Dewey Barto

Dewey Barto on board the Cunard RMS Mauretania on cruise to Cuba and the Caribbean Sea taken by his partner George Mann in March, 1933

Dewey Barto (born Stewart Steven Swoyer; June 10, 1896 – January 31, 1973)^[1]^[2] was best known as half of the comedic and acrobatic dance act, Barto and Mann.

Early career

Born as Stewart Steven Swoyer^[3] in Reading, Pennsylvania to Elizabeth and Charles "Roxie" Swoyer, an acrobat, who owned a horse and wagon circus.^[4] Dewey came from a family of performers. His sisters Estelle and Ida were trapeze artists and contortionists, first as the Miaco Sisters and later as the Delno Sisters. His brother Charles played drums with several well-known bands. By the age of 16, Dewey was the youngest trader on the Curb Market on Wall Street. He gained popularity as a dancer in Liberty bond drives, and when his company collapsed during a financial depression, Dewey joined The Three Bartos acrobatic team.^[5] He initially used the name Dewey Swoyer,^[6] but later changed his name to Dewey Barto, a name he used for the rest of his life.^[7]

In 1919, Barto married another vaudeville performer, Myrtle Lawler, half of the Grazer and Lawler song and dance act.^[8] Their elder daughter, Anna Myrtle Swoyer, was born in Philadelphia on May 10, 1922. She later changed her name to Nancy Walker, becoming an actress and comedienne of stage, screen, and television.^[7] Not long after her birth, Barto was performing in an acrobatic act billed as Barto and Melvin.^[9]^[10] He began dancing solo in 1924 as the "The Hectic Hoofer"^[11] and continued performing as a single with Fanchon and Marco enterprises in 1925.

Barto and Mann

While performing as a single with Fanchon and Marco in early 1926, Barto (4'11", the same height as his elder daughter) was paired with George Mann (6'6"). Together, they began to develop comedic dance and acrobatic material based on the disparity in their heights that was well received by audiences up and down the West Coast. At the end of 1926, they signed a ten-year contract with Fanchon and Marcho that linked them together as Barto and Mann for over 15 years. William Morris of the William Morris Agency booked them "cold" into the Palace Theatre on March 14, 1927, where they were a great success. With offers from all the major vaudeville circuits, they chose to sign with the Orpheum Circuit.^[12] Several months later they had switched to the Keith-Albee Circuit^[13] with whom they toured across the U.S. until they signed with Earl Carroll's Vanities from August 1928 to February 1929.^[14]

The Barto's second child, Betty Lou Barto, was born on August 17, 1930, and also became a performer.^[15] Myrtle Barto died suddenly on January 2, 1931. Following a break to recover from his wife's death, Barto rejoined Mann and continued touring the U.S. and Canada, with European tours in the summers of 1931 and 1934. As vaudeville faded, Barto and Mann joined the Broadway cast of Olsen and Johnson's Hellzapoppin, with featured billing from 1938 through 1942. The team split up in December 1943.

American Guild of Variety Artists

In the early 1920s, Barto joined the National Vaudeville Artists, E.F. Albee's company union formed to counter the White Rats.^[16] In early August 1940, Barto was named president of the American Guild of Variety Artists (AGVA), succeeding Jay Flippen who had resigned earlier.^[17]^[18] Barto resigned as president of the AGVA in February 1941, which led to the Associated Actors and Artistes of America (4As) assuming operational control of AGVA.^[19]

Barto was again elected to the board of the AGVA to represent the New York local in May 1941.^[20] When AGVA achieved independence from the Associated Actors and Artistes of America in November 1948, Barto was unanimously drafted by AGVA's national board to become its National Administrative Secretary.^[21] He announced his intention to resign the position in November 1949.^[22]

Death

Barto died in Beverly Hills, California on January 31, 1973, aged 76.^[23]

References