), was an Austrian composer and pianist.
Biography
Kauer was born in Klein-Thaya (today Dyjákovičky) near Znaim in South Moravia. He studied in Znaim, Tyrnau, and Vienna, and later settled in Vienna around 1777. In 1781 he joined Karl von Marinelli's newly formed company at Vienna as leader and conductor of the orchestra. From 1782 he also composed music for the theatre, including Singspiele, operas, and incidental music and songs, mostly to texts by the house poet Karl Friedrich Hensler. Their first major success was Das Faustrecht in Thüringen (The Law of the Jungle in Thüringen, 1796–1797), which was eclipsed two years later by the success of Das Donauweibchen (1798).
He was Kapellmeister of the Theater in der Leopoldstadt and Theater in der Josefstadt in Vienna and also in Graz. He directed the Leopoldstadt Theater Music School and by the 1790s had become known for his popular Singspiele. In addition to his successful stage works he composed several tutorial methods for violin, flute, piano and singing (c. 1790). A tragic flood in 1830 destroyed all Kauer's possessions, including most of his scores. He continued to work as the second viola player at the Theater in der Leopoldstadt orchestra until his death in Vienna a year later.
Legacy
He wrote about 200 operas and Singspiele. The romantic opera Das Donauweibchen (1798) was one of the most popular operas of the early 19th century. It was staged in Russia in 1803–1807 as Lesta, dneprovskaya rusalka (Russian: Леста, днепровская русалка) and its three sequels with Russian text and additional music by the naturalised Russian immigrant Catterino Cavos who originally hailed from Venice, and Stepan Davydov (1777–1825).
Das Donauweibchen was the first opera staged in Finland on December 3, 1826 in Viipuri by Schultz’s company. It was not unusual for travelling companies to make an excursion from the nearby Saint Petersburg to Viipuri, Finland being an autonomous Grand Duchy in the Russian Empire at the time.
Kauer also wrote 200 masses, many pieces of chamber music, incidental music (including Das Faustrecht in Thüringen). His "12 Neue Ungarische Tänze" reflect the influence of roaming Gypsy orchestras upon many composers of this era. In his "Sei variazioni" (c. 1810) Kauer introduced the xylophone into western classical music, and from that time this instrument has been adopted as a regular element of the orchestra. It is unfortunate that his music is rarely performed in modern times. His music has been shown to be highly imaginative, tuneful, and worthy of further study.
Selected works
Title | Genre | Subdivisions | Libretto | Première date | Theatre (in Vienna) |
---|---|---|---|---|---|
StreitDer Streit zwischen dem Zauberer Scionco und der Fee Galantina, oder Kasperl bleibt Kasperl | comedy with machines and music | 3 acts | 1784-02-03February 3, 1784 | Theater in der Leopoldstadt | |
unschuldigeDer unschuldige Betrug | Kinder-Operette | 1 act | HuberL Huber | 1790-06-22June 22, 1790 | Theater in der Leopoldstadt |
Bastien und Bastienne | Operette | after French work | 1790-08-18August 18, 1790 | Theater in der Leopoldstadt | |
SerenadeDie Serenade, oder Der gefoppte Alte | Singspiel | 2 acts | 1792-06-04June 4, 1792 | Theater in der Leopoldstadt | |
Faustrecht1Das Faustrecht in Thüringen part 1 | Schauspiel | 4 acts | HenslerKarl Friedrich Hensler | 1796-04-07April 7, 1796 | Theater in der Leopoldstadt |
Faustrecht2Das Faustrecht in Thüringen part 2 | Schauspiel | 4 acts | HenslerKarl Friedrich Hensler | 1796-06-28June 28, 1796 | Theater in der Leopoldstadt |
Faustrecht3Das Faustrecht in Thüringen part 3 | Schauspiel | 4 acts | HenslerKarl Friedrich Hensler | 1797-01-17January 17, 1797 | Theater in der Leopoldstadt |
Donauweibchen1Das Donauweibchen part 1 | romantisch-komisches Volksmärchen | 3 acts | HenslerKarl Friedrich Hensler | 1798-01-11January 11, 1798 | Theater in der Leopoldstadt |
Donauweibchen2Das Donauweibchen part 2 | romantisch-komisches Volksmärchen | 3 acts | HenslerKarl Friedrich Hensler | 1798-02-13February 13, 1798 | Theater in der Leopoldstadt |
LöwenritterDie Löwenritter | Schauspiel | 4 acts | HenslerKarl Friedrich Hensler | 1799-09-05September 5, 1799 | Theater in der Leopoldstadt |
SternenmädchenDas Sternenmädchen im Meidlinger Walde | romantisch-komisches Volksmärchen | 3 acts | HuberL Huber | 1801-10-20October 20, 1801 | Theater in der Leopoldstadt |
Telemach Prinz von Ithaca | travestirtes Singspiel | 3 acts | HenslerKarl Friedrich Hensler | 1801-04-29April 29, 1801 | Theater in der Leopoldstadt |
Philibert und Kasperl, oder Weiber sind getreuer als Männer | Zauberoper | 3 acts | HenslerKarl Friedrich Hensler | 1804-02-07February 7, 1804 | Theater in der Leopoldstadt |
Faschingswehen | Lustspiel | 3 acts | KringsteinerJ F Kringsteiner | 1805-03-04March 4, 1805 | Theater in der Leopoldstadt |
KreutzerkomödieDie Kreutzerkomödie | Posse | 3 acts | KringsteinerJ F Kringsteiner | 1805-06-21June 21, 1805 | Theater in der Leopoldstadt |
travestierteDer travestierte Telemach | Karikatur | 3 acts | PerinetJoachim Perinet | 1805-08-29August 29, 1805 | Theater in der Leopoldstadt |
Heinrich der Stolze, Herzog von Sachsen | Schauspiel | 3 acts | GleichJ A Gleich | 1806-10-05October 5, 1806 | Theater in der Leopoldstadt |
Orpheus und Euridice, oder So geht es im Olympus zu | mythologische Karikatur | 2 acts | MeislK Meisl | 1813-02-20February 20, 1813 | Theater in der Leopoldstadt |
Antonius und Cleopatra | Posse | 1 act | PerthM F Perth, after August von Kotzebue | 1814-02-25February 25, 1814 | Theater in der Josefstadt |
MusikantenDie Musikanten am Hohen Markt | Posse | 3 acts | GleichJ A Gleich | 1815-03-28March 28, 1815 | Theater in der Josefstadt |
Ferdinand Kauer’s keyboard "Sonata militaire" was mistakenly attributed to Joseph Haydn as Sonata D major, Hob. XVI: D1.
Bibliography
- Kauer, Ferdinand. Kurzgefasste Generalbass-Schule für Anfänger. Wien, J. Cappi. c. 1800
- Kauer, Ferdinand. Kurzgefasste Harmonieschule für Damen mit Tonsystem, worin das H ausgeschlossen wird. c. 1800
- Manschinger K.: Ferdinand Kauer, doctoral thesis, Vienna 1929
- Bauer, A.: Das Theater in der Josefstadt, 1957
- Longyear, R. M.: Ferdinand Kauer's Percussion Enterprises, Galpin Society Journal, vol. 27 (1974), 2–8.
External links
- Italian Opera Articles: Kauer
- Lorelea (Russian)
- Operone
- List of stage works at the Opern Project of the University of Cologne
- Free scores by Ferdinand Kauer at the International Music Score Library Project
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