Exposition des primitifs flamands à Bruges
Between 15 June and 5 October 1902, the Exposition des primitifs flamands à Bruges (Exhibition of Flemish Primitives at Bruges), at the time the largest exhibition ever of works by the so-called Flemish Primitives (now usually referred to as Early Netherlandish Painting), was held in the Provinciaal Hof in Bruges. There were 413 entries in the official catalogue of the paintings exhibition, which was the principal of the three sections.[1] With some 35,000 visitors,[2] it was a very influential exposition, resulting in at least five books and numerous lengthy articles besides the official catalogue, and initiating the art-historical study of the Flemish Primitives by a new group of connoisseurs.[3][4] It also inspired Johan Huizinga to research and write his The Autumn of the Middle Ages.[5]
Exposition
The 1902 exhibition was not the first to focus on the Flemish Primitives, although it was the first on this scale and to generate so much interest and scientific feedback. Among earlier exhibitions were the 1867 "Tableuax de l'ancienne école Néerlandaise" in Bruges, also directed by W. H. J. Weale; the 1892 "Exhibition of pictures by masters of the Netherlandish and allied schools of XV and early XVI centuries" at the Burlington Fine Arts Club, with 60 pictures;[6] and the 1899 Netherlandish School exhibition at the New Gallery (London), with 165 works.
The 1902 exposition was originally to be held in Brussels, but was moved to Bruges after the city refused to lend the many works it held to the exhibition if it did not take place in Bruges. It was held in the Provincial Government Palace in Bruges from 15 June until 15 September 1902, but due to the success it was extended until 5 October 1902.
The president of the exhibition was Baron Henri Kervyn de Lettenhove.
William Henry James Weale wrote the catalogue for the painting section. The often erroneous attributions of the paintings in the catalogue were those of the owners, but the position of the paintings in the exhibition generally reflected the opinion of the organizers, including Weale and Georges Hulin de Loo (a professor at the University of Ghent), regarding their authorship.[3] The illustrated catalogue of the section showing manuscripts, miniatures, archive texts, seals, mereaux, coins and medals was written by Baron Albert Van Zuylen Van Nyevelt. A third section, covering needlework, gobelins, and the like, was catalogued by Isabelle Errera.
The exhibition showed some 400 paintings attributed to the Flemish Primitives, many of which had never before been exhibited. The display of many works by major artists created the first good opportunity to study their styles side by side and to revise many attributions, either from one painter to another or from "work by" to "copy of a work by".
The exhibition was opened by King Leopold II of Belgium, and visited by Crown Prince Albert and Crown Princess Elisabeth on 3 July 1902[7]
Legacy
The exhibition showed far more of the most important remaining examples of Early Netherlandish panel painting than earlier exhibitions and sparked a lively discussion about the attributions of the paintings, started by Hulin de Loo: dissatisfied with the official catalogue, he published his own critical catalogue.[8]
The exhibition greatly improved the appreciation of Early Netherlandish art, which previously had been chiefly appreciated only by a few collectors and art historians, [2] but also led to shifts in the status of the artists: Hans Memling, who had been considered to be the major artist of the period, was surpassed by the likes of Jan van Eyck and Rogier van der Weyden. This has been attributed to the abundance of works by Memling at the exhibition, which made critics notice the lack of invention and overly serialized production he often showed, compared to the other masters.[3]
Because the organizers of the exhibition had a somewhat Belgian nationalistic view, art lovers in other countries sometimes reacted vehemently to the appropriation of "their" painters by the Flemish or Belgians. In France, there were calls for a similar exhibition of French Primitives, which was organised in 1904 and tried to reclaim artists, like van der Weyden and Robert Campin, who were from French-speaking parts of the Netherlands; it also tried to cast Early Netherlandish painting as a derivative of Early French painting.[2]
The Bruges exhibition directly influenced some painters, who incorporated aspects of Flemish Primitive painting into their work. Flemish expressionist Gustave Van de Woestijne changed his approach to portraiture, focusing more on the psychological aspects, while his colleague Valerius de Saedeleer was influenced by the landscapes he saw at the exhibition.[9]
In 2002, a new exhibition documenting the 1902 exhibition and its impact was held in Bruges: "Impact 1902 Revisited. Early Flemish and Ancient Art exhibition. Bruges 15th June - 15th September 1902, Brugge, 2002.", with a catalogue by Eva Tahon, Piet Boyens e.a.[4]
Publications
Apart from the official catalogue,[10] a number of books and major articles were written about the exhibition, including:
- (Anonymous), The Exhibition of Flemish Art at Bruges, in Athenaeum 3907 and 3908, 1902 (probably by Roger Fry)
- (Anonymous (L.M.)), L'exposition des primitifs flamands à Bruges, in La chronique des arts et de la curiosité 15, 1902
- Giorgio Le Brun, L'esposizione dei primitivi fiamminghi, Rassegna d'Arte 2 (1902)
- Pol de Mont, Een paar opmerkingen betr. de Tentoonstelling van oude Nederlandsche schilderijen te Brugge, in de Nederlandsche Spectator, 1902
- Pol de Mont, L'Evolution de la peinture néerlandaise aux XIVe, XVe et XVIe siècles et l'exposition de Bruges. Book, Haarlem, 1903
- Pol de Mont, De paneelschildering in de Nederlanden gedurende de XIVe, XVe en de eerste helft van de XVIe eeuw naar aanleiding van de in 1902 te Brugge gehouden tentoonstelling, gezeid "Van Vlaamse priemietieven", Haarlem 1903
- Franz Dülberg, Die Ausstellung altniederländischer Malerei in Brügge., in Zeitschrift für bildende Kunst 14 (1903)
- Émile Durand-Greville, Originaux et Copies à propos de l'exposition de Bruges, Bruges 1902
- Hippolyte Fierens-Gevaert, L'exposition des Primitifs Flamands à Bruges, in Revue de l'art ancien et moderne XII, 1902
- Henri Frantz, L'exposition des primitifs flamands à Bruges, in Les Arts 7, 1902
- Max Jakob Friedländer, Die Brügger Leihausstellung von 1902, in Repertorium für Kunstwissenschaft 26 (1903)
- Max Jakob Friedländer, Meisterwerke der niederländischen Malerei des XV. und XVI. Jahrhunderts auf der Ausstellung zu Brügge 1902. Book, Munich, 1903
- Jules Guiffrey, L'exposition des Primitifs Flamands à Bruges, multiple articles in "L'Art" in 1902 and 1903
- Georges Hulin de Loo, Exposition de tableaux flamands des XIVe, XVe et XVIe siècles: catalogue critique précédé d'une introduction sur l'identité de certains maîtres anonymes. (book). Ghent, 1902.[11]
- Henri Hymans, L'Exposition des primitifs flamands à Bruges. Gazette des Beaux-Arts 28 (1902); then republished as a book, Paris, 1902[12]
- Georges Lafenestre, Les Vieux Maîtres à Bruges, in Revue des Deux Mondes, 1902
- Georges Lafenestre, Les primitifs à Bruges et à Paris, 1900, 1902, 1904: Vieux Maîtres de France et des Pays-Bas (book)
- Wilhelm Martin, De Vlaamsche primitieven op de tentoonstelling te Brugge, special issue of Elsevier's Magazine, 1903
- Octave Maus, The Exhibition of Early Flemish Pictures at Bruges, in the Magazine of Art, 1903
- Alphonse Naert, Tentoonstelling van oude Vlaamsche kunst, te Brugge, in Dietsche Warande en Belfort, 1902
- Claude Phillips, Impressions of the Bruges Exhibition, in the Fortnightly Review, 1902
- Eugène-Justin Soil de Moriamé, L'école de Tournai, in "Annales de la Société Historique et Archéologique de Tournai", 1902
- Hugo von Tschudi, Ausstellung Altniederländische Malerei in Brügge, Juni-Sept. 1902, in Repertorium für Kunstwissenschaft, 1902
- Octave Uzanne, The Exhibition of Primitive Art at Bruges, in Connoisseur, 1902
- Karel van de Woestijne, De Vlaamsche Primitieven, hoe ze waren te Brugge, in Onze Kunst, 1902[13]
- Medard Verkest, Tentoonstelling van Vlaamsche Primitieven en Oude Meesters te Brugge, Tongeren, 1902
- William Henry James Weale, The Early Painters of the Netherlands as Illustrated by the Bruges Exhibition of 1902., in the first issue of The Burlington Magazine (1903)
Exhibited works
The works are listed according to their current attributions; where known, the attributions as given by the official catalogue and the critical catalogue by Hulin de Loo are given as well.
Orig. cat. # | Title | Cat. attribution[10] | Hulin attribution[11] | Current attribution | Current or last known location | Notes | Image |
---|---|---|---|---|---|---|---|
1 | Virgin with child, St. George, Ste. Catherine, the donors and their children | Unknown | Unknown, Flemish, c. 1420 | Unknown | Museum Godshuis Belle | [14] | |
2 | Four-lobbed triptych displaying the Holy Trinity and the Evangelists | Broederlam, MelchiorMelchior Broederlam | Unknown, Flemish or Franco-Flemish, end of the 14th century | Unknown, early French | 1912, sale from Weber collection: current location unknown | [15] | |
3 | Statue of the Virgin with Child, in a polychrome tabernacle with painted wings depicting episodes in the life of Mary | Broederlam, MelchiorMelchior Broederlam (school of) | Unknown, Lower Rhine region, c. 1400 | Louvre | [16] | ||
4 | Crucifixion with Saints Catherine and Barbara | Primitive school, c. 1400 | Unknown, Bruges, c. 1400 | Unknown, c. 1400 | St. Salvator's Cathedral | [17] | |
5 | Virgin and child, with Sts. Peter, Paul, Mary Magdalen, and the donor, the so-called Virgin with the butterfly | Unknown (Liège, 1459) | Unknown, 1459 | Museum of the Liège Cathedral | |||
6 | Crucifixion, with angels carrying the instruments of Passion, the Virgin, and the donor | Unknown | Unknown | St. Salvator's Cathedral | |||
7 | The Three Marys at the grave | van Eyck, HubertHubert van Eyck | van Eyck, HubertHubert van Eyck | van Eyck, JanJan van Eyck, attributed to, or to his brother Hubert van Eyck | Museum Boijmans Van Beuningen | [18] | |
8 | St. Romold invested as bishop of Dublin | van Eyck, JanJan van Eyck | Unknown, Bruges, end of the 15th century | Master of the Youth of Saint Romold | National Gallery of Ireland | [19] | |
9 | Adam and Eve (Wings of the Ghent Altarpiece) | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | Saint Bavo Cathedral | [20] | |
10 | Virgin and Child with Canon van der Paele | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | Groeningemuseum, Bruges | [21] | |
11 | Virgin and Child | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck, later copy after | Unknown | 1902: collection of the Earl of Northbrook; current location unknown | ||
11* | Saint Barbara | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | Royal Museum of Fine Arts, Antwerp | [22] | |
12 | Portrait of Margaret van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | Groeningemuseum | [23] | |
13 | Madonna at the Fountain | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | Royal Museum of Fine Arts, Antwerp | [24] | |
14 | Virgin and Child with donor Pieter Wijts | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck, possible, but heavily overpainted | van Eyck, JanJan van Eyck, after | Groeningemuseum | [25] | |
15 | Portrait of a Man with a Blue Chaperon | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | van Eyck, JanJan van Eyck | Brukenthal National Museum | [26] | |
16 | Portrait of an old man | van Eyck, JanJan van Eyck | Memling, HansHans Memling, possibly | Memling, HansHans Memling | Metropolitan Museum of Art | [27] | |
17 | Legend of Saint Eligius and Saint Godeberta | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Metropolitan Museum of Art | [28] | |
18 | Portrait of a man | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | National Gallery | [29] | |
19 | Calvary | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Georgium | [30] | |
20 | Deposition of Christ | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Royal Museums of Fine Arts of Belgium, Brussels | [31] | |
21 | Virgin and Child | Unknown | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys | Royal Museums of Fine Arts of Belgium, Brussels | [32] | |
22 | Triptych: Descent of the cross | Master of Flémalle | Master of Flémalle, copy after | Campin, RobertRobert Campin, after | Walker Art Gallery | [33] | |
23 | Virgin and Child before a Firescreen | Master of Flémalle | Master of Flémalle | Campin, RobertRobert Campin, follower | National Gallery | [34] | |
24 | The Virgin preparing the bath of the Child | Master of Flémalle | Unknown, Flemish, c. 1500, after the Master of Flémalle | Gossaert, JanJan Gossaert, attributed | Bob Jones University Museum and Gallery | [35] | |
25 | Lamentation: Christ mourned by his mother, Saint John, and Mary Magdalen | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | Royal Museums of Fine Arts of Belgium | [36] | |
26 | Portrait of a man | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden, attributed | Thyssen-Bornemisza Museum | [37] | |
27 | Portrait of an unknown man | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden? | van der Weyden, RogierRogier van der Weyden, style of or after | 2002: sold at Christie's; current location unknown | [38] | |
28 | Virgin and Child | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | Art Institute of Chicago | [39] | |
29 | Scenes of the Life of Saint Joseph (right wing of a polyptych) | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden, school of | van der Weyden, RogierRogier van der Weyden, follower | Cathedral of Our Lady (Antwerp) | [40] | |
30 | Virgin and Child | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | Thyssen-Bornemisza Museum | [41] | |
31 | Diptych: Calvary and Virgin with Child, Saint Philip and the donor | Unknown | Unknown, Brabant | Unknown | 1902: Colnaghi, London; current location unknown | ||
32 | Pietà with Donor | da Messina, AntonelloAntonello da Messina | Unknown, Southern France | Unknown, probably South of France, 15th century | Frick Collection | [42] | |
33 | Portrait of Fearless John, Duke of Burgundy | Unknown | Unknown, old copy | Unknown | 1902: collection of Count of Limbourg-Stirum, Rumbeke; current location unknown | [43] | |
34 | Saint John the Baptist | tot Sint Jans, GeertgenGeertgen tot Sint Jans | tot Sint Jans, GeertgenGeertgen tot Sint Jans | tot Sint Jans, GeertgenGeertgen tot Sint Jans | Gemäldegalerie, Berlin | [44] | |
35 | Triptych: Martyrdom of Saint Erasmus | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | St. Peter's Church, Leuven | [45] | |
36 | Last Supper | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | St. Peter's Church, Leuven | [46] | |
37 | Triptych: Martyrdom of Saint Hippolyte, Scene from the life of Saint Hippolyte, and The donors | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts and Hugo van der Goes | St. Salvator's Cathedral | [47] | |
38 | Portrait of a man | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Metropolitan Museum of Art | [48] | |
39 | Christ in the house of Simon | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Gemäldegalerie, Berlin | [49] | |
40 | Crucifixion, with Virgin and Saint John | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts, studio | Gemäldegalerie, Berlin | [50] | ||
41 | Wings of a triptych: The Burning Bush and Gedeon's fleece | Bouts, DiericDieric Bouts | Bouts, AelbrechtAelbrecht Bouts | Bouts, AelbrechtAelbrecht Bouts | McNay Art Museum | [51] | |
42 | Triptych: Last Supper, The Angel Pascal, Elias | Unknown | Unknown, Bruges, c. 1470–1485 | Master of the Legend of Saint Catherine | Seminary of the Diocese, Bruges | [52] | |
43 | Virgin and Child | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts, attributed? | Master of the Tiburtine Sibyl | 1902: collection Clarke; current location unknown | [53] | |
44 | The Night of Christmas (fragment) | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Louvre | [54] | |
45 | Legend of Saint Barbara, left wing of a triptych | Unknown | Unknown, Flanders (Ghent?), c. 1480 | Master of the Legend of Saint Barbara | Basilica of the Holy Blood | ||
46 | Wings of a triptych: The Church and the Synagogue | Unknown | Unknown, Bruges, 1460–1475 | Master of the Legend of St. Ursula (Bruges) | Groeningemuseum | [55][56] | |
47 | Wings of an altarpiece: Scenes from the Legend of Saint Ursula | Unknown | Unknown, Bruges, 1460–1475; same painter as 46 | Master of the Legend of St. Ursula (Bruges) | Groeningemuseum | [57] | |
48 | Virgin and Child, with a donor protected by Mary Magdalen | Unknown, c. 1460 | Unknown, c. 1470–1480 | Master of the View of Saint Gudula | Curtius Museum | [58] | |
49 | Triptych: Virgin and Child, Donor Jean de Witte, Donor Marie Hoose | Memling, HansHans Memling (school of) | Master of 1473 | Royal Museums of Fine Arts of Belgium | [59] | ||
50 | Scenes from the Life of Saint Lucy | Unknown | Master of the Legend of Saint Lucy | Saint James's Church, Bruges | [60] | ||
51 | Death of the Virgin | van der Goes, HugoHugo van der Goes | van der Goes, HugoHugo van der Goes | van der Goes, HugoHugo van der Goes | Groeningemuseum | [61] | |
52 | Triptych: Adoration, The two other Kings, and Donor protected by Saint Stephen | van der Goes, HugoHugo van der Goes | van der Goes, HugoHugo van der Goes | van der Goes, HugoHugo van der Goes | 1902: collection of the Prince of Liechtenstein, Vienna: current location unknown | ||
53 | Descent of the Holy Ghost | Unknown | Unknown, Bruges, c. 1490 | Master of the Baroncelli Portraits, attributed to, or unknown, Bruges, c. 1490 | Private collection, on display at the Groeningemuseum, sold at Christie's in 2010 for £4,185,250[62] | [63] | |
54 | Virgin and Child | van der Goes, HugoHugo van der Goes | Bouts, DiericDieric Bouts, circle of | Bouts, DiericDieric Bouts, circle of[64] | 1997: sold at Christie's for £95,000; current location unknown | [65] | |
55 | Portrait of a Man with a Roman Medal | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Royal Museum of Fine Arts Antwerp | [66] | |
56 | Triptych: Virgin, Donors, and Saints (the Donne Triptych) | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | National Gallery | [67] | |
57 | Portrait of Thomas Portinari | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Metropolitan Museum of Art | [68] | |
58 | Portrait of Maria Portinari | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Metropolitan Museum of Art | [68] | |
59 | Triptych: Virgin and Child seated in an open gallery, Saint John the Baptist, and John the Evangelist on Patmos (also known as the Saint John Altarpiece, or as the Mystical Marriage of Saint Catherine) | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Old St. John's Hospital | [69] | |
60 | Triptych: Adoration, Virgin looking at the Child on the ground, and John the Baptist and the woman receiving the image of the Holy face (the so-called Triptych of Jan Floreins) | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Old St. John's Hospital | [70] | |
61 | Triptych: Burial of Christ, Brother Adrien Reyns, protected by Saint Adrian, and Saint Barbara (the so-called Triptych of Adriaan Reins) | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Old St. John's Hospital | [71] | |
62 | Sibylla Sambetha | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Old St. John's Hospital | [72] | |
63 | Virgin and Child with Saints Catherine and Barbara and the donor | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Metropolitan Museum of Art | [73] | |
64 | Portrait of Guillaume Moreel | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Royal Museums of Fine Arts of Belgium | ;[74] diptych with #65 | |
65 | Portrait of Barbara van Vlaenderberch | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Royal Museums of Fine Arts of Belgium | ;[75] diptych with #64 | |
66 | Triptych: Saints Christoph, Maur and Gilles, The donor Guillaume Moreel with his five sons, protected by Saint Guillaume of Maleval, and The donor's wife Barbara van Vlaenderberch with their eleven daughters, protected by Saint Barbara (the so-called Moreel triptych) | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Groeningemuseum | [76] | |
67 | Diptych: Virgin and The donor Maarten van Nieuwenhove | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Old St. John's Hospital | [77] | |
68 | St. Ursula Shrine | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Old St. John's Hospital | [78] | |
69 | Supplice of Saint Sebastian | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Royal Museums of Fine Arts of Belgium | [79] | |
70 | Portrait of a man with an arrow | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | National Gallery of Art | [80] | |
71 | Right wing of a diptych: Portrait of a lady | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Louvre | [81] | |
72 | Virgin and Child | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | National Museum of Art of Romania | [82] | |
73 | Right wing of a diptych: Portrait of a man from the Lespinette family | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Mauritshuis | [83] | |
74 | Right wing of a polyptych: The donor and his son | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Brukenthal National Museum | [84] | |
75 | Left wing of a polyptych: The donor's wife | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Brukenthal National Museum | [84] | |
76 | The Jews demanding the condemnation of Christ | Memling, HansHans Memling | Memling, HansHans Memling | 1922: sold at Christie's for £1450; current location unknown | [85] | ||
77 | Portrait of a young man at prayer | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | National Gallery | [86] | |
78 | Virgin and Child with an angel | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Gemäldegalerie, Berlin | [87] | |
79 | Virgin and Child with two angels | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | National Gallery of Art | [88] | |
80 | Nativity | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Museum für Angewandte Kunst (Cologne) | [89] | |
81 | Virgin and Child with Saint Anthony and the donor | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | National Gallery of Canada | [90] | |
82 | Virgin and Child | Memling, HansHans Memling | Memling, HansHans Memling? | Memling, HansHans Memling | St Osyth's Priory | [91] | |
83 | Virgin and Child | Memling, HansHans Memling | Memling, HansHans Memling? | Memling, HansHans Memling, copy | 1902: collection of Baron Bethune; current location unknown | [92] | |
84 | Triptych: Christ and the angels | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Royal Museum of Fine Arts Antwerp | [93] | |
85 | Annunciation | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Metropolitan Museum of Art | [94] | |
86 | Saint Jerome | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Kunstmuseum Basel | [95] | |
87 | Three paintings: Saint Gregory's mass, Saint Michael and Saint Jerome | Memling, HansHans Memling | van der Weyden, RogierRogier van der Weyden, unknown painter from the school of | Master of the Saint Catherine Legend | Metropolitan Museum of Art | [96] | |
88 | Portrait of a man in a turban (formerly described as Portrait of Philip the Brave, Duke of Burgundy) | Christus, PetrusPetrus Christus | Unknown | Unknown, Netherlandish, second quarter of the 15th century | Metropolitan Museum of Art | [97] | |
89 | Triptych: Virgin and Child, and two Angels playing music | Memling, HansHans Memling | Unknown, start of the 16th century | Campin, RobertRobert Campin, after | 1929: collection Thomson, London; current location unknown | [98] | |
90 | Saint James the Greater | Unknown | Unknown | 1902: collection Vincent Bareel; current location unknown | |||
91 | Christ being mourned by Mary, Saint John and Mary Magdalen | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Doria Pamphilj Gallery | [99] | |
92 | Triptych: Christ being mourned by Mary, Saint John and Mary Magdalen, Saint Jacob Major and Saint Christopher | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Museum Boijmans Van Beuningen | [100] | |
93 | Wings of a triptych: John the Baptist and Saint Jerome | Memling, HansHans Memling | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Museum Catharijneconvent | [101] | |
94 | Virgin and Child | van der Weyden, RogierRogier van der Weyden | 1902: collection Baron d'Albénas, Montpellier; current location unknown | ||||
95 | Christ appears to the Virgin | Bouts, DiericDieric Bouts | Bouts, AelbrechtAelbrecht Bouts, attributed | Nivaagaard | [102] | ||
96 | Portrait of a Lady | van Eyck, JanJan van Eyck (school of) | van der Weyden, RogierRogier van der Weyden, school of | van der Weyden, RogierRogier van der Weyden, follower | 1937: collection Maurice de Rothschild; current location unknown | [103] | |
97 | Wings of a triptych: John the Baptist and John the Evangelist, and Saint Margarita and Saint Apollonia | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden, school of | van der Weyden, RogierRogier van der Weyden, copy | Royal Museums of Fine Arts of Belgium | [104] | |
98 | Virgin and Child | Van Eyck, JanJan Van Eyck | Unknown, first half of the 16th century, Jan van Eeckele? | Provoost, JanJan Provoost | Metropolitan Museum of Art | [105] | |
99 | Virgin and Child with inkwell | Unknown | Unknown, Bruges, last quarter of the 15th century | Master of the André Madonna | Musée Jacquemart-André | [106] | |
100 | Left wing of a diptych: Portrait of Francis de Chateaubriand Presented by St. Maurice | Unknown | Perréal, JeanJean Perréal | Jean Hey | Kelvingrove Art Gallery and Museum | [107] | |
101 | Left wing of a diptych: A canon protected by Saint Jerome | van der Weyden, RogierRogier van der Weyden | Marmion, SimonSimon Marmion | Philadelphia Museum of Art | [108] | ||
102 | The Emperor surrounded by electors | School of Brabant | 1902: collection Harrach, Vienna; current location unknown | [109] | |||
103 | Portrait of Philip I of Castile | Unknown | 1902: collection of the Duke of Anhalt, Woerlitz; current location unknown | ||||
104 | Portrait of Philip I of Castile | Unknown | Unknown | 1902: San Salvator school, Bruges: current location unknown | |||
105 | Mater Dolorosa | van Eeck, JanJan van Eeck | van Eeckele, JanJan van Eeckele, probably | van Eeckele, JanJan van Eeckele? | St. Salvator's Cathedral | [110] | |
106 | Episodes from the Life of Saint Bernhard | van Eeck, JanJan van Eeck | van Eeckele, JanJan van Eeckele | van Eeckele, JanJan van Eeckele | Musée des Beaux-Arts Tournai | Notes | |
107 | Virgin and Child | van der Goes, HugoHugo van der Goes | van der Goes, HugoHugo van der Goes | van der Goes, HugoHugo van der Goes, circle of or style of | Collection Herzog, Budapest | [111] | |
108 | Portrait of a young lady | Unknown | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden | National Gallery of Art | [112] | |
109 | Wings of a triptych: The donor protected by Saint John l'Aumônier (right) and The donor's wife protected by Sainte Godelieve (left) | Unknown | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Groeningemuseum | Hulin was the first to recognise these as belonging to the same triptych as #157: these are the insides of the wings, the #157 were the outside of the wings (i.e. what one would see when the triptych was closed)[113] | |
110 | Wings of a triptych: David receives a message (right) and Salomon vitised by the Queen of Sheba (left) | Unknown | Unknown, Brabant? | Master of the Legend of Saint Barbara | Metropolitan Museum of Art | [114] | |
111 | The Virgin appearing to Saint Ildefonso | Memling, HansHans Memling | Master of San Ildefonso or follower of Hans Memling | 1971: sold through Parke-Bernet Galleries; current location unknown | [115] | ||
112 | Triptych: Virgin and Child, Saint Catherine and Saint Barbara | Unknown | 1902: Holy Cross Church (called Jerusalem Church), Brussels; current location unknown | ||||
113 | Virgin and Child | Unknown | van der Weyden, RogierRogier van der Weyden, school of | van der Weyden, RogierRogier van der Weyden, follower | Museum Mayer van den Bergh | [116] | |
114 | Virgin and Child surrounded by angels | Unknown | Master of the Legend of Saint Lucy | Royal Museums of Fine Arts of Belgium | [117] | ||
115 | Saint Luc paints the Virgin and Child | Unknown | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts | Penrhyn Castle | [118] | |
116 | Saint Luke Drawing the Virgin | Unknown | van der Weyden, RogierRogier van der Weyden or old copy after | van der Weyden, RogierRogier van der Weyden, 16th-century copy | Groeningemuseum | [119] | |
117 | Transfiguration | Unknown | David, GerardGerard David, school of | David, GerardGerard David | Church of Our Lady, Bruges | [120] | |
118 | Diptych: Virgin and Child (right) and Chrétien de Hondt, 30th abbot of Notre Dames des Dunes (Ter Duinen) (left) | Unknown | Unknown, Bruges, 1499, and other unknown, Bruges, after 1519 | Master of 1499 | Royal Museum of Fine Arts Antwerp | [121] | |
119 | Predella of a retable: The taking of Jerusalem | van der Meire, GerardGerard van der Meire | Unknown, Ghent, c. 1480 | van Gent, JustusJustus van Gent | Museum of Fine Arts, Ghent | [122] | |
120 | Calvary | Unknown, 1500 | Unknown, Bruges, c. 1500 | Master of the Bruges Passion Scenes | San Salvator, Bruges | [123] | |
120* | Descent from the Cross, with the donor protected by Saint Peter and Saint Paul | Unknown, 1500 | van der Weyden, RogierRogier van der Weyden and studio | Mauritshuis | [124] | ||
121 | Judgment of Cambyses: the arrest of Sisamnes | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David | Groeningemuseum | [125] | |
122 | Judgment of Cambyses: the flaying of Sisamnes | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David | Groeningemuseum | [126] | |
123 | Triptych: Baptism of Christ, The donor protected by John the Evangelist, and The first wife of the donor protected by Saint Elisabeth | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David | Groeningemuseum | [127] | |
124 | Virgin and Child, surrounded by angels and virgin saints | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David | Musée des Beaux-Arts de Rouen | [128] | |
125 | Triptych: Saint Anne with the Virgin and Child, Saint Nicolas, and Saint Anthony of Padua | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David and workshop, and unknown artist | National Gallery of Art | [129] | |
126 | Triptych: Descent from the Cross | David, GerardGerard David | Master of the Holy Blood | Master of the Holy Blood | Basilica of the Holy Blood | [130] | |
127 | Dead Christ | David, GerardGerard David | Master of the Holy Blood | 1902: Collection Bethune, Bruges; current location unknown | |||
128 | Annunciation | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David | Metropolitan Museum of Art | ,[131][132] | |
129 | The preaching of John the Baptist and The Baptism of Christ | David, GerardGerard David | Bening, SimonSimon Bening, atrributed to | Groeningemuseum | [133] | ||
130 | Triptych: Virgin and Child, Saint Catherine and Saint Barbara | Cnoop, CorneliaCornelia Cnoop | unknown, traditionally Cornelia Cnoop | David, GerardGerard David, after, or follower of Simon Bening | Museum of Fine Arts, Houston | [134] | |
131 | The descent of the Holy Spirit on Pentecost (miniature) | David, GerardGerard David, school of | David, GerardGerard David (school of) | Marmion, SimonSimon Marmion, follower or assistant of | Fitzwilliam Museum | [135] | |
132 | Virgin and Child | Unknown | Unknown, Flanders, probably Bruges | 1902: Collection of the Earl of Crawford, London; current location unknown | |||
133 | Virgin and Child | David, GerardGerard David | Unknown, Flanders, probably Bruges | Master of the Embroidered Foliage | Minneapolis Institute of Arts | [136] | |
134 | Two wings of a polyptych: John the Baptist (right) and Vision of Saint Francis (left) | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David | Metropolitan Museum of Art | [137] | |
135 | Adoration of the Magi | Unknown | David, GerardGerard David | David, GerardGerard David | Royal Museums of Fine Arts of Belgium, Brussels | [138] | |
136 | Adoration of the Magi | Unknown | Unknown, c. 1520–1530 | Master of the Bruges Adoration | Groeningemuseum | [139] | |
137 | Ecce Homo | Bosch, JeroenJeroen Bosch | Bosch, JeroenJeroen Bosch | Bosch, JeroenJeroen Bosch | Städel | [140] | |
138 | Wing of a triptych: Saint Francis of Assisi and Saint Jerome | Unknown | David, GerardGerard David | David, GerardGerard David, workshop of | Gemäldegalerie, Berlin | [141] | |
139 | Virgin and Child | David, GerardGerard David | David, GerardGerard David, school of | 1902: Suermondt Museum, Aken; current location unknown | |||
140 | Virgin and Child | Bouts, DiericDieric Bouts | Memling, HansHans Memling, follower | Memling, HansHans Memling, follower | Metropolitan Museum of Art | [142] | |
141 | Right wing of a triptych: John the Baptist, Mary Magdalen and the donor | Master of the Assumption | Bouts, AelbrechtAelbrecht Bouts | Bouts, AelbrechtAelbrecht Bouts | Rheinisches Landesmuseum Bonn | [143] | |
142 | Left wing of a triptych: Saint Andreas, Saint Catherine, and the donor | Master of the Assumption | Bouts, AelbrechtAelbrecht Bouts | Bouts, AelbrechtAelbrecht Bouts | Rheinisches Landesmuseum Bonn | [143] | |
143 | Portrait | van der Weyden, RogierRogier van der Weyden | Unknown, c. 1480–1490 | Master of the View of Sainte Gudule | Metropolitan Museum of Art | [144] | |
144 | Virgin and Child | van der Weyden, RogierRogier van der Weyden | van der Weyden, RogierRogier van der Weyden, unknown imitator of | 1902: collection M. N., Paris; current location unknown | |||
145 | Virgin and Child, surrounded by virgin saints | David, GerardGerard David | Isenbrant, AdriaenAdriaen Isenbrant | Isenbrant, AdriaenAdriaen Isenbrant | Collection William Goldman, New York | [145] | |
146 | Portrait of an unknown man | Christus, PetrusPetrus Christus | Unknown, Bruges, 1510–1525 | 1902: collection M. N., Paris; current location unknown | |||
147 | Saint Romold leaves his parents | David, GerardGerard David | Unknown, Bruges?, c. 1500 | Master of the Youth of Saint Romold | National Gallery of Ireland | [146] | |
148 | Right wing of a diptych: The donor protected by Saint Clement | Unknown | Unknown, Franco-Flemish, c. 1475 | 1902: collection De Somzée, Brussels; current location unknown | |||
149 | Eternal father | van Eyck, JanJan van Eyck (school of) | David, GerardGerard David? | David, GerardGerard David | Louvre | [147] | |
150 | Saint Francis of Assisi turns his back to the world | Gossaert, JanJan Gossaert | Unknown, Bruges, possible Jan Provoost | Unknown, Southern Netherlands, c. 1510 | Sold at Sotheby's in 2003: current location unknown | [148] | |
151 | The Virgin appears to Saint Ildefonso | Unknown | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Carnegie Museum of Art | [149] | |
152 | Virgin and Child | Unknown | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Mauritshuis | [150] | |
153 | Virgin and Child | Unknown | Isenbrandt, AdriaenAdriaen Isenbrandt, imitator of | 1902: collection Visart de Bocarmé, Bruges; current location unknown | |||
154 | Virgin and Child near a fountain | Gossaert, JanJan Gossaert | van Orley, BernardBernard van Orley? | van Orley, BernardBernard van Orley and workshop | Kelvingrove Art Gallery and Museum | [151] | |
155 | Triptych: Virgo Deipara, Vision of the Ara Caeli, and Vision of Saint John on Pathmos | Unknown | Master of the Holy Blood, c. 1510 | Master of the Holy Blood | Saint James Church, Bruges | ||
156 | Saint Gregory's Mass | Unknown | van der Weyden, RogierRogier van der Weyden, copy or imitator | van der Weyden, RogierRogier van der Weyden, after, or after Robert Campin | Sale from Weber collection, 1912: last known location a private collection in New York | [15][152] | |
157 | Diptych: Death and the miser | Unknown | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Groeningemuseum | [153] | |
158 | Virgin and Child, Saint Jacob Major, Saint Barbara, and the donor protected by Saint Peter | Unknown | Unknown, early 16th century | Master of Frankfurt, studio | Queensland Art Gallery | [154] | |
159 | Saint Anna, the Virgin and Child, Saint Augustinus and Saint Jerome | van Gent, JustusJustus van Gent | Unknown, early 16th century | 1902: collection C. Davis, London; current location unknown | |||
160 | The donor Antonio Siciliano protected by Saint Antonius | van Eyck, JanJan van Eyck | Unknown, Antwerp?, painting in Italy early 16th century, Jan Gossaert? | Gossaert, JanJan Gossaert | Doria Pamphilj Gallery | [155] | |
161 | Portrait (possibly Floris van Egmond) | Gossaert, JanJan Gossaert | Gossaert, JanJan Gossaert | Unknown, Southern Netherlands, first half of the 16th century | Macquoid collection, London (last known location, current location unknown) | [156] | |
162 | Diptych: Virgin and Child and Portrait of Willem van Bibaut | Unknown, c. 1520 | Master of the Magdalen Legend (the Virgin and Child) and unknown, France (the portrait) | 1902: collection of the Countess of Liedekerke; currently in a private collection | [157] | ||
163 | Polyptych: Death of the Virgin, Presentation of the Virgin, Annunciation, Visitation, Nativity, Presentation in the Temple and Adoration of the Magi | van Orley, BernardBernard van Orley | van Orley, BernardBernard van Orley or his workshop | van Orley, BernardBernard van Orley, or his workshop, or a follower | Musée de l'Assistance Publique, Brussels | [158] | |
164 | King Sapor of Persia humiliating Emperor Valerian | van Orley, BernardBernard van Orley | van Orley, BernardBernard van Orley, attributed? | Unknown, School of Antwerp, c. 1515–1525 | Worcester Art Museum | [159] | |
165 | Wings of a triptych: Mary Magdalen and Saint Mary of Egypt | Unknown | Matsys, QuentinQuentin Matsys, style of | Matsys, QuentinQuentin Matsys | Philadelphia Museum of Art | [160] | |
166 | Virgin and Child | Patinir, JoachimJoachim Patinir | Unknown, Bruges, c. 1540–1550 | 1902: collection Gustave Dreyfus, Paris; current location unknown | |||
167 | Last Judgment | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Groeningemuseum | [161] | |
168 | Last Judgment | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Kunsthalle Hamburg | [15][162] | |
169 | Last Judgment | School of Bruges, 15th century | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Fogg Museum | [163] | |
170 | Central panel of a triptych: Crowning of the Virgin | Cornelis, AlbertAlbert Cornelis | Cornelis, AlbertAlbert Cornelis | Cornelis, AlbertAlbert Cornelis | Saint James's Church, Bruges | [164] | |
171 | Saint Bruno retiring to the Chartreuse | Unknown | Unknown, Bruges, third quarter of the 15th century | 1902: collection of baron Bethune, Bruges; current location unknown | |||
172 | Saint Jerome | David, GerardGerard David | David, GerardGerard David | David, GerardGerard David, studio | National Gallery | [165] | |
173 | Virgin and Child | Unknown | Unknown, Bruges, c. 1480–1490 | Master of the Legend of St. Ursula (Bruges), after Rogier van der Weyden | Suermondt-Ludwig Museum | [166] | |
174 | Triptych: Virgin and Child, Saint Catherine and Saint Barbara | Unknown | Master of the Legend of the Magdalen | Master of the Legend of the Magdalen, attributed to | Museum Mayer van den Bergh | [167] | |
175 | Wings of a triptych: The donor protected by Saint Andreas (right) and The donor's wife protected by Saint Catherine | Unknown | Unknown, Bruges, c. 1520 | 1902: collection De Somzée, Brussels; current location unknown | |||
176 | Polyptych: The Eternal Father surrounded by angels, Death, Hell, Vanity, Skull, and some heraldic weapons | Memling, HansHans Memling | Memling, HansHans Memling | Memling, HansHans Memling | Musée des Beaux-Arts de Strasbourg | [168] | |
177 | Triptych: Virgin and Child, and two Angels playing music | Unknown | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt or workshop | Gallery Steinmeyer, Luzern (1924); current location unknown | [169] | |
178 | Mater Dolorosa | Unknown, c. 1530 | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Church of Our Lady, Bruges | [170] | |
179 | Right wing of a diptych: The donors Joris van de Velde and Barbara Le Marie and their children protected by Saint George and Saint Barbara | Unknown, c. 1530 | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Royal Museums of Fine Arts of Belgium, Brussels | [171] | |
180 | Wings of a triptych: The donor protected by John the Evangelist (right) and The donor's wife protected by Saint Barbara (left) | Mostaert, JanJan Mostaert | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Lost (fire of Kaufmann collection) | [172] | |
181 | Left wing of a diptych: A female donor protected by Mary Magdalen | Unknown | Perréal, JeanJean Perréal | Hey, JeanJean Hey | Louvre | [173] | |
182 | Mary Magdalen in a landscape | Mostaert, JanJan Mostaert | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | National Gallery | [174] | |
183 | Virgin and Child, the donor and his family | Master of the Seven Sorrows | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt or workshop | Gallery Van Diemen in 1967, current location unknown | [175] | |
184 | Triptych: Presentation of Christ, The donor Philip Wielant protected by Saint Philip, and The donor's wife Jeanne van Halewyn protected by John the Evangelist | Master of the Seven Sorrows | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | St. Salvator's Cathedral | [176] | |
185 | Saints Andreas, Michael, and Franciscus, and the Calvary | David, GerardGerard David | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Museum of Fine Arts (Budapest) | [177] | |
186 | Calvary | Unknown | Unknown | van der Weyden, RogierRogier van der Weyden, copy | National Museum (Prague) | [178] | |
187 | Saint Luc | Master of the Seven Sorrows | Isenbrandt, AdriaenAdriaen Isenbrandt | Benson, AmbrosiusAmbrosius Benson, attributed | Noordbrabants Museum | [179] | |
188 | Mary Magdalen | Mostaert, JanJan Mostaert | Isenbrandt, AdriaenAdriaen Isenbrandt | Isenbrandt, AdriaenAdriaen Isenbrandt | Doria Pamphilj Gallery | [180] | |
189 | Diptych: Christ carrying the cross (right) and Portrait of a minor brother (left) | Unknown | Provoost, JanJan Provoost | Provoost, JanJan Provoost | Old St. John's Hospital | [181] | |
190 | Portrait of a canon | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys | Liechtenstein Museum | [182] | |
191 | Triptych: Adoration of the Magi, The Descent of the Holy Spirit on Pentecost, and The glorious Virgin | Gossaert, JanJan Gossaert | Unknown, Brabant c. 1520, certainly not by Gossaert | Gossaert, JanJan Gossaert, environment of | National Gallery | [183] | |
192 | Triptych: Saint Catherine and the philosophers | Gossaert, JanJan Gossaert | Unknown, Brabant, c. 1520 | van der Weyden, GoswinGoswin van der Weyden | Southampton City Art Gallery | [184] | |
193 | Saviour | Unknown | Provoost, JanJan Provoost, school of | 1902: Saint Gilles Church, Bruges; current location unknown | |||
194 | Mater Dolorosa | Unknown | Provoost, JanJan Provoost, school of | 1902: Saint Gilles Church, Bruges; current location unknown | |||
195 | Triptych: Virgin and Child, John the Baptist and Saint Jerome | Pucheel, PieterPieter Pucheel | Isenbrandt, AdriaenAdriaen Isenbrandt | 1902: collection Baron Bethune, Bruges; current location unknown | |||
196 | Christ at Emmaüs | van Hemessen, JanJan van Hemessen | Unknown, 16th century | Unknown, Southern Netherlands, first half of the 16th century | Private collection | [185] | |
197 | Wings of a triptych: Scenes from the legends of Saint Anthony and Saint Paul | Unknown | Unknown, Flanders, first half of the 16th century | Blondeel, LancelotLancelot Blondeel, attributed to | City Archive, Nieuwpoort | [186] | |
198 | Christ on the cross, the Virgin and Saint John | Patinir, JoachimJoachim Patinir | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys | National Gallery of Canada | [187] | |
199 | Triptych: Rest on the Flight to Egypt, John the Baptist and Saint Cornelius | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir | Private collection | Damaged by fire in 1904.[188] | |
200 | Rest on the flight to Egypt | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir | Thyssen-Bornemisza Museum | [189] | |
201 | The miraculous fishing | Patinir, JoachimJoachim Patinir | van der Elburcht, JanJan van der Elburcht | Patinir, JoachimJoachim Patinir, follower of | Wadsworth Atheneum | [190] | |
202 | Rest on the flight to Egypt | Unknown | 1902: for sale at Colnaghi, London; current location unknown | ||||
203 | Saint Jerome | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir, school of | 1902: collection De Meester, Bruges; current location unknown | |||
204 | Saint Jerome | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir, school of | 1902: collection Helbig, Liège; current location unknown | |||
205 | Saint Jerome | C N A, 1547 | CNA or CMA, 1547 | Massijs, CornelisCornelis Massijs | Royal Museum of Fine Arts Antwerp | [191] | |
206 | Holy Trinity | Master of Flémalle | Master of Flémalle | Van der Weyden, RogierRogier Van der Weyden, studio | M - Museum Leuven | [192] | |
207 | The preaching of a saint | Unknown | Unknown, 15th century | 1902: Musée des Beaux-Arts Tournai; current location unknown | |||
208 | The glory of the Virgin | Unknown | Unknown, Bruges, second quarter of the 16th century | Cornelis, AlbertAlbert Cornelis | Brighton Museum & Art Gallery | [193] | |
209 | Virgin and Child | David, GerardGerard David | David, GerardGerard David, workshop of | David, GerardGerard David, follower of | Musée des Beaux-Arts de Strasbourg | [194] | |
210 | Virgin and Child | Unknown | Unknown, early 16th century | Master of the Khanenko Adoration | Museum Schloss Mosigkau, Dessau | [195] | |
211 | Virgin and Child | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir? | Patinir, JoachimJoachim Patinir, style of | Sold at Galerie Fischer in Luzern in 1987, current location unknown | [196] | |
212 | Virgin and Child | Patinir, JoachimJoachim Patinir | Isenbrandt, AdriaenAdriaen Isenbrandt, school of | Isenbrandt, AdriaenAdriaen Isenbrandt | Museum of Fine Arts, Ghent | [197] | |
213 | Three angels | Master of Flémalle | Unknown, first half of the 16th century | 1902: collection Charles-Léon Cardon, Brussels; current location unknown | |||
214 | The deposition | van der Weyden, RogierRogier van der Weyden | Unknown, end of the 15th century | 1902: collection Ayerst Hooker Buttery, London; current location unknown | |||
215 | Virgin and Child | Memling, HansHans Memling | Memling, HansHans Memling, school of, possibly Passchier van der Mersch? Probably same artist as #140 above | Memling, HansHans Memling, style of | Metropolitan Museum of Art | [198] | |
216 | Virgin and Child | Memling, HansHans Memling | Unknown | 1902: collection Simkens, Antwerp; current location unknown | |||
217 | Portrait | David, GerardGerard David | 1902: collection James Simon, Berlin; current location unknown | ||||
218 | The Virgin embracing the head of the dead Christ | David, GerardGerard David | David, GerardGerard David or workshop | David, GerardGerard David, after | Sold at Sotheby's in 2007, current location unknown | [199] | |
219 | John the Baptist (grisaille) | Unknown | Bouts, DiericDieric Bouts, school of | Bouts, DiericDieric Bouts, style of or environment of | Cleveland Museum of Art | [200] | |
220 | Sibylle Persane | Mostaert, JanJan Mostaert | Benson, AmbrosiusAmbrosius Benson | Benson, AmbrosiusAmbrosius Benson | Sold by Sotheby's in 2002, current location unknown | [201] | |
221 | Portrait of a young women as Mary Magdalen | Gossaert, JanJan Gossaert | Gossaert, JanJan Gossaert or Bernard van Orley | Gossaert, JanJan Gossaert, attributed | Royal Museums of Fine Arts of Belgium | [202] | |
222 | Portrait of a lady | Memling, HansHans Memling | Unknown, c. 1540–1550 | 1902: collection Emile Pacully, Paris; current location unknown | |||
223 | Portrait of Justus van Bronckhorst | Unknown | Mostaert, JanJan Mostaert | Mostaert, JanJan Mostaert | Petit Palais | [203] | |
224 | Portrait of Margaretha of Austria | Gossaert, JanJan Gossaert | van Orley, BernardBernard van Orley | van Orley, BernardBernard van Orley, after | Sold at Christie's in 2007, current location unknown | [204] | |
225 | Hercules and Antaeus | Gossaert, JanJan Gossaert | Gossaert, JanJan Gossaert | Gossaert, JanJan Gossaert, after | Sold at Sotheby's, 1996; current location unknown | [205] | |
226 | Portrait of Richard III of England | Unknown | Unknown, English | 1902: collection Charles-Leon Cardon, Brussels; current location unknown | |||
227 | Backside of the wing of a triptych: The prophet Elia and the widow of Sarepta | Unknown | Unknown, Bruges, c. 1510–1520 | Groeningemuseum | |||
228 | Holy Family | Unknown | 1902: collection of Count d'Oultremont, Brussels; current location unknown | ||||
229 | Virgin and Child | Unknown | 1902: collection C. Baus, Ypres; current location unknown | ||||
230 | John the Baptist | Unknown | Unknown, first half of the 16th century | 1902: at Colnaghi, London; current location unknown | |||
231 | Portrait of a lady | Unknown | Unknown, French, c. 1475? | 1902: collection Somzée, Brussels; current location unknown | |||
232 | Portrait of a man | Unknown | Unknown, Dutch, c. 1520 | 1902: collection of Count Harrach, Vienna; current location unknown | |||
233 | Wing of a retable: Nativity | met de Bles, HerriHerri met de Bles | met de Bles, HerriHerri met de Bles | de Beer, JanJan de Beer, attributed | Barber Institute of Fine Arts | [206] | |
234 | Saint Christopher | met de Bles, HerriHerri met de Bles | Unknown, first half of the 16th century | Master of Frankfurt, circle of | National Gallery in Prague | [207] | |
235 | Rest of the Holy Family | Coffermans, MarcellusMarcellus Coffermans | Coffermans, MarcellusMarcellus Coffermans | Coffermans, MarcellusMarcellus Coffermans | Sold at Charpentier auctions, 1954: current location unknown | [208] | |
236 | Triptych; Christ on the cross, the Virgin and Saint John | Patinir, JoachimJoachim Patinir | 1902: collection Stowe, Buckingham; current location unknown | ||||
237 | Christ with the crown of thorns | Master of the Assumption | Unknown, School of Leuven, end of the 15th century | 1902: collection Götz Martius, Kiel; current location unknown | |||
238 | Christ | Matsys, QuentinQuentin Matsys | Bouts, DiericDieric Bouts or workshop | Bouts, AelbrechtAelbrecht Bouts, attributed | 1902: collection Somzée, Brussels; current location unknown | [209] | |
239 | Christ | Matsys, QuentinQuentin Matsys | 1902: collection Peyralbe, Brussels; current location unknown | ||||
240 | Saint Jerome | Matsys, JanJan Matsys | Unknown, second quarter of the 16th century | 1902: collection Peyralbe, Brussels; current location unknown | |||
241 | Judith with the head of Holophernes | Matsys, JanJan Matsys | Matsys, JanJan Matsys | Matsys, JanJan Matsys | Museum of Fine Arts, Boston | [210] | |
242 | Portrait of a man | van Reymerswaele, MarinusMarinus van Reymerswaele | Unknown, Dutch, second quarter of the 16th century | Gossaert, JanJan Gossaert, after | Philadelphia Museum of Art | [211] | |
243 | Holy Family | Unknown | Matsys, JanJan Matsys | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | |||
244 | Christ mourned by his mother and the holy women | Unknown | Engebrechtsz., CornelisCornelis Engebrechtsz. | Engebrechtsz., CornelisCornelis Engebrechtsz. | 1902: collection of Duke of Norfolk, London; current location unknown | [212] | |
245 | Pieta | Unknown | Unknown, Dutch, end of the 15th century | 1902: collection Le Roy, Paris; current location unknown | |||
246 | Adoration of the Magi | Unknown | Unknown, Bruges, c. 1520 | Bening, SimonSimon Bening, attributed, and/or after Lucas van Leyden | Louvre (possibly); in 1902: collection Somzée, Brussels | [213] | |
247 | A Saint | Unknown | Unknown, German | 1902: collection Bequet, Namur; current location unknown | |||
248 | Head of Christ | Matsys, QuentinQuentin Matsys | 1902: collection Bequet, Namur; current location unknown | ||||
249 | Front and back of the wings of a triptych: The Easter Lamb, The celestial manna, David dansing in fornt of the arch, Christ at Emmaüs | van Coninxloo, GillisGillis van Coninxloo | Not in exposition | According to Hulin, this panel was not in the exposition | |||
250 | Part of a triptych: Saint Nicolas of Tolentin | Unknown | Unknown, Bruges | 1902: cloister of the Black Sisters, Bruges; current location unknown | |||
251 | Saint Catherine | Unknown | Unknown, c. 1520–1530 | 1902: collection Van Speybrouck, Bruges; current location unknown | |||
252 | Christ with the crown of thorns | Unknown | Unknown, School of Leuven, fourth quarter of the 15th century | Bouts, AelbrechtAelbrecht Bouts, attributed | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | [214] | |
253 | Mater Dolorosa | Unknown | Unknown, School of Leuven, fourth quarter of the 15th century | Bouts, AelbrechtAelbrecht Bouts, attributed | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | [215] | |
254 | The miraculous fishing | Rombouts I, JanJan Rombouts I | Rombouts I, JanJan Rombouts I | Rombouts I, JanJan Rombouts I | Museum M, Leuven | [216] | |
255 | Calvary | tot Sint Jans, GeertgenGeertgen tot Sint Jans | Unknown, Dutch, c. 1510 | 1902: collection Glitza, Hamburg; current location unknown | |||
256 | Institution of the devotion of the rosary | Unknown | 1902: collection Turner, London; current location unknown | ||||
257 | Portrait of a man | van Leyden, LucasLucas van Leyden | van Leyden, LucasLucas van Leyden | van Leyden, AertgenAertgen van Leyden | Thyssen-Bornemisza Museum | [217] | |
258 | Portrait of Agatha van Schoonhoven, 1568 | van Scorel, JanJan van Scorel | van Scorel, JanJan van Scorel? | Unknown | Sold at Christie's in 1979: current location unknown | [218] | |
259 | Self portrait | van der Weyden, RogierRogier van der Weyden | van Cleve, JoosJoos van Cleve | van Cleve, JoosJoos van Cleve | Thyssen-Bornemisza Museum | [219] | |
260 | Triptych: Holy Family, Saint Catherine and Saint Barbara | Master of the Death of the Virgin | Master of the Holy Blood | Master of the Holy Blood | Kunsthalle Hamburg | [15][220][221] | |
261 | The martyrdom of Saint Matthew | Unknown | Unknown, German | 1902: collection Oesterrieth-Mols, Antwerp | |||
262 | Pieta | Bruyn the Elder, BarthelBarthel Bruyn the Elder | Unknown, c. 1520 | 1902: at Sedelmeyer, Paris; current location unknown | |||
263 | A concert | Master of the Female Half-Lengths | Master of the Female Half-Lengths | Master of the Female Half-Lengths | Rohrau castle, Rohrau, Austria | [222] | |
264 | Rest in Egypt | Master of the Female Half-Lengths | Master of the Female Half-Lengths | 1902: at Colnaghi, London; current location unknown | |||
265 | A lady writing a letter | Master of the Female Half-Lengths | Master of the Female Half-Lengths | Master of the Female Half-Lengths | Sold at Christie's, 178: current location unknown | [223] | |
266 | Rest in Egypt | Master of the Female Half-Lengths | Master of the Female Half-Lengths | Master of the Female Half-Lengths | Collection of Count d'Ursel, Bruges (1902); current location unknown | [224] | |
267 | Wings of a triptych: Annunciation (right) and Visitation (left) | David, GerardGerard David | 1902: collection of Count of Harrach, Vienna; current location unknown | ||||
268 | Virgin and Child | David, GerardGerard David | David, GerardGerard David or workshop | Collection of Baron of Bethune, Bruges; current location unknown | |||
269 | Virgin and Child | Bouts, DiericDieric Bouts | Bouts, DiericDieric Bouts? or workshop? | 1902: collection of Count Pourtalès, The Hague; current location unknown | |||
270 | Triptych: Descent from the Cross, Crown of thorns and Ecce Homo | Master of Oultremont | Mostaert, JanJan Mostaert | Mostaert, JanJan Mostaert | Royal Museums of Fine Arts of Belgium | [225] | |
271 | Descent from the cross | Matsys, QuentinQuentin Matsys | Unknown, first half of the 16th century | 1902: collection Novak, Prague; current location unknown | |||
272 | Triptych: Herodias receives the head of John the Baptist | van Leyden, LucasLucas van Leyden | Unknown, c. 1520, imitator of Lucas van Leyden? | 1902: collection Somzée, Brussels; current location unknown | |||
273 | Head of Family at the Chateau of Rumbeke | Unknown | Unknown, Flemish, c. 1535 | Master of the Female Half-Lengths, attributed | Adornes collection, Bruges | [226] | |
274 | Triptych; Carrying the cross, Calvary and Resurrection | Unknown | Unknown, Bruges, c. 1520–1530, in the style of Herri met de Bles | Master of 1518 | Basilica of the Holy Blood | [227] | |
275 | Triptych: Virgin and Child, Saint Catherine and Saint Barbara, The donor protected by John the Baptist and The donor's wife protected by Saint Catherine | Unknown | Unknown, Bruges, c. 1530 | Unknown | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | [228] | |
276 | Annunciation | Master of the Death of Mary | van Cleve, JoosJoos van Cleve | van Cleve, JoosJoos van Cleve | Metropolitan Museum of Art | [229] | |
277 | Salomon visited by the Queen of Sheba and David refuses to drink the water of Bethlehem | van Eyck, JanJan van Eyck | met de Bles, HerriHerri met de Bles | 1902: collection of Countess de Pourtalès, Paris; current location unknown | |||
278 | Virgin and Child | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys, pupil of, perhaps his son Jan Matsys | Matsys, QuentinQuentin Matsys, follower, and follower of Herri met de Bles | Metropolitan Museum of Art | [230] | |
279 | Crown of thorns | van Orley, BernardBernard van Orley | Unknown, second quarter of the 16th century | van Orley, BernardBernard van Orley or his surroundings | Lower Saxony State Museum | [231] | |
280 | Carrying the cross | van Orley, BernardBernard van Orley | Unknown, second quarter of the 16th century | van Orley, BernardBernard van Orley or his surroundings | Oriel College, Oxford | [232] | |
281 | Triptych: Virgin and Child, Saint Peter protects two man and a little girl, and Mary Magdalen protects two women and a girl | van Oostsanen, Jacob CorneliszJacob Cornelisz van Oostsanen | van Oostsanen, Jacob CorneliszJacob Cornelisz van Oostsanen | 1902: collection Miethke, Vienna; current location unknown | |||
282 | Episode from the Legend of Mary Magdalen | Unknown | Master of the Legend of the Magdalen | Master of the Legend of the Magdalen | Bode Museum | [233] | |
283 | Preaching of Mary Magdalen | Unknown | Master of the Legend of the Magdalen | Master of the Legend of the Magdalen | Philadelphia Museum of Art | [234] | |
284 | Frame of an horloge | Matsys, QuentinQuentin Matsys | Unknown, Leuven, c. 1500 | 1902: collection Van Even, Leuven; current location unknown | |||
285 | Carrying the Cross | Bosch, HieronymusHieronymus Bosch | Bosch, HieronymusHieronymus Bosch | Bosch, HieronymusHieronymus Bosch | Museum of Fine Arts, Ghent | [235] | |
286 | Christ in Limbo | Bosch, HieronymusHieronymus Bosch | Mandijn, JanJan Mandijn? | 1902: collection of Count Harrach, Vienna; current location unknown | |||
287 | The temptation of Saint Anthony and Flemish Proverbs | Bosch, HieronymusHieronymus Bosch | Bosch, HieronymusHieronymus Bosch, after | Bosch, HieronymusHieronymus Bosch, 17th-century follower of | Sold at Sotheby's in 2013, current location unknown | [236] | |
288 | Last Judgment | Bosch, HieronymusHieronymus Bosch | Bosch, HieronymusHieronymus Bosch, unknown imitator of | Bosch, HieronymusHieronymus Bosch, studio | Sold at Christie's in 2003 for £173,250; current location unknown | [237] | |
289 | Garden of earthly delights | Bosch, HieronymusHieronymus Bosch | Bosch, HieronymusHieronymus Bosch, after | Bosch, HieronymusHieronymus Bosch, after | Germanisches Nationalmuseum | [238] | |
290 | Left wing of a diptych: The donor Margareta van Metteneye protected by Saint Margarita | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel, circle of | Groeningemuseum | [239] | |
291 | Scenes from the legend of Saints Cosmas and Damian | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Saint James's Church, Bruges | [240] | |
292 | Saint Luc painting the Virgin and Child | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Groeningemuseum | [241] | |
293 | Madonna with the patron saints of the guild of painters of Bruges | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | St. Salvator's Cathedral | [242] | |
294 | Christ healing the sick | Gassel, LucasLucas Gassel | Gassel, LucasLucas Gassel | Gassel, LucasLucas Gassel | Sale from Weber collection, 1912: current location unknown | [15] | |
295 | Vocation of Saint Matthew | van Reymerswaele, MarinusMarinus van Reymerswaele | van Reymerswaele, MarinusMarinus van Reymerswaele | van Reymerswaele, MarinusMarinus van Reymerswaele | Thyssen-Bornemisza Museum | [243] | |
296 | Saint Jerome | van Reymerswaele, MarinusMarinus van Reymerswaele | van Reymerswaele, MarinusMarinus van Reymerswaele | van Reymerswaele, MarinusMarinus van Reymerswaele | Royal Museum of Fine Arts Antwerp | [244] | |
297 | Portrait of Otto Stochove | Unknown | Unknown, dated 1542 | Benson, AmbrosiusAmbrosius Benson | Groeningemuseum | [245] | |
298 | Portrait of Pierre Lootyns, 1557 | Unknown | Unknown, Bruges, dated 1557 | 1902: St. Salvator's Cathedral; current location unknown | |||
299 | Portrait of Jean Fernagant | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Groeningemuseum | [246] | |
300 | Portrait of Jacquemyne Buuck | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Groeningemuseum | [247] | |
301 | Triptych: Lady of Sorrows, The donor protected by Saint Josse and The donor's wife protected by Saint Catherine | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Saint James's Church, Bruges | [248] | |
302 | Wings of a triptych: Portraits of the members of the Brotherhood of the Holy Blood | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Museum of the Basilica of the Holy Blood | [249] | |
303 | Triptych: Last Supper, Meeting of Abraham and Melchidesek and Elia under the juniper tree | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | St. Salvator's Cathedral | [250] | |
304 | Portrait of Pierine Hellinc | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | 1902: collection Coppieters 't Wallant, Bruges; current location unknown | |||
305 | Wings of a triptych: Saint Anthony (right) and Abbot Antonius Wydoot (left) | Pourbus, PieterPieter Pourbus | Claeissens the Elder, PieterPieter Claeissens the Elder? | Claeissens the Elder, PieterPieter Claeissens the Elder | Groeningemuseum | [251] | |
306 | Portrait of a man | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus | Pourbus, PieterPieter Pourbus, attributed to | 1988: sold at Sotheby's; current location unknown | [252] | |
307 | Wings of a polyptych: Episodes of the Legend of Saint George | Unknown | Unknown, Bruges, c. 1490 | Groeningemuseum | [253] | ||
308 | Legend of Saint George | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel | Blondeel, LancelotLancelot Blondeel, follower of | Groeningemuseum | [254] | |
309 | Portrait of Robert Holman | Claeis, AntoineAntoine Claeis | Claeissens the Elder, PieterPieter Claeissens the Elder? | 1902: Seminary, Bruges; current location unknown | |||
310 | The Saviour adored by Robert Holman, abbot of Ter Duinen | Claeis, GillesGilles Claeis | Claeis, GillesGilles Claeis? | Unknown (Southern Netherlands, second half of the 16th century) or attributed to Gillis Claeis or attributed to Pieter Claeissens I | Collection C. L. Loyd | [255] | |
311 | Vision of Saint Bernard | Claeis, AntoineAntoine Claeis | 1902: St. Salvator's Cathedral; current location unknown | ||||
312 | Patron Saints of the guild of farmers, poultry merchants and dairies | Unknown, 1574 | Blondeel, LancelotLancelot Blondeel, imitator of, probably Antuenis Claeis | Blondeel, LancelotLancelot Blondeel, school of | Groeningemuseum | [256] | |
313 | Portraits: three men | Pourbus, FransFrans Pourbus | Pourbus, FransFrans Pourbus? | 1902: collection Verhaeghen, Merelbeke; current location unknown | |||
314 | The flagellation | Unknown | Unknown, Brussels, c. 1510–1520 | Master of the Beighem Altarpiece | Stolen from the church of Beigem before 1914: current location unknown | [257] | |
315 | Ecce Homo | Unknown | Unknown, Brussels, c. 1510–1520; same artist as 314 | Master of the Beighem Altarpiece | Stolen from the church of Beigem before 1914: current location unknown | [257] | |
316 | Calvary | Unknown | Unknown, Brussels, c. 1510–1520; same artist as 314 | Master of the Beighem Altarpiece | Stolen from the church of Beigem before 1914: current location unknown | [257] | |
317 | Resurrection | Unknown | Unknown, Brussels, c. 1510–1520; other artist than 314-316 | Master of the Beighem Altarpiece | Stolen from the church of Beigem before 1914: current location unknown | [257] | |
318 | Wings of a triptych: Doctors of the Church | Unknown | Unknown, Antwerp? or Guelders?, c. 1510? | Unknown, Netherlands, c. 1510 | Collection Martin le Roy, Paris (1902); current location unknown | [258] | |
319 | Last Supper | Unknown | Unknown, France | Unknown, French Picardy, c. 1490–1500 | Art Institute of Chicago | [259] | |
320 | Saint Hugh of Lincoln | Unknown | Unknown, France | Unknown, French Picardy, c. 1490–1500 | Art Institute of Chicago | [260] | |
321 | Episode of the Legend of Saint George | Unknown | Unknown, School of Avignon, first half of the 15th century | Martorell, BernardoBernardo Martorell | Louvre | [261] | |
322 | Portrait of a man | van Leyden, LucasLucas van Leyden | Unknown, Italian (Lombard?), date unknown | Unknown, Italy?, c. 1525 | Metropolitan Museum of Art | [262] | |
323 | Adoration of the magi | van der Weyden, RogierRogier van der Weyden | Unknown, Flanders, c. 1500 | van Gent, JustusJustus van Gent, attributed to, or unknown, c. 1480–1500 | Sold at Christie's in 1922; current location unknown | [263] | |
324 | Agony in the garden | Patinir, JoachimJoachim Patinir | Unknown, c. 1515 | 1902: collection S. Röhrer, Munich; current location unknown | |||
325 | Pieta | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Christus, PetrusPetrus Christus | Louvre | [264] | |
326 | Adoration of the magi | Unknown | Unknown c. 1520–1530 | van der Goes, HugoHugo van der Goes, follower of | Saint Louis Art Museum | [265] | |
327 | Triptych: Adoration of the magi, Annunciation and Nativity, and Flight to Egypt and Presentation in the Temple | van Eyck, MargaretaMargareta van Eyck | Unknown, c. 1515–1525 | 1902: collection Donaldson, London; current location unknown | |||
328 | Virgin and Child between two groups of angels | Unknown | Gossaert, JanJan Gossaert, copy after | Gossaert, JanJan Gossaert | Sold in 1940 at Parke-Bernett auction of the Clendenin J. Ryan collection, current location inknown | [266] | |
329 | The vision of Saint Bernard | Unknown | Unknown, Brabant, first half of the 16th century | Master of the Legend of the Magdalen | 1902: collection Sarre, Berlin; current location unknown | [267] | |
330 | Virgin and Child | Gossaert, JanJan Gossaert | van Orley, BernardBernard van Orley | van Orley, BernardBernard van Orley | Polesden Lacey | [268] | |
331 | Portrait of Lady Heneage | Holbein the Elder, HansHans Holbein the Elder | Unknown, France | 1902: collection Simon, Berlin; current location unknown | |||
332 | The Conversion of Saint Paul | van Oostsanen, Jacob CorneliszJacob Cornelisz van Oostsanen | Unknown, Ghent? or Tournai? | 1902: collection Verhaeghen, Merelbeke; current location unknown | |||
333 | Baptism of Christ | Patinir, JoachimJoachim Patinir | Patinir, JoachimJoachim Patinir, school of | 1902: Musée des Beaux-Arts Tournai; current location unknown | |||
334 | Center and left wing of a triptych: Birth of the Virgin and The meeting of Joachim and Anna | Unknown | Unknown, Flanders, c. 1520–1530 | 1902: Saint Nicholas Church, Diksmuide; current location unknown (possibly lost during the 1940 dexstruction of the church by fire) | |||
335 | Descent from the cross | Unknown | 1902: collection Jurié de Lavandal, Vienna; current location unknown | ||||
336 | Portrait of Pierre de Cuenync | Unknown | Unknown, Bruges, dated 1609 | 1902: St. Salvator's Cathedral; current location unknown | |||
337 | Portrait of Leonard Neyts | Unknown | Unknown, Bruges, end of the 16th century | 1902: St. Salvator's Cathedral; current location unknown | |||
338 | Man of sorrows | Unknown | Mostaert, JanJan Mostaert | Mostaert, JanJan Mostaert, style of | National Gallery | [269] | |
339 | Pilatus washing his hands | Unknown | Unknown, German | 1902: collection of Viscount de Ruffo Bonneval, Brussels; current location unknown | |||
340 | Portrait of Abel van de Coulster | Master of Oultremont | Mostaert, JanJan Mostaert? | Mostaert, JanJan Mostaert | Royal Museums of Fine Arts of Belgium | [270] | |
341 | Episodes from the legend of Saint Joseph | Unknown | Daret, JacquesJacques Daret, copy after | Campin, RobertRobert Campin, after | St Catharina Church, Hoogstraten | [271] | |
342 | Virgin and Child | Unknown | Provoost, JanJan Provoost | Provoost, JanJan Provoost, after Rogier van der Weyden | Musée des Beaux-Arts de Strasbourg | [272] | |
343 | Virgin and Child | Matsys, QuentinQuentin Matsys | David, GerardGerard David, possibly | David, GerardGerard David, attributed to | 2003: sold at Christie's; current location unknown | [273] | |
344 | A minor brother praying in front of bishops | Unknown | van der Weyden, RogierRogier van der Weyden, environment of | 1902: collection Van de Walle, Bruges; current location unknown | [274] | ||
345 | (Mistake in catalogue: same as 217) | ||||||
346 | Virgin and Child | Christus, PetrusPetrus Christus | Unknown, Flanders, 16th century | Christus, PetrusPetrus Christus, attributed, or attributed to Rogier van der Weyden, or unknown | Museum Godshuis Belle | [275] | |
347 | Christ on the cross, the Virgin and Saint John | Master of the Death of Maria | van Cleve, JoosJoos van Cleve | van Cleve, JoosJoos van Cleve, studio | 1993: sold at Sotheby's: current location unknown | [276] | |
348 | A Saint | Unknown | 1902: collection Schloss, Paris; current location unknown | ||||
349 | Triptych: Descent from the cross, The donor protected by Saint Louis and An Augustin canon, protected by John the Evangelist | Unknown | Unknown, Flanders, 16th century | 1902: collection Carpentier, Beernem; current location unknown | |||
350 | Virgin and Child | Unknown | Matsys, QuentinQuentin Matsys or his workshop | Matsys, QuentinQuentin Matsys, studio | sold at the Dorotheum in 1999 | [277] | |
351 | Portrait of a man | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys? | Matsys, QuentinQuentin Matsys | Musée Jacquemart-André | [278] | |
352 | Descent in limbo | Bellegambe, JeanJean Bellegambe | Unknown, Spain? or Tyrol? | 1902: collection Thibaut-Sisson, Paris; current location unknown | |||
353 | Triptych: Calvary, Carrying the cross, and Descent from the cross | Unknown | Unknown, Ghent? or Tournai?, c. 1515–1525; later work from the same hand as 332 | Unknown, Southern Netherlands, c. 1520–1530 | Seminary school of Tournai | [279] | |
354 | Calvary | Unknown | Unknown | Engebrechtsz., CornelisCornelis Engebrechtsz. (environment of) | Rijksmuseum | [280] | |
355 | Christ chasing the merchants from the Temple | Bosch, HieronymusHieronymus Bosch | Bosch, HieronymusHieronymus Bosch, imitator of | Bosch, HieronymusHieronymus Bosch, follower | Kelvingrove Art Gallery and Museum | [281] | |
356 | Adoration of the magi | Bruegel the Elder, PieterPieter Bruegel the Elder | Bruegel the Elder, PieterPieter Bruegel the Elder | 1902: collection Rott, Vienna; current location unknown | |||
357 | The Land of Cockaigne | Bruegel the Elder, PieterPieter Bruegel the Elder | Bruegel the Elder, PieterPieter Bruegel the Elder | Bruegel the Elder, PieterPieter Bruegel the Elder | Alte Pinakothek | [282] | |
358 | The Census at Bethlehem | Bruegel the Elder, PieterPieter Bruegel the Elder | Bruegel the Elder, PieterPieter Bruegel the Elder | Bruegel the Elder, PieterPieter Bruegel the Elder | Royal Museums of Fine Arts of Belgium | [283] | |
359 | The ill-matched lovers | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys | Matsys, QuentinQuentin Matsys | National Gallery of Art | [284] | |
360 | Triptych: Descent from the cross, Saint Philip, and The donor protected by Saint George | Claeissens, AntoonAntoon Claeissens | Claeissens, AntoonAntoon Claeissens | Claeissens, AntoonAntoon Claeissens | St. Salvator's Cathedral | [285] | |
361 | Wings of a triptych: The donor Juan II Pardo protected by John the Evangelist (right) and The wifes of the donor protected by Saint Anna and the Virgin | Claeissens, AntoonAntoon Claeissens | Claeissens, AntoonAntoon Claeissens | Claeissens, AntoonAntoon Claeissens, attributed to | Groeningemuseum | [286] | |
362 | Calvary | Unknown | Unknown, Brabant, early 16th century | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | |||
363 | Holy Family | Unknown | Unknown, second quarter of the 16th century | 1902: collection Thibaut-Sisson, Paris; current location unknown | |||
364 | Christ on the cross, the Virgin and Saint John | Unknown | Isenbrandt, AdriaenAdriaen Isenbrandt, style of | 1902: collection De Bruyne, Antwerp; current location unknown | |||
365 | Mater Dolorosa | van der Weyden, RogierRogier van der Weyden | Unknown | Bouts, DiericDieric Bouts, after or style of | 1902: collection Van Speybrouck, Bruges; current location unknown | [287] | |
366 | Triptych: Virgin and Child, a Bishop-Saint, and Saint Louis | van Coninxloo, GillisGillis van Coninxloo | Unknown, Brabant, c. 1530? | Coecke van Aelst, PieterPieter Coecke van Aelst, studio | National Gallery | [288] | |
367 | Saint Christoph | met de Bles, HerriHerri met de Bles | Unknown | Unknown | Sale from Weber collection, 1912: current location unknown | [15] | |
368 | Triptych: Temptation of Saint Anthony | Bruegel the Elder, PieterPieter Bruegel the Elder | Bosch, HieronymusHieronymus Bosch, imitator of | Bosch, HieronymusHieronymus Bosch, copy | Georgium (wings only; location of the central panel unknown) | [289] | |
369 | Adoration of the magi | Unknown | 1902: collection Snyers, Brussels; current location unknown | ||||
370 | Saint Donatian | Gossaert, JanJan Gossaert | Gossaert, JanJan Gossaert | Gossaert, JanJan Gossaert | Musée des Beaux-Arts Tournai | [290] | |
371 | Wing of a triptych: John the Evangelist and Saint Agnes | Massys, QuentinQuentin Massys | Massys, QuentinQuentin Massys | Massys, QuentinQuentin Massys | Wallraf-Richartz Museum | [291] | |
372 | Virgin and Child | Massys, QuentinQuentin Massys | Unknown, c. 1515–1525 | Master of the Mansi Magdalen | Metropolitan Museum of Art | [292] | |
373 | Christ | Unknown | Massys, QuentinQuentin Massys, after | 1902: collection of Baron de Schickler, Paris; current location unknown | |||
374 | Triptych: Saints Christoph, Jerome and Anthony | Unknown | Unknown, Brabant, first half of the 16th century | Meester van de Heiligenfiguren | Museum Mayer van den Bergh | [293] | |
375 | Triptych: Christ mourned by his mother, Saint John and the Holy Women, Saint Anna, the Virgin and Child and Saint Francis receiving the stigmata | met de Bles, HerriHerri met de Bles | met de Bles, HerriHerri met de Bles, style of | 1902: collection Turner, London; current location unknown | |||
376 | Holy Family | Master of the Death of Mary | van Cleve, JoosJoos van Cleve, copy | van Cleve, JoosJoos van Cleve, after | 1902: collection Sedelmeyer, Paris; current location unknown | [294] | |
377 | The agony of Christ in the Garden of Olives | Unknown | Master of the Holy Kinship | Unknown, possibly Northern Netherlands, dated 1489 | 2007: for sale at Sotheby's; current location unknown | [295] | |
378 | Six apostles | Unknown | Unknown, German | Derick Baegert | Royal Museums of Fine Arts of Belgium | [296] | |
379 | Calvary | Unknown, 16th century | van Oostsanen, Jacob CorneliszJacob Cornelisz van Oostsanen | 1902: collection Viscount de Ruffo Bonneval, Brussels; current location unknown | |||
380 | Triptych: Adoration of the magi, Nativity and The presentation in the Temple | van der Weyden, RogierRogier van der Weyden | Unknown, Utrecht, c. 1520–1530 | Unknown | 1902: collection Glitza, Hamburg; current location unknown | [297] | |
381 | Portrait of a monk | van der Weyden, RogierRogier van der Weyden | Unknown, late 15th century | Unknown, French, c. 1480 | National Gallery of Art | [298] | |
382 | Two monks in prayer (The Hypocrites) | Unknown | Massys, QuentinQuentin Massys, imitator of | Massys, QuentinQuentin Massys | Doria Pamphilj Gallery | [299] | |
383 | Saint Anna, the Virgin and Child | Unknown | Unknown, Southern Netherlands, first half of the 16th century | 1933: sold at Dorotheum; current location unknown | [300] | ||
384 | Episodes from the life of the Virgin | Unknown | Blondeel, LancelotLancelot Blondeel? | Blondeel, LancelotLancelot Blondeel, attributed | Tournai Cathedral | [301] | |
385 | Virgin and Child | Unknown | Isenbrandt, AdriaenAdriaen Isenbrandt | 1902: collection of Baron Surmont de Volsberghe, Ypres; current location unknown | |||
386 | Portrait of a man, 1541 | Unknown | 1902: collection of the Count of Harrach, Vienna; current location unknown | ||||
387 | Portrait of a man | Pourbus, FransFrans Pourbus | Key, AdriaenAdriaen Key | 1902: collection Porgès, Paris; current location unknown | |||
388 | Descent from the cross | Unknown | van der Goes, HugoHugo van der Goes, copy after? 16th century | van der Goes, HugoHugo van der Goes, copy | Musée des Beaux-Arts Tournai | [302] | |
389 | The creation of Eve, the sin of Adam, the expulsion from Paradise | Unknown | Artist curr. | 1902: St Martin's Cathedral, Ypres; current location unknown | |||
390 | Christ with the crown of thorns | Unknown | van Orley, BernardBernard van Orley? | 1902: Tournai Cathedral | |||
391 | Christ carrying the cross | van Leyden, LucasLucas van Leyden | Goltzius, HendrickHendrick Goltzius? | 1902: collection Schloss, Paris; current location unknown | |||
392 | Christ insulted by the soldiers | van Leyden, LucasLucas van Leyden | Goltzius, HendrickHendrick Goltzius? | 1902: collection Schloss, Paris; current location unknown | |||
393 | Last Supper, Passion and Resurrection | Goltzius, HendrickHendrick Goltzius | 1902: collection Cardon, Brussels; current location unknown | ||||
394 | Christ chasing the merchants from the Temple | Massys, QuentinQuentin Massys | Massys, QuentinQuentin Massys, follower | Royal Museum of Fine Arts Antwerp | [303] | ||
395 | Diptych: The conversion of Saint Paul (right) and The fall of Simon the magician (left) | van Rillaer, JanJan van Rillaer | Rombouts, JanJan Rombouts | M - Museum Leuven | [304] | ||
396 | Christ in Emmaüs | met de Bles, HerriHerri met de Bles | Unknown, mid-16th century | 1902: collection Helbig, Liège; current location unknown | |||
397 | Adoration of the magi | Unknown | Unknown, Bruges, c. 1510 | 1902: collection Ryelandt, Bruges; current location unknown | |||
398 | Holy Family | Unknown | Unknown | 1902: collection Novak, Prague; current location unknown | |||
399 | Descent from the cross | Massys, JanJan Massys | 1902: collection Novak, Prague; current location unknown | ||||
400 | Virgin and Child | Unknown | Unknown | 1902: collection Servais, Liège; current location unknown | |||
401 | Portrait of a young man | Unknown | Unknown, second half the 16th century | 1902: collection Errera, Brussels; current location unknown | |||
402 | Descent from the cross | Unknown | Unknown, Flanders, c. 1540 | Unknown | 1902; collection Iweyns d'Eeckhout, Sint-Kruis-Brugge; current location unknown | [305] | |
403 | Saint Jerome | Massys, JanJan Massys | Unknown | 1902: collection Van Even, Leuven; current location unknown | |||
404 | Saint Barbara | Unknown | Unknown, Flanders, probably Bruges, c. 1500 | Master of the Embroidered Foliage | Museum Boijmans Van Beuningen | [306] | |
405 | Saint Catherine | Unknown | Unknown, Flanders, probably Bruges, c. 1500, same hand as 404, wings of same triptych? | Master of the Embroidered Foliage | Museum Boijmans Van Beuningen | [307] | |
406 | The meeting between Esau and Jacob | Lombard, LambertLambert Lombard | Unknown | 1902: collection Scheen, Vonck; current location unknown | |||
407 | Portrait of a women carrying a vase of flowers | van Orley, BernardBernard van Orley | 1902: at Sedelmeyer, Paris; current location unknown | ||||
408-413 | Wings of the libraries of the abbey Ter Duinen with the portraits of the abbots and the counts and countesses of Flanders | Unknown | Unknown, Bruges, dated 1480 | Unknown | Seminary, Bruges | [308] |
Some authors have also mentioned other works they had seen at the exhibition, but which were not included in the official catalogue. Friedländer mentions a work from the circle of Ambrosius Benson, after Gerard David, depicting the Adoration of the magi, now in the Collecion Lempertz.[309]
Notes
- ↑ Bohn, Babette (2013). A companion to Renaissance and Baroque Art. John Wiley & Son. p. 513. ISBN 9781118391501.
- ↑ 2.0 2.1 2.2 Krul, Wessel (2005). "4. Realism, Renaissance and Nationalism". Early Netherlandish Paintings: Rediscovery, Reception, and Research. Getty. p. 481. ISBN 9780892368167.
- ↑ 3.0 3.1 3.2 Graham, Jenny (2007). Inventing Van Eyck: The Remaking of an Artist for the Modern Age. Berg. p. 259. ISBN 9781845207762.
- ↑ 4.0 4.1 Paumen, Vanessa. "De Vlaamse primitieven: What's in a name?". De Vlaamse Kunstcollectie.be. Retrieved 16 December 2013.
- ↑ Stigter, Bianca (2009). "Voor eksters geschilderd. Jan van Eyck in Brugge". De ontsproten Picasso (in Dutch). Atlas Contact. ISBN 9789025430412.
- ↑ "Exhibition culture in London 1878–1908". Exhibition Culture.
- ↑ "Prinselijk bezoek voor de Tentoonstelling der Vlaamse Primitieven.". Beeldbank Brugge. Retrieved 16 December 2013.
- ↑ Ridderbos, Bernhard (2005). "3. From Waagen to Friedländer". Early Netherlandish Paintings: Rediscovery, Reception, and Research. Getty. p. 481. ISBN 9780892368167.
- ↑ Boyens, Piet (1998). Sint-Martens-Latem. Lannoo. p. 517. ISBN 9789020934977.
- ↑ 10.0 10.1 Weale, W. H. James (1902). Exposition des Primitifs flamands et d'Art ancien. Bruges. Première section: tableaux. Catalogue (in French). Bruges: Desclée, De Brouwer. p. 186.
- ↑ 11.0 11.1 Hulin de Loo, Georges (1902). Exposition de tableaux flamands des XIVe, XVe et XVIe siècles: catalogue critique (in French). Ghent: A. Siffer. p. 123.
- ↑ Hymans, Henri (1902). L'exposition des primitifs flamands à Bruges (in French). Paris: Gazette des Beaux-Arts. p. 89.
- ↑ Van de Woestijne, Karel (1949). "De Vlaamsche primitieven Hoe ze waren te Brugge". Verzameld werk. Deel 4. Beschouwingen over literatuur en kunst (in Dutch). Bussul: Van Dishoeck.
- ↑ "Museum Godshuis Belle". Toerisme Ieper.
- ↑ 15.0 15.1 15.2 15.3 15.4 15.5 Friedländer, Max Jakob (1912). Galerie Weber, Hamburg (in German).
- ↑ "Chapelle Cardon" (in French). Louvre.
- ↑ "Crucifixion with the saints Catherine and Barbara". De Vlaamse Primitieven.
- ↑ "De drie Maria's bij het lege graf, c. 1425–1435". Netherlands Institute for Art History.
- ↑ "De investituur van de H. Rombout als bisschop van Dublin, c. 1520". Netherlands Institute for Art History.
- ↑ "Het Lam Godsretabel, 1432 gedateerd". Netherlands Institute for Art History.
- ↑ "Maria met kind, de HH. Donaas (Donatianus van Reims) en Joris met kanunnik Joris van der Paele, 1436 gedateerd". Netherlands Institute for Art History.
- ↑ "De H. Barbara". Netherlands Institute for Art History.
- ↑ "Portret van Margaretha van Eyck, de vrouw van de schilder, 1439 gedateerd". Netherlands Institute for Art History.
- ↑ "Maria met kind bij een fontein, 1439 gedateerd". Netherlands Institute for Art History.
- ↑ "Pieter Wijts in aanbidding voor Maria met kind, 17de eeuw naar c. 1445". Netherlands Institute for Art History., "De Wijtstriptiek: Het brandende braambos (linksboven), Gideon en de engel (linksbeneden), Pieter Wijts in aanbidding voor Maria met kind (midden), de poort van Ezechiel (rechtsboven), Aäron (rechtsbeneden), 17de eeuw naar c. 1445".
- ↑ "Portret van een man met blauwe kaproen, c. 1429". Netherlands Institute for Art History.
- ↑ "Hans Memling, Portrait of an old man". Metropolitan Museum of Art.
- ↑ "Een goudsmid in zijn winkel, mogelijk de H. Eligius, 1449 gedateerd". Netherlands Institute for Art History.
- ↑ "Petrus Christus, portrait of a young man". National Gallery.
- ↑ "De kruisiging". Netherlands Institute for Art History.
- ↑ "De bewening van Christus met donoren, vermoedelijk Anselmus Adornes en Margaretha van der Banck, c. 1455–1460". Netherlands Institute for Art History.
- ↑ "Tronende Maria met kind, c. 1500". Netherlands Institute for Art History.
- ↑ "De kruisafneming met stichter, c. 1450". Netherlands Institute for Art History.
- ↑ "Follower of Robert Campin, the Virgin and Child before a Firescreen". National Gallery.
- ↑ "Madonna of the Fireplace, c. 1500". Object of the Month. Bob Jons University Museum and Gallery. February 2013.
- ↑ "Rogier van der Weyden, Nood Gods". Royal Museums of Fine Arts of Belgium.
- ↑ "Attributed to Rogier van der Weyden, Portrait of a Man". Thyssen-Bornemisza Museum.
- ↑ "Portret van een jonge man, c. 1450". Netherlands Institute for Art History.
- ↑ "Rogier van der Weyden, Virgin and Child". Art Institute of Chicago.
- ↑ "Rogier van der Weyden (navolger), Huwelijk van Jozef en Maria / Tiburtijnse Sibille". Balat.
- ↑ "Rogier van der Weyden, The Virgin and Child enthroned". Thyssen-Bornemisza Museum.
- ↑ "Probably South of France, Pietà with Donor". Frick Collection.
- ↑ "Unknown, portrait of John the Fearless". BALaT.
- ↑ "De H. Johannes de Doper in de wildernis, c. 1485–1490". Netherlands Institute for Art History.
- ↑ "Triptych of Saint Erasmus". Flemish Primitives.
- ↑ "The Last Supper". Flemish Primitives.
- ↑ "Martyrdom of Saint Hippolytus". Flemish Primitives.
- ↑ "Dieric Bouts, portrait of a man". Metropolitan Museum of Art.
- ↑ "Christus in het huis van Simon de Farizeër met een stichtersportret, c. 1445–1450". Netherlands Institute for Art History.
- ↑ "De kruisiging, c. 1465". Netherlands Institute for Art History.
- ↑ "Albrecht Bouts". McNay Art Museum.
- ↑ "Master of the Legend of Saint Catherine, Last supper". BALaT.
- ↑ "Master of the Tiburtine Sibyl, Virgin and Child". BALaT.
- ↑ "Dirk Bouts, Saint Joseph et deux bergers (Fragment d'une Nativité)". BALaT KIK-IRPA.
- ↑ "De Kerk, 1470–1483".
- ↑ "De Synagoge, 1470–1483". Netherlands Institute for Art History.
- ↑ "Vier episoden uit het leven van de H. Ursula, 1470–1483". Netherlands Institute for Art History.
- ↑ "Maria met kind, de H. Maria Magdalena en een vrouwelijke donor, laatste kwart 15de eeuw". Netherlands Institute for Art History.
- ↑ "Jan de Witte, burgemeester van Brugge (links), Maria met kind (midden), Maria Hoose, echtgenote van Jan de Witte (rechts), 27-06-1473 gedateerd". Netherlands Institute for Art History.
- ↑ "Drie taferelen uit het leven van de H. Lucia: Lucia en haar moeder met een groep bedelaars en pelgrims (links); Lucia wordt voor de consul geleid (midden); De ossen proberen Lucia weg te voeren (rechts), 1480 gedateerd". Netherlands Institute for Art History.
- ↑ "Het sterfbed van Maria, c. 1481–1482". Netherlands Institute for Art History.
- ↑ "The Master of the Baroncelli Portraits (active Bruges, circa 1489) Pentecost". Christie's.
- ↑ "De nederdaling van de H. Geest (Pinksteren) met stichterspaar, c. 1490". Netherlands Institute for Art History.
- ↑ "Circle of Dieric Bouts". Christie's.
- ↑ "School of Dirk Bouts, Virgin and Child". BALaT.
- ↑ "Hans Memling, Portrait of a man with a Roman coin". Flemish Primitives.
- ↑ "Hans Memling, The Donne Triptych". National Gallery.
- ↑ 68.0 68.1 "Portinari double portrait by Memling". Metropolitan Museum of Art.
- ↑ "Hans Memling, Saint John Altarpiece". Flemish Primitives.
- ↑ "Hans Memling, Triptych of Jan Floreins". Flemish Primitives.
- ↑ "Hans Memling: Triptych of Adriaan Reins". Flemish Primitives.
- ↑ "Hans Memling, Sibylla Sambetha". Flemish Primitives.
- ↑ "Hans Memling, Virgin and Child with Saints Catherine of Alexandria and Barbara". Metropolitan Museum of Art.
- ↑ "Hans Memling, Portret van Willem Moreel" (in Dutch). Royal Museums of Fine Arts of Belgium.
- ↑ "Hans Memling, Portret van Barbara van Vlaenderberch" (in Dutch). Royal Museums of Fine Arts of Belgium.
- ↑ "Hans Memling, Moreel triptych". Flemish Primitives.
- ↑ "Hans Memling, Diptych of Maarten van Nieuwenhove". Flemish Primitives.
- ↑ "Hans Memling, Saint Ursula Shrine". Flemish Primitives.
- ↑ "Hans Memling, Saint Sebastian" (in Dutch). Royal Museums of Fine Arts of Belgium.
- ↑ "Hans Memling, Portrait of a Man with an Arrow". National Gallery of Art.
- ↑ "Portret van een bejaard echtpaar (vrouw), c. 1470–1472". Netherlands Institute for Art History.
- ↑ "Maria met kind, eind 15de eeuw". Netherlands Institute for Art History.
- ↑ "Hans Memling, Portrait". Mauritshuis.
- ↑ 84.0 84.1 "Hans Memling, Portraits". Brukenthal Museum.
- ↑ "Hans Memling, Heads of Jews and Roman soldiers shouting and gesticulating". Art Sales Index.
- ↑ "Hans Memling, A Young Man at Prayer". National Gallery.
- ↑ "Tronende Madonna met kind en engel, c. 1485–1490". Nederlands Instituut voor Kunstgeschiedenis.
- ↑ "Hans Memling, Madonna and Child with angels". national Gallery of Art.
- ↑ "De geboorte van Christus, c. 1470–1472". Nederlands Instituut voor Kunstgeschiedenis.
- ↑ "Staande Maria met kind en de H. Antonius met stichter, 1472 gedateerd". Nederlands Instituut voor Kunstgeschiedenis.; the RKD incorrectly identifies this work with the #72 of the exhibition, which had the same owner in 1902, but different subject and dimensions
- ↑ "Hans Memling, Virgin and Child". BALaT.
- ↑ "Copy after Hans Memling, Virgin and Child". BALaT.
- ↑ "Hans Memling, Christ with Singing and Music-making Angels". Royal Museum of Fine Arts Antwerp.
- ↑ "Hans Memling, Annunciation". Metropolitan Museum of Art.
- ↑ "Hans Memling, Der büssende Hl. Hieronymus" (in German). Bachoven-Burckhardt Stiftung.
- ↑ "Master of the Saint Catherine Legend , Saint Michael; The Mass of Saint Gregory; Saint Jerome". Metropolitan Museum of Art.
- ↑ "Netherlandish painter, Portrait of a man in a turban". Metropolitan Museum of Art.
- ↑ "Maria met kind (midden); harpspelende engel (links); luitspelende engel (rechts), laatste kwart 15de eeuw". Netherlands Institute for Art History.
- ↑ "Hans Memling, Compassion for the Dead Christ, with a Donor". Doria Pamphilj Gallery.
- ↑ "Hans Memling, Lamentation of Christ". Museum Boijmans van Beuningen.
- ↑ "De H. Johannes de Doper (links); de H. Hieronymus (rechts), 1529". Netherlands Institute for Art History.
- ↑ "Attributed to Aelbrecht Bouts, Christ appears to his mother". BALaT.
- ↑ "Follower of Rogier van der Weyden, Portrait of a young lady". BALaT.
- ↑ "Copy after Rogier van der Weyden, Saints Margareta and Appolonia". BALaT.
- ↑ "Jan Provost, Virgin and Child". Metropolitan Museum of Art.
- ↑ "Maria met kind en inktpot, c. 1500–1510". Netherlands Institute for Art History.
- ↑ "Jean Hey, François de Chateaubriand Commended by St. Maurice". VADS - NICE.
- ↑ "Simon Marmion, Saint Jerome and a Canon Praying". Phiadelphia Museum of Art.
- ↑ "Unknown, The emperor surrounded by electors". BALaT.
- ↑ "Jan van Eeckele?, Mater Dolorosa". Flemish Primitives.
- ↑ "Maria met kind". Netherlands Institute for Art History.
- ↑ "Rogier van der Weyden, Portrait of a Lady". National Gallery of Art.
- ↑ Hulin de Loo, Georges (1902). Quelques peintres Brugeois de la première moitié du XVIe siècle (in French). Ghent: Hoste.
- ↑ "De boodschapper van Abner voor koning David (2 Samuel 3:12) en twee stichtersportretten, c. 1480".
- ↑ "De investituur van de H. Ildefonsus, laatste kwart 15de eeuw". Netherlands Institute for Art History.
- ↑ "Follower of Rogier van der Weyden, Maria Lactans". Museum Mayer van den Bergh.
- ↑ "Maria met kind en elf vrouwelijke heiligen". Netherlands Institute for Art History.
- ↑ "Saint Luke drawing the Virgin by Dieric Bouts the elder". National Trust.
- ↑ "Rogier van der Weyden (copy), Saint Luke drawing the Virgin". BALaT.
- ↑ "Gerard David, De Transfiguratie" (in Dutch). Lucasweb.
- ↑ "Master of 1499, Diptycj of Christiaan de Hondt". Flemish Primitives.
- ↑ "Justus van Gent, Calvarieberg-retabel" (in Dutch). Openbaar Kunstbezit in Vlaanderen.
- ↑ "De kruisdraging, de kruisiging en de bewening, ca. 1500". Netherlands Institute for Art History.
- ↑ "Rogier van der Weyden and Studio, Lamentation of Christ". Mauritshuis.
- ↑ "Het oordeel van Cambyses: de aanhouding van Sisamnes, 1498 gedateerd". Netherlands Institute for Art History.
- ↑ "Het oordeel van Cambyses: het villen van Sisamnes, 1498 gedateerd". Netherlands Institute for Art History.
- ↑ "De doop van Christus in de Jordaan, c. 1502–1508". Netherlands Institute for Art History.
- ↑ "Maria met kind, vrouwelijke heiligen, musicerende engelen en stichters, 1509". Netherlands Institute for Art History.
- ↑ "Gerard David and workshop: the Saint Anne Altarpiece". National Gallery of Art.
- ↑ "De bewening, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "De annunciatie (de aartsengel Gabriël) (het Cervara-Altaar), 1506". Netherlands Institute for Art History.
- ↑ "De annunciatie (Maria) (het Cervara-Altaar), 1506". Netherlands Institute for Art History.
- ↑ "Simon Bening (attributed), John the Baptist preaching and the Baptism of Christ". Flemish Primitives.
- ↑ "Maria met kind, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Follower or assistant of Simon Marmion, Pentecost showing the Virgin surrounded by the twelve apostles". Fitzwilliam Museum.
- ↑ "Maria met kind, ca. 1500". Netherlands Institute for Art History.
- ↑ "Johannes de Doper (links); de H. Franciscus (rechts), c. 1485–1490". Netherlands Institute for Art History.
- ↑ "De aanbidding van de Wijzen, c. 1490". Netherlands Institute for Art History.
- ↑ "Master of the Bruges Adoration, the Adoration of the Kings". Flemish Primitives.
- ↑ "Ecce Homo, c. 1476 of later". Netherlands Institute for Art History.
- ↑ "H. Christoforus, H. Franciscus, H. Hieronymus, H. Antonius Abt, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ Sterling, Charles. Fifteenth- to Eighteenth-century European Paintings: France, Central Europe, the Netherlands, Spain, and Great Britain. Metropolitan Museum of Art. p. 85. ISBN 9780870998812.
- ↑ 143.0 143.1 "Biddende kannunik voor een bidstoel met H. Maria Magdalena en H. Johannes de Doper, met op de achtergrond de Doop in de Jordaan (linkerluik); Geknielde karthuizer monnik met H. Andreas en H. Catharina, met op de achtergrond H. Christoffel (rechterluik), c. 1490–1500". Netherlands Institute for Art History.
- ↑ "Portret van een jonge man met een hartvormig gebedenboek, c. 1480". Netherlands Institute for Art History.
- ↑ "Maria met kind en vrouwelijke heiligen". Netherlands Institute for Art History.
- ↑ "De H. Rombout verlaat zijn ouders, c. 1490". Netherlands Institute for Art History.
- ↑ "God de Vader tussen twee engelen (het Cervara-Altaar), 1506". Netherlands Institute for Art History.
- ↑ "De H. Franciscus van Assisi doet afstand van zijn wereldse kleren, c. 1510". Netherlands Institute for Art History.
- ↑ "De verschijning van de H. Maagd Maria aan de H. Ildefonso". Netherlands Institute for Art History.
- ↑ "Tronende Maria met kind". Netherlands Institute for Art History.
- ↑ "Maria met kind bij een fontein, c. 1516–1520". Netherlands Institute for Art History.
- ↑ "De mis van de H. Gregorius, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "De Gierigaard en de Dood, jaren 1510 of 1520". Netherlands Institute for Art History.
- ↑ "Maria met kind, heiligen en een stichter, c. 1505". Netherlands Institute for Art History.
- ↑ "Portret van Antonio Siciliano met de H. Antonius, c. 1508". Netherlands Institute for Art History.
- ↑ "Portret van mogelijk Floris van Egmond (1469–1539), eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ Hand, John Oliver (2006). "23". Prayers and Portraits: Unfolding the Netherlandish Diptych. Yale University Press. p. 156. ISBN 9780300121551.
- ↑ "De visitatie en de geboorte (links), het sterfbed van Maria (midden), de aanbidding van de Wijzen en de presentatie (rechts), de tempelgang van Maria (linksboven), de annunciatie (rechtsboven), 1520 gedateerd". Netherlands Institute for Art History.
- ↑ Worcester Art Museum (1974). European Paintings in the Collection of the Worcester Art Museum. Univ. of Massachusetts Press. p. 154. ISBN 9780870231698.
- ↑ "De H. Maria Magdalena (pendant: de H. Maria Egyptica), 1514–1524"., "De H. Maria Egyptica (pendant: de H. Maria Magdalena), 1514–1524". Netherlands Institute for Art History.
- ↑ "Het Laatste Oordeel, 1525 gedocumenteerd". Netherlands Institute for Art History.
- ↑ "Het Laatste Oordeel, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Het Laatste Oordeel". Netherlands Institute for Art History.
- ↑ "De kroning van Maria, 1517–1522". Netherlands Institute for Art History.
- ↑ "De boetvaardige H. Hieronymus in de wildernis, c. 1500–1510". Netherlands Institute for Art History.
- ↑ "Maria met kind, gekroond door twee engelen, 1470–1499".
- ↑ "De H. Catharina van Alexandrië (links), Maria met kind (midden), de H. Barbara (rechts)". Netherlands Institute for Art History.
- ↑ "Zes panelen verwijzend naar de aardse ijdelheid en de hemelse verlossing, 1485 of later". Netherlands Institute for Art History.
- ↑ "Luitspelende engel (links); tronende Maria met kind, gekroond door engelen (midden); harpspelende engel (rechts)". Netherlands Institute for Art History.
- ↑ "Maria van de Zeven Smarten". Netherlands Institute for Art History.
- ↑ "Portretten van Joris van de Velde, zijn vrouw Barbara Le Marie en hun kinderen met de heiligen Joris en Barbara". Netherlands Institute for Art History.
- ↑ "Portret van een stichter met zoon en Johannes de Evangelist (links); portret van een stichteres met drie dochters en een vrouwelijke heilige (rechts)". Netherlands Institute for Art History.
- ↑ "Jean Hey, Portrait presumé de Madeleine de Bourgogne, dame de Laage, presentée par Sainte Madeleine" (in French). Joconde.
- ↑ "De H. Maria Magdalena in een landschap". Netherlands Institute for Art History.
- ↑ "Tronende Maria met stichtersfamilie". Netherlands Institute for Art History.
- ↑ "De H. Philippus met de stichter Philip Wielant; De presentatie in de tempel; De H. Johannes de Evangelist met de stichteres Jeanne van Haleweyn". Netherlands Institute for Art History.
- ↑ "De HH. Michael, Andreas en Franciscus met in de achtergrond de kruisiging". Netherlands Institute for Art History.
- ↑ "Copy after Rogier van der Weyden, Calvary". BALaT.
- ↑ "De H. Lucas, mogelijk een zelfportret van de kunstenaar, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "De H. Maria Magdalena lezend". Netherlands Institute for Art History.
- ↑ "Kruisdraging (linkerluik); Portret van een minderbroeder (rechterluik) Een doodshoofd (achterzijde rechterluik), 1522 gedateerd". Netherlands Institute for Art History.
- ↑ "Portret van een kanunnik, 1525–1530". Netherlands Institute for Art History.
- ↑ "Maria met kind op de maansikkel (links), de aanbidding van de Wijzen (midden), de nederdaling van de Heilige Geest (rechts), eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Goswijn van der Weyden, Saint Catherine and the Philosophers". BBC Your paintings.
- ↑ "De maaltijd te Emmaus (Lucas 24: 30-31), eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Lancelot Blondeel (attributed), Scènes uit het leven van Sint-Antonius en Paulus / Zicht op de haven van Nieuwpoort". BALaT.
- ↑ "De kruisiging, 1515–1517". Netherlands Institute for Art History.
- ↑ "De H. Johannes de Doper (links), de rust op de vlucht naar Egypte (midden), de H. Cornelius (rechts), c. 1515–1516". Netherlands Institute for Art History.
- ↑ "Landschap met de rust op de vlucht naar Egypte, c. 1515–1516". Netherlands Institute for Art History.
- ↑ "De roeping van Petrus (Matth.4:18-22), eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Bergachtig landschap met de H. Hieronymus, 1547 gedateerd". Netherlands Institute for Art History.
- ↑ "Rogier van der Weyden, Holy Trinity". Flemish Primitives.
- ↑ "Albert Cornelis, The Glorification of the Virgin". VADS.
- ↑ "Maria met kind, na 1510". Netherlands Institute for Art History.
- ↑ "Maria met kind". Netherlands Institute for Art History.
- ↑ "Maria met kind, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Adriaen Isenbrandt, Virgin and Child". BALaT.
- ↑ "Style of Hans Memling: Virgin and Child". Metropolitan Museum of Art.
- ↑ "De bewening, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "H. Johannes de Evangelist (op de oorspronkelijke binnenzijde: de gevangenneming), midden jaren 1480 of later". Netherlands Institute for Art History.
- ↑ "De Perzische Sibille, tweede kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Portret van een jonge vrouw als Maria Magdalena, c. 1530". Netherlands Institute for Art History.
- ↑ "Jan Mostaert, Portrait of Justus van Bronckhorst". Petit Palais.
- ↑ "Portret van Margaretha van Oostenrijk, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Hercules en Antaeus, na 1523". Netherlands Institute for Art History.
- ↑ "De geboorte (op de binnenzijde: Jozef met de bloeiende staf bij het altaar), 1515–1525". Netherlands Institute for Art History.
- ↑ "Circle of Master of Frankfurt, Saint Christopher". BALaT.
- ↑ "De Heilige Familie met vier engelen in een landschap, derde kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Attributed to Aelbrecht Bouts, Christ". BALaT.
- ↑ "Jan Massijs, Judith with the head of Holofernes". Museum of Fine Arts, Boston.
- ↑ "Portret van een koopman, mogelijk Jeronimus Sandelin, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "De bewening met stichtster (non uit het klooster Mariënpoel bij Leiden) en de HH. Augustinus en Cecilia, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "De aanbidding van de Wijzen, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Attributed to Aelbrecht Bouts, Christ with the Crown of Thorns". BALaT.
- ↑ "Attributed to Aelbrecht Bouts, Mater Dolorosa". BALaT.
- ↑ "Jan Rombouts, Christ appears to his disciples at the Lake of Tiberias". BALaT.
- ↑ "Aertgen van Leyden, Portrait of a donor". Thyssen-Bornemisza Museum.
- ↑ "Unknown, Agatha van Schoonhoven, 1568". Frick Art Reference Library.
- ↑ "Zelfportret, waarschijnlijk 1519". Netherlands Institute for Art History.
- ↑ "De H. Familie en musicerende engel, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "De HH. Catharina en Barbara, eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Master of the Female Half-Lengths, Three ladies playing music". Rohrau Castle.
- ↑ "De H. Maria Magdalena schrijvend, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Maria met kind, tweede kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "De doornenkroning (binnenzijde links), De kruisafneming (midden), Ecce Homo (binnenzijde rechts); De kruisdraging met de H. Veronica (buitenzijde links), Portret van Aelbrecht Adriaensz. van Adrichem (...-1555) met de HH. Catharina en Bavo (buitenzijde rechts), c. 1515–1520". Netherlands Institute for Art History.
- ↑ "Master of the Female Half-Lengths, Thomas de Thiennes en zijn familie voor het kasteel van Rumbeke". BALaT.
- ↑ "Master of 1518, Triptych of the crucifixion". BALaT.
- ↑ "Unknown, Virgin and Child with two saints (triptych)". BALaT.
- ↑ "De annunciatie, c. 1525". Netherlands Institute for Art History.
- ↑ "Maria met kind voor een landschap, c. 1540". Netherlands Institute for Art History.
- ↑ "De doornenkroning (op de achterzijde: een rode marmerimitatie met de wapens van Hendrik III van Nassau en Mencia de Mendoza), na 1522". Netherlands Institute for Art History.
- ↑ "De kruisdraging (op de achterzijde: een rode marmerimitatie met de wapens van Hendrik III van Nassau en Mencia de Mendoza), na 1522". Netherlands Institute for Art History.
- ↑ "Master of the Legend of the Magdalen; Magdalen on the hunt". BALaT.
- ↑ "Master of the Legend of the Magdalen, The preaching of Mary Magdalen". BALaT.
- ↑ "Jeroen Bosch, Christ carrying the cross". BALaT.
- ↑ "17th Century Follower of Hieronymus Bosch. Temptation of St. Anthony". Sotheby's. 2013.
- ↑ "Het Laatste Oordeel, 1500–1510". Netherlands Institute for Art History.
- ↑ "Copy after Jeroen Bosch, Garden of Eathly Delights". BALaT.
- ↑ "Schenksterportret van Margareta van Metteneye (voorzijde); Memento Mori (achterzijde), 1523". Netherlands Institute for Art History.
- ↑ "Drieluik met de heiligen Cosmas en Damianus, 1523". Netherlands Institute for Art History.
- ↑ "Lancelot Blondeel, Saint Luke painting the Madonna". Flemish Primitives.
- ↑ "Maria met kind, de HH. Lucas en Egidius, 1545 gedateerd". Netherlands Institute for Art History.
- ↑ "De roeping van Mattheus, c. 1530". Netherlands Institute for Art History.
- ↑ "De H. Hëronymus, 1541 (gedateerd)". Netherlands Institute for Art History.
- ↑ "Ambrosius Benson, Portrait of Otho Stochoven". Flemish Primitives.
- ↑ "Pieter Pourbus, Portrait of Jan Fernagant". Frick Art Reference Library.
- ↑ "Portret van Jacquemyne Buuck, echtgenote van Jan van Eyewerve (1532/33-1595), 1551 gedateerd". Netherlands Institute for Art History.
- ↑ "Maria van de zeven smarten, 1556 gedateerd". Netherlands Institute for Art History.
- ↑ "Groepsportret van zestien leden van de Broederschap van het Heilig Bloed, 1556 gedateerd". Netherlands Institute for Art History.
- ↑ "Het laatste avondmaal, 1559 gedateerd". Netherlands Institute for Art History., "De ontmoeting van Abraham en Melchisedek, 1559 gedateerd"., "De profeet Elia en de engel, 1559 gedateerd"., "Portretten van leden van de Sacramentsbroederschap van de Sint-Salvatorskerk in Brugge, 1559 gedateerd".
- ↑ "Abt Antonius Wydoot van de Duinenabdij bij Koksijde en de H. Antonius Abt, 1557 of later". Netherlands Institute for Art History.
- ↑ "Portret van een 25-jarige man, 1574 gedateerd". Netherlands Institute for Art History.
- ↑ "Unknown, Bruges, early 16th century: Legend of Saint George". Flemish Primitives.
- ↑ "Follower of Lancelot Blondeel, Legend of Saint George". Flemish Primitives.
- ↑ "Robert Holman, abt van de abdij Onze-Lieve-Vrouw ter Duinen, in aanbidding voor Christus als Salvator Mundi, tweede helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "School of Lancelot Blondeel, Bavo: Jacobus de Mindere en Willibrordus". BALaT.
- ↑ 257.0 257.1 257.2 257.3 "Parochiekerk Onze-Lieve-Vrouw, Beigem" (in Dutch). Inventaris Onroerend Erfgoed.
- ↑ "H. Hieronymus? (boven), H. Augustinus (onder) (linkerluik); H. Gregorius de Grote (boven), H. Ambrosius (onder) (rechterluik); (op de achterzijde: De annunciatie in grisaille), c. 1510". Netherlands Institute for Art History.
- ↑ "French (Picardy), Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper". Art Institute of Chicago.
- ↑ "French (Picardy), Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln". Art Institute of Chicago.
- ↑ "Bernardo Montarell, Saint George". BALaT.
- ↑ "Italian Painter?, Portrait of a man in profile". Metropolitan Museum of Art.
- ↑ "De aanbidding van de koningen, 1480–1500". Netherlands Institute for Art History.
- ↑ "De bewening van Christus, c. 1444". Netherlands Institute for Art History.
- ↑ "Follower of Hugo van der Goes; Adoration of the Magi". Saint Louis Art Museum.
- ↑ "Maria met kind en musicerende engelen, c. 1513". Netherlands Institute for Art History.
- ↑ "Master of the Legend of the Magdalen, Lactation of Saint Bernard". BALaT.
- ↑ "Maria met kind, 1528–1530". Netherlands Institute for Art History.
- ↑ "Style of Jan Mostaert, Christ Crowned with Thorns". National Gallery.
- ↑ "Jan Mostaert, Portret van ridder Abel van de Coulster, raadsheer te 'sGravenhage in 151". BALaT.
- ↑ "Voorstellingen uit het leven van de H. Jozef, 15de eeuw". Netherlands Institute for Art History.
- ↑ "Maria met kind in een interieur met een glas-in-loodraam, na 1500". Netherlands Institute for Art History.
- ↑ "De Heilige Familie, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "Environment of Rogier van der Weyden, A Franciscan preaching to bishops". BALaT.
- ↑ "Unknown, Virgin with Child". BALaT.
- ↑ "De kruisiging". Netherlands Institute for Art History.
- ↑ "Tronende Madonna met kind". Netherlands Institute for Art History.
- ↑ "Portret van een oude man en profil, 1513 gedateerd". Netherlands Institute for Art History.
- ↑ "De kruisiging, c. 1520–1530". Netherlands Institute for Art History.
- ↑ "De Calvarieberg, jaren 1510 of 1520". Netherlands Institute for Art History.
- ↑ "De verdrijving van de geldwisselaars uit de tempel (Joh. 2: 13-16), na c. 1570". Netherlands Institute for Art History.
- ↑ "Luilekkerland, 1567 gedateerd". Netherlands Institute for Art History.
- ↑ "Pieter Bruegel, Volkstelling te Bethlehem" (in Dutch). Royal Museums of Fine Arts of Belgium.
- ↑ "Ongelijk paar, c. 1525". Netherlands Institute for Art History.
- ↑ "Antoon Claeissens, Kruisafneming". BALaT.
- ↑ "Attributed to Antoon Claeissens, portraits of Juan II Pardo and his wifes". Flemish Primitives.
- ↑ "Maria als Mater Dolorosa, eind 15de/begin 16de eeuw". Netherlands Institute for Art History.
- ↑ "Een heilige bisschop (links), Maria met kind (midden); de H. Lodewijk (rechts), 1520–1530". Netherlands Institute for Art History.
- ↑ "Copy after Hieronymus Bosch, Temptation of Saint Anthony". BALaT.
- ↑ "De H. Donatius, c. 1520". Netherlands Institute for Art History.
- ↑ "Johannes de Evangelist (links); de H. Agnes (rechts), eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Master of the Mansi Magdalen, Virgin and Child". Metropolitan Museum of Art.
- ↑ "Triptiek van de Meester van de Heiligenfiguren" (in Dutch). Museum Mayer van den Bergh.
- ↑ "De H. Familie, tweede kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "Christus in Gethsemane met stichtersportretten van leden van de familie Jüdden (De Jode), 1489 gedateerd". Netherlands Institute for Art History.
- ↑ "Derick Baegert, Zes apostelen en de schenkers" (in Dutch). Royal Museums of Fine Arts of Belgium.
- ↑ "Drieluik met de geboorte (links), de aanbidding van de Wijzen (midden) en de besnijdenis (rechts), eerste kwart 16de eeuw". Netherlands Institute for Art History.
- ↑ "French, 15th century, Portrait of an Ecclesiastic". National Gallery of Art.
- ↑ "Quentin Massys, Due vecchi in orazione" (in Italian). Cultura Italia.
- ↑ "De heilige Anna-te-Drieën, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "De Zeven Vreugden van Maria, c. 1550". Netherlands Institute for Art History.
- ↑ "Copy after Hugo van der Goes, Descent from the Cross". BALaT.
- ↑ "Christus verjaagt de wisselaars uit de tempel, eerste helft 16de eeuw". Netherlands Institute for Art History.
- ↑ "De bevrijding van Petrus (Handelingen 12:1-9) (op de binnenzijde: De bekering van Paulus (Handelingen 9:1-7), c. 1522–1530". Netherlands Institute for Art History.
- ↑ "Unknown, Lamentation". BALaT.
- ↑ "De H. Barbara, c. 1500". Netherlands Institute for Art History.
- ↑ "De H. Catharina, c. 1500". Netherlands Institute for Art History.
- ↑ "Unknown, Graven van Vlaanderen en abten van Ter Duinenabdij". BALaT.
- ↑ "De aanbidding van de Wijzen, c. 1530". Netherlands Institute for Art History.