Eliza Biscaccianti

Eliza Biscaccianti (1824, Boston – July 1896, Paris) was an American operatic soprano from Boston, Massachusetts. Born Eliza Ostinelli, she was the daughter of pianist Sophia Hewitt and the Italian violinist and conductor Louis Ostinelli. Her father was a conductor of the Handel and Haydn Society. Her uncle was composer John Hill Hewitt and her grandfather was conductor, composer and music publisher James Hewitt.^[1]

From 1842-1847 Biscaccianti studied singing in Italy, most notably with Giuditta Pasta. She made her professional opera debut at Teatro Lirico in Milan in May 1847 as Elvira in Ernani. While in Italy she married the Italian cellist Count Alessandro Biscaccianti. They returned to the United States in late 1847 when Biscaccianti was offered a contract at the Astor Opera House in New York City. She made her debut at the Astor opera house as Amina in La sonnambula. She was later heard that season in the title role of Lucia di Lammermoor.^[1]

After the Astor Place Riot in 1849, she returned to her native city of Boston where she was lauded for her opera performances. She then toured to San Francisco in 1852 where she was one of the star performers in the fledgling opera scene in that city during.^[2]

Madame Biscaccianti received from a large and highly intelligent audience, on the occasion of her re-appearance, last evening, one of the most flattering welcomes that we have ever seen bestowed upon a public favorite. It was her first concert in several weeks, and she had barely recovered from an illness which still left its enfeebling effects upon her frame; but her voice was strong, pure and exquisitely flexible, and her spirits buoyant and animated. She sang with a degree of fervor and expression that called for the most enthusiastic testimonials, in the forms of plaudits, "bravos" and bouquets, from a delighted auditory. Her execution, too, was brilliant and artistic; and we see no reason to change the opinion we expressed many months since, after one of the fair Signora's 'Benevolent Concerts'; that the strength and purity of her tones and her brilliancy of style and execution continually increase, and her increasing success is manifest at every concert given by Madam B. in this city.^[3]

In 1853 Biscaccianti performed in operas in South America. After retiring from the stage she taught singing in Milan. In her elder years she lived in a home for artists in Paris that was supported by a foundation in memory of Rossini.^[4]

Notes

References

• Crawford, Richard (2001). America's Musical Life: A History. W. W. Norton & Company. ISBN 0-393-04810-1.