Ewald Daub
| Ewald Daub | |
|---|---|
| Born |
13 October 1889 Brunswick, Duchy of Brunswick, German Empire |
| Died |
4 November 1946 Berlin, Brandenburg Germany |
| Occupation | Cinematographer |
| Years active | 1919-1946 |
Ewald Daub (1889–1946) was a German cinematographer who shot more than a hundred films during his career. Daub entered the film industry during the silent era, with one of his first films being the biopic Martin Luther (1923).[1] Over the next two decades he was to work on a number of Harry Piel thrillers and Heinz Rühmann comedies. He died in 1946 following an operation.
Selected filmography
- Martin Luther (1923)
- Helena (1924)
- Assassination (1927)
- Lützow's Wild Hunt (1927)
- Man Against Man (1928)
- Panic (1928)
- Taxi at Midnight (1929)
- Achtung! – Auto-Diebe! (1930)
- Johnny Steals Europe (1932)
- The Black Forest Girl (1933)
- Master of the World (1934)
- Paganini (1934)
- The Grand Duke's Finances (1934)
- Artisten (1935)
- The Beggar Student (1936)
- Michel Strogoff (1936)
- Five Million Look for an Heir (1938)
- The Indian Tomb (1938)
- The Tiger of Eschnapur (1938)
- Maria Ilona (1939)
- The False Step (1939)
- The Swedish Nightingale (1941)
- Andreas Schlüter (1942)
- Die Feuerzangenbowle (1944)
- Quax in Afrika (1947)
References
- ↑ Wipfler p.210
Bibliography
- Wipfler, Esther Pia. Martin Luther in Motion Pictures: History of a Metamorphosis. Vandenhoeck & Ruprecht, 2011.