Ecomusicology

Ecomusicology (from Greek οἶκος, meaning "house"; μουσική, "music"; and -λογία, "study of-") is an academic discipline concerned with the study of music, culture, and nature, and considers musical and sonic issues, both textual and performative, related to ecology and the natural environment. It is in essence a mixture of ecocriticism and musicology (rather than "ecology" and "musicology"), in Charles Seeger's holistic definition.[1][2]

Background

With the increasing intertwined interest in the environment and the sciences in North America from the 1970s, there has been an increase in interest in the term ecomusicology, which was established as a term in the early 21st century in North American and Scandinavian circles.[1] As a field, ecomusicology was created out of a common area of interest between the fields of ecocriticim and musicology, express by a range of scholars and artists such as composers, acoustic ecologists, ethnomusicologists, biomusicologists, and others.[3]

Ecomusicology embraces what is today considered the field of historical musicology, ethnomusicology, and related interdisciplinary fields, which while at the same time may enable specialists within each of these fields to interact with academics in the other fields in their approach, it also provides individuals with flexibility to approach an ecocritical study of music through a variety of disciplines and fields.[1]

See also

Bibliography

References

  1. 1.0 1.1 1.2 Allen, Aaron S. (forthcoming 2013), "Ecomusicology", Grove Dictionary of American Music, New York: Oxford University Press Check date values in: |date= (help)
  2. "Ecomusicology.info – Main Page". Retrieved 1 April 2013.
  3. Allen, Aaron S. (Summer 2011). "Ecomusicology: Ecocriticism and Musicology". Journal of the American Musicological Society 64 (2): 392–393. doi:10.1525/jams.2011.64.2.391. Retrieved 2013-04-01.

External links

Look up ecomusicology in Wiktionary, the free dictionary.