Evgenia Antipova

This name uses Eastern Slavic naming customs; the patronymic is Petrovna and the family name is Antipova.
Evgenia Petrovna Antipova
Born October 19, 1917
Toropets, Tver Governorate, Russia
Died January 27, 2009
Saint Petersburg, Russia
Nationality Russian
Education Repin Institute of Arts
Known for Painting
Movement Leningrad Union of Artists

Evgenia Petrovna Antipova (Russian: ЕвгС́ния ΠŸΠ΅Ρ‚Ρ€ΠΎΜΠ²Π½Π° Анти́пова; October 19, 1917, Toropets, Tver Governorate, Russia – January 27, 2009, Saint Petersburg, Russia) β€” Russian Soviet painter, watercolorist, graphic artist, and Art teacher, a member of the Saint Petersburg Union of Artists (before 1992 the Leningrad branch of Union of Artists of Russian Federation),[1] lived and worked in Leningrad – Saint Petersburg and regarded as one of representatives of the Leningrad School of Painting.[2]

Biography

Evgenia Petrovna Antipova was born October 19, 1917 in Toropets town, Tver Governorate. Her father was a railway office worker. Since 1928 with parents she lived in Samara on the Volga River. There she began to get busy in an artistic studio under the direction of Pavel Krasnov. From 1935 Antipova lived in Leningrad. In 1936–1939 she studied in the Leningrad Secondary Art School at the All-Russian Academy of Arts. Her teachers were Leonid Ovsyannikov, Alexander Zaytsev, Leonid Sholokhov, Alexander Debler, Vladimir Gorb.

A Girl from Pereslavl. 1964

In 1939 Antipova entered the painting department of the Repin Institute of Painting, Sculpture and Architecture (since 1944 named after Ilia Repin), where she studied of Semion Abugov, Genrikh Pavlovsky, Alexander Osmerkin, Gleb Savinov, and Vladimir Malagis.[3] In 1939 Antipova at first participated in the All-Union Youth Artistic Exhibition in Moscow, presenting the sketch of work Β«Valery Chkalov among young peopleΒ». It was printed in a magazine the Β«Young ArtistΒ» for 1939.

The Great Patriotic war found Antipova on summer practice in the West Ukraine. With the last echelons she reached to Leningrad. On July 28, 1941 Antipova made a match for Jacov Lukash, student of fourth course of the department of monumental painting. Called in Red Army, he perished at the front in May 1942. Up to began of 1942, Antipova remained in blockade Leningrad. In February 1942 evacuated to Novosibirsk, where lived and worked up to the end of the war. In 1945 she returned to Leningrad and in 1950 graduated from the Repin Institute of Arts in Boris Ioganson personal art studio (former studio of Alexander Osmerkin). Her graduate work was painting named Β«Andrey Zhdanov visit Palace of Young Pioneers in LeningradΒ».[4]

In 1950–1956 Antipova taught painting and composition in Tavricheskaya Art School in Leningrad. Since 1950 she participated in art exhibitions. In 1953 she was accepted in the members of Leningrad Union of Artists.[5] Antipova painted genre and decorative compositions, portraits, landscapes, still life paintings, worked in oils and watercolours. Among her favorite themes and motives were a blossoming apple orchard, the Crimean landscape, still life in interior and in exterior. Among the known paintings of 1950th and beginning of 1960th Β«Practical exercisesΒ»[6] (1953), Β«Gurzuf in the morningΒ», Β«A Sea is in GurzufeΒ»[7] (both 1954), Β«Still lifeΒ»[8] (1957), Β«On a summer residenceΒ»[9] (1958), Β«At the Peter and Paul fortressΒ», Β«TaffiesΒ», Β«Field flower bouquetΒ»[10] (all 1960), Β«Apple treeΒ»[11] (1962), Β«Early breakfastΒ»[12] (1963), Β«A Girl in the gardenΒ»[13] (1964), and others. They give an idea of range of possibilities and direction of creative searches of artist. Antipova gravitated to expression of her individual attitude in themes, not applying on the exhaustive scope of the phenomenas of the life.

A Midday. 1982

In 1960th Antipova tries itself in the series of portraits. Most considerable it is been Β«A Girl from PereslavlΒ» and Β«WaitressΒ» (both 1964). From the end of 1960th leading genres in creation of Antipova were still life in an interior and exterior, and also landscape. The prevailing style of painting is distinguished by several conventional drawing and composition, the interest for the transmission of color and light and air. Among the most known works of this period Β«City courtyard in GavanΒ»,[14] Β«Sonth Still lifeΒ»,[15] Β«Grape ArborΒ»,[16] Β«Romantic landscapeΒ»,[17] Β«A Window. NasturtiumsΒ» (all 1968), Β«Olives-treesΒ»[18] (1969), Β«Tulips on a windowΒ»[16] (1970), Β«Pine-treesΒ», Β«On the Vasilievskiy islandΒ»[19] (both 1973), Β«Still life in the garden. A SpringΒ» (1974), Β«Still life with Cornflowers and breadΒ»[20] (1975), Β«BalconyΒ»[21] (1977), Β«Still life with a Red BottleΒ»[22] (1979), Β«Sunny DayΒ» (1982), Β«Still life with a Spanish JugΒ» (1985), Β«Bird cherry tree in flowerΒ»[23] (1989), Β«Blooming Little Apple-treeΒ» (1997), and others. In the still lifes, Antipova increasingly prefer the open composition, placing a table with a bouquet of flowers, or a book in a corner of the garden, among the branches of a blossoming apple or cherry. Her best works of this genre – Β«A MiddayΒ» (1982), Β«Still Life. Flowering willow, Calla lilies, DaffodilsΒ»[24] (1984) – are seen as images of the perfect world in which man finds harmony with nature and in his soul. This is the main theme of her art she continued until her death.

Evgenia Antipova had personal exhibitions in Leningrad β€” Saint Petersburg in 1967, 1988, 1999 (all together with a husband and artist Victor Teterin), and in 2007. In 1989–1992 paintings by Antipova successfully exhibited at fine art auctions and exhibitions of Russian paintings L 'Ecole de Leningrad in France.[25][26] She died on January 27, 2009 in the city of Saint Petersburg, ninety-one years old. Her paintings reside in the State Russian Museum,[19] and in many art museums and private collections in Russia,[27][28] France,[29] Germany, USA, England,[30] and others.

See also

References

  1. ↑ Directory of members of the Leningrad branch of Union of Artists of Russian Federation. Leningrad, Khudozhnik RSFSR, 1987. P.7.
  2. ↑ Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg: NP-Print Edition, 2007. P.9, 15, 20, 21, 24, 356, 388–397, 399, 400, 403–407, 439, 442, 445.
  3. ↑ Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.356.
  4. ↑ Anniversary Directory graduates of Saint Petersburg State Academic Institute of Painting, Sculpture, and Architecture named after Ilya Repin, Russian Academy of Arts. 1915 – 2005. Saint Petersburg, Pervotsvet Publishing House, 2007. P.61-62.
  5. ↑ Directory of members of the Leningrad branch of Union of Artists of Russian Federation. Leningrad, Khudozhnik RSFSR, 1987. P.7.
  6. ↑ ВСсСнняя выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1954 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Изогиз, 1954. Π‘.7.
  7. ↑ ВСсСнняя выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1955 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π›Π‘Π‘Π₯, 1956. Π‘.7, 27.
  8. ↑ 1917 β€” 1957. Выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ². ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., ЛСнинградский Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ, 1958. Π‘.8.
  9. ↑ Выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1960 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1961. Π‘.8.
  10. ↑ Выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1960 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1963. Π‘.7.
  11. ↑ ОсСнняя выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1962 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. β€” Π›: Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1962. β€” с.7.
  12. ↑ ΠšΠ°Ρ‚Π°Π»ΠΎΠ³ вСсСннСй выставки ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1965 Π³ΠΎΠ΄Π°. Π›, Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1970. C.7.
  13. ↑ Π›Π΅Π½ΠΈΠ½Π³Ρ€Π°Π΄. Π—ΠΎΠ½Π°Π»ΡŒΠ½Π°Ρ выставка 1964 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›, Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1965. C.8.
  14. ↑ ΠŸΠ΅Ρ‚Π΅Ρ€Π±ΡƒΡ€Π³ β€” ΠŸΠ΅Ρ‚Ρ€ΠΎΠ³Ρ€Π°Π΄ β€” Π›Π΅Π½ΠΈΠ½Π³Ρ€Π°Π΄ Π² произвСдСниях русских ΠΈ совСтских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ². ΠšΠ°Ρ‚Π°Π»ΠΎΠ³ выставки. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1980. Π‘.124.
  15. ↑ Π˜Π·ΠΎΠ±Ρ€Π°Π·ΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΠ΅ искусство Π›Π΅Π½ΠΈΠ½Π³Ρ€Π°Π΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³ выставки. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1976. C.14.
  16. ↑ 16.0 16.1 По Ρ€ΠΎΠ΄Π½ΠΎΠΉ странС. Выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² Π›Π΅Π½ΠΈΠ½Π³Ρ€Π°Π΄Π°. 50 Π›Π΅Ρ‚ΠΈΡŽ образования Π‘Π‘Π‘Π  посвящаСтся. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1974. C.9.
  17. ↑ Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ ΠΊΡ€ΡƒΠ³Π° 11-Ρ‚ΠΈ. Из ΠΊΠΎΠ»Π»Π΅ΠΊΡ†ΠΈΠΈ Николая ΠšΠΎΠ½ΠΎΠ½ΠΈΡ…ΠΈΠ½Π°. БПб, 2001. Π‘.3.
  18. ↑ ВСсСнняя выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1969 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1970. C.7.
  19. ↑ 19.0 19.1 Бвязь Π²Ρ€Π΅ΠΌΠ΅Π½. 1932β€”1997. Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ β€” Ρ‡Π»Π΅Π½Ρ‹ Π‘Π°Π½ΠΊΡ‚-ΠŸΠ΅Ρ‚Π΅Ρ€Π±ΡƒΡ€Π³ΡΠΊΠΎΠ³ΠΎ Боюза Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² России. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³ выставки. БПб., 1997. Π‘.282.
  20. ↑ Наш соврСмСнник. Π—ΠΎΠ½Π°Π»ΡŒΠ½Π°Ρ выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1975 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1980. C.11.
  21. ↑ Выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ², посвящСнная 60-Π»Π΅Ρ‚ΠΈΡŽ Π’Π΅Π»ΠΈΠΊΠΎΠ³ΠΎ ΠžΠΊΡ‚ΡΠ±Ρ€Ρ. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1982. C.11.
  22. ↑ Π—ΠΎΠ½Π°Π»ΡŒΠ½Π°Ρ выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ лСнинградских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ² 1980 Π³ΠΎΠ΄Π°. ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1983. C.9.
  23. ↑ Выставка ΠΏΡ€ΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ 26 лСнинградских ΠΈ московских Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ². ΠšΠ°Ρ‚Π°Π»ΠΎΠ³. Π›., Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊ Π Π‘Π€Π‘Π , 1990. C.47.
  24. ↑ Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.146.
  25. ↑ Peinture Russe. Catalogue. Paris, Drouot Richelieu. 1991, 26 Avril. Π .7,18–19.
  26. ↑ Charmes Russes. Catalogue. Paris, Drouot Richelieu. 1991, 15 Mai 1991. Π .64.
  27. ↑ Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School.- Saint Petersburg: NP-Print Edition, 2007. – p.6-7.
  28. ↑ Π₯ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ Π½Π°Ρ€ΠΎΠ΄ΠΎΠ² Π‘Π‘Π‘Π . БиобиблиографичСский ΡΠ»ΠΎΠ²Π°Ρ€ΡŒ. Π’.1. М., Π˜ΡΠΊΡƒΡΡΡ‚Π²ΠΎ, 1970. C.165.
  29. ↑ L' Ecole de Leningrad. Catalogue. – Paris: Drouot Richelieu, 11 Juin 1990. – p.136-137.
  30. ↑ Sergei V. Ivanov. Unknown Socialist Realism. The Leningrad School. Saint Petersburg, NP-Print Edition, 2007. P.6-7.

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