Dora De Larios

Dora De Larios (born 1933) is an American ceramist and sculptor working in Los Angeles. She is also noted for her murals.[1] She has received international acclaim for her unique style that expresses mythological and pan-cultural themes.[2]

Early life and education

Born in Los Angeles to Mexican emigre parents, De Larios grew up in downtown Los Angeles near Silver Lake, where she was surrounded by Mexican and Nisei Japanese immigrants. This diverse community, as well as her childhood trips to the Museo Nacional de Antropología in Mexico City, inspired her to create artwork that blended influences from ancient American and Japanese ceramics.[3] She studied with prominent potters Otto and Vivika Heino and Susan Peterson at the University of Southern California. Her professors exposed her to the work of radical ceramic artists, notably Peter Voulkos, whose abstract work encouraged her to explore non-functional forms in clay. She graduated in 1957 with a major in ceramics and a minor in sculpture.[4]

Career

Upon graduation, De Larios set up an independent studio in Los Angeles and sold her work through venues that included Gump's in San Francisco. In her figural sculptures, she developed a distinct style that derived from traditional Japanese Haniwa. In the 1960s, artist and impressario Millard Sheets hired De Larios, along with other notable ceramists including Harrison McIntosh and Jerry Rothman, to design tiles for the Franciscan Ceramics division of Interpace in Los Angeles.[5] Beginning in the late 1960s, she began experimenting with bronze, creating sculptures based on her personal experiences.[3] Inspired by her participation in the Mask Festival at the Craft and Folk Art Museum, De Larios began experimenting with the mask form in the 1980s, drawing on religious and spiritual traditions from around the world.[6]

She is also known for her work's clean lines and distinctive glazes, as well as for her line of tableware created under her family-run company Irving Place Studio.[4][7]

"I love working on large things that are in a public space. I think that I can reach more people, and I think that part of what is for me is a healing process. It has always been enticing for me. It reaches you somewhere that has nothing to do with money. It replenishes the spirit. I like having my art in a public space because you never know who you're going to help."[1]

Selected Exhibitions

De Larios's work has been featured in a number of solo and group exhibitions across Southern California, including the M.O.A. Gallery in West Hollywood (1988 and 1990), Marsha Rodell Gallery in Brentwood (1982), Bakersfield College (1982) Anhalt Gallery in Los Angeles (1967, 1969 and 1974) and Zora Gallery in Los Angeles (1964).[8]

In 2009, the Craft and Folk Art Museum hosted Sueños / Yume: Fifty Years of the Art of Dora De Larios a retrospective of De Larios's work, curated by Elaine Levin.[9]

In 2011, she was prominently featured in Art Along the Hyphen: The Mexican-American Generation at Autry National Center.[3] The same year, she was included in Common Ground, Ceramics in Southern California 1945-1975' at the American Museum of Ceramic Art. Both exhibitions were organized as part of the Getty Foundation's Pacific Standard Time: Art in L.A. initiative.[10]

Major Commissions

In 1970-1971, De Larios created, as a lead artist through the Franciscan Ceramics division of Interpace, the Grand Canyon Concourse fourth floor lobby mural in the Disney World Contemporary Resort in Orlando.[5] The 18,000 square foot mural, designed by Mary Blair, was executed on 12" square ceramic tiles.

In 1977, De Larios was one of fourteen artists commissioned to make a dinnerware set for the Senate Wives Luncheon at the White House. The series was later exhibited at the Smithsonian's Renwick Gallery.[6]

Other public commissions include:[4]

References

  1. ↑ 1.0 1.1 Henkes, Robert (1999). Latin American Women Artists of the United States: The Works of 33 Twentieth-Century Women. Jefferson, North Carolina: McFarland & Company, Inc. pp. 90–96. ISBN 0786405198.
  2. ↑ "Sueños / Yume: Fifty Years of the Art of Dora De Larios". Craft and Folk Art Museum. Retrieved 8 March 2015.
  3. ↑ 3.0 3.1 3.2 Romo, Terezita; Noriega, Chon; Tomkins Rivas, Pilar (2011). L.A. Xicano. Los Angeles: UCLA Chicano Studies Research Center. pp. 13–17. ISBN 9780895511454.
  4. ↑ 4.0 4.1 4.2 Young, Emily (3 January 2015). "At 81, ceramic artist Dora De Larios still creates for new audiences". Los Angeles Times. Retrieved 9 March 2015.
  5. ↑ 5.0 5.1 American Museum of Ceramic Art (2013). Common Ground: Ceramics in Southern California, 1945-1975. Pomona, California: American Museum of Ceramic Art. pp. 75–88. ISBN 978-0981672854.
  6. ↑ 6.0 6.1 Levin, Elaine (2010). "Dora De Larios: An Artist for a Multi-Cultural World". Ceramics: Art and Perception 81: 29–33.
  7. ↑ "Dora De Larios". KCET. Retrieved 8 March 2015.
  8. ↑ Henkes, Robert (1999). Latin American Women Artists of the United States. Jefferson, North Carolina: McFarland & Co. pp. 90–96. ISBN 0786405198.
  9. ↑ Levin, Elaine (2009). Sueños / Yume: Fifty Years of the Art of Dora De Larios. Los Angeles: Huerta Quorum.
  10. ↑ "Pacific Standard Time: Art in LA". http://past.pacificstandardtime.org/''. The J. Paul Getty Trust.
  11. ↑ "Compton Library". LA County Arts Commission. Retrieved 9 March 2015.
  12. ↑ "Lynwood Library". LA County Arts Commission. Retrieved 9 March 2015.
  13. ↑ "Norwood Library". LA County Arts Commission. Retrieved 9 March 2015.
  14. ↑ "Rowland Heights Library". LA County Arts Commission. Retrieved 9 March 2015.

External links