Daniel Libeskind

Daniel Libeskind

Libeskind in front of his extension to the Denver Art Museum.
Born May 12, 1946
Łódź, Poland
Nationality American-Polish
Occupation Architect
Spouse(s) Nina Libeskind
Children 3
Parent(s)

Dora Libeskind (Mother)

Nachman Libeskind (Father)
Practice Studio Daniel Libeskind
Buildings Jewish Museum Berlin
Imperial War Museum North
Contemporary Jewish Museum
Royal Ontario Museum (expansion)
One World Trade Center (2002)
Website
http://daniel-libeskind.com/daniel/index.html

Daniel Libeskind (born May 12, 1946) is a Polish-American architect, artist, professor and set designer of Polish Jewish descent. Libeskind founded Studio Daniel Libeskind in 1989 with his wife, Nina, and is its principal design architect.[1] His buildings include the Jewish Museum in Berlin, Germany, the extension to the Denver Art Museum in the United States, the Grand Canal Theatre in Dublin, the Imperial War Museum North in Greater Manchester, England, the Michael Lee-Chin Crystal at the Royal Ontario Museum in Toronto, Canada, the Felix Nussbaum Haus in Osnabrück, Germany, the Danish Jewish Museum in Copenhagen, Denmark, and the Wohl Centre at the Bar-Ilan University in Ramat-Gan, Israel.[2] His portfolio also includes several residential projects. Libeskind's work has been exhibited in major museums and galleries around the world, including the Museum of Modern Art, the Bauhaus Archives, the Art Institute of Chicago, and the Centre Pompidou.[3] On February 27, 2003, Libeskind won the competition to be the master plan architect for the reconstruction of the World Trade Center site in Lower Manhattan.[4]

Personal life

Libeskind's addition to the Royal Ontario Museum in Toronto (2007).

Born in Łódź, Poland on May 12, 1946, Libeskind was the second child of Dora and Nachman Libeskind, both Polish Jews and Holocaust survivors. As a young child, Libeskind learned to play the accordion and quickly became a virtuoso, performing on Polish television in 1953. He won a prestigious America Israel Cultural Foundation scholarship in 1959 and played alongside a young Itzhak Perlman.[5] Libeskind had lived in Poland for 13 years, and he can still speak, read, and write in Polish language.[6]

In the summer of 1959, the Libeskinds moved to New York City on one of the last immigrant boats to the United States. In New York, Libeskind lived in the Amalgamated Housing Cooperative in the northwest Bronx, a union-sponsored, middle-income cooperative development. He attended the Bronx High School of Science. The print shop where his father worked was on Stone Street in Lower Manhattan, and Libeskind watched the original World Trade Center being built in the 1960s.[7] Libeskind became a United States citizen in 1965.[8] Libeskind met Nina Lewis, his future wife and business partner, at the Bundist-run Camp Hemshekh in upstate New York in 1966. They married a few years later and, instead of a traditional honeymoon, traveled across the United States visiting Frank Lloyd Wright buildings on a Cooper Union fellowship.[9] Nina now serves as COO for Studio Daniel Libeskind.

In 1968, Libeskind briefly worked as an apprentice to architect Richard Meier. In 1970, he received his professional architectural degree from the Cooper Union for the Advancement of Science and Art; he received a postgraduate degree in History and Theory of Architecture at the School of Comparative Studies at the University of Essex in 1972. The same year, he was hired to work at Peter Eisenman's New York Institute for Architecture and Urban Studies, but he quit almost immediately.[10] Since then, Libeskind has lived, among other places, in New York City, Toronto, Michigan, Italy, Germany, and Los Angeles,[9] and has taught at numerous universities across the world, including the University of Kentucky, Yale University, and the University of Pennsylvania.[8] Since 2007, Libeskind has been a visiting professor at the Leuphana University Lueneburg in Lüneburg, Germany. He is both a U.S. and Israeli citizen.[11]

Nina and Daniel Libeskind have three children: Lev, Noam, and Rachel.[12]

Career

Libeskind began his career as an architectural theorist and professor, holding positions at various institutions around the world. His practical architectural career began in Milan in the late 1980s, where he submitted to architectural competitions and also founded and directed Architecture Intermundium, Institute for Architecture & Urbanism. Libeskind completed his first building at the age of 52, with the opening of the Felix Nussbaum Haus in 1998.[13] Prior to this, critics had dismissed his designs as "unbuildable or unduly assertive."[14] The first design competition that Libeskind won was in 1987 for housing in West Berlin, but soon thereafter the Berlin Wall fell and the project was canceled. Libeskind won the first four projects he entered into competition for.

The Ascent at Roebling's Bridge, Covington, Kentucky

The Jewish Museum Berlin, completed in 1999, was Libeskind's first major international success and was one of the first buildings designed after reunification. Libeskind has also designed cultural and commercial institutions, museums, concert halls, convention centers, universities, residences, hotels, and shopping centers. Critics often describe Libeskind's work as deconstructivist.[15]

Libeskind is perhaps most famous for being selected by the Lower Manhattan Development Corporation to oversee the rebuilding of the World Trade Center,[16] which was destroyed in the September 11, 2001 attacks. He titled his concept for the site Memory Foundations.

Studio Daniel Libeskind, headquartered two blocks south of the World Trade Center site in New York, is currently working on over 40 projects across the world. The studio's most recent completed projects include Haeundae Udong Hyunai I'Park in Busan, South Korea, Academy of the Jewish Museum Berlin in Berlin, Germany, the Bundeswehr Military History Museum in Dresden, Germany and Reflections at Keppel Bay in Singapore.

In addition to his architectural projects, Libeskind has worked with a number of international design firms to develop objects, furniture, and industrial fixtures for interiors of buildings. He recently established a design company in Milan, Libeskind Design, which has been commissioned to work with design companies such as Fiam,[17] Artemide,[18] Jacuzzi,[19] TreP-Tre-Piu,[20] Oliviari,[21] Sawaya & Moroni,[22] Poltrona Frau,[23] and others.[24]

Libeskind has also designed opera sets for productions such as the Norwegian National Theatre's The Architect in 1998 and Saarländisches Staatstheater's Tristan und Isolde in 2001. He also designed the sets and costumes for Intolleranza by Luigi Nono and for a production of Messiaen's Saint Francis of Assisi by Deutsche Oper Berlin. He has also written free verse prose, included in his book Fishing from the Pavement.[25]

Criticism

While much of Libeskind's work has been well-received, it has also been the subject of often severe criticism.[26] Critics charge that it reflects a limited architectural vocabulary of jagged edges, sharp angles and tortured geometries,[27] that can fall into cliche, and that it ignores location and context.[28] In 2008 LA Times critic Christopher Hawthorne wrote: "Anyone looking for signs that Daniel Libeskind's work might deepen profoundly over time, or shift in some surprising direction, has mostly been doing so in vain."[29] In 2006, in the New York Times Nicolai Ouroussoff stated: "his worst buildings, like a 2002 war museum in England suggesting the shards of a fractured globe, can seem like a caricature of his own aesthetic."[27] In the UK magazine Building Design, Owen Hatherley wrote of Libeskind's students' union for London Metropolitan University: "All of its vaulting, aggressive gestures were designed to 'put London Met on the map', and to give an image of fearless modernity with, however, little of consequence."[30] William JR Curtis in Architectural Review called his Run Run Shaw Creative Media Centre "a pile-up of Libeskindian clichés without sense, form or meaning" and wrote that his Hyundai Development Corporation Headquarters delivered "a trite and noisy corporate message".[28]

In response, Libeskind says he ignores critics: "How can I read them? I have more important things to read."[31]

Work

The following projects are listed on the Studio Daniel Libeskind website. The first date is the competition, commission, or first presentation date. The second is the completion date or the estimated date of completion.

Completed

Jewish Museum Berlin, 1999
Imperial War Museum North, 2001
Westside interior, 2008
London Metropolitan University, London
Military History Museum – Dresden, 2010
Run Run Shaw Creative Media Centre, 2011

Under construction

Proposed or in design

Libeskind design products

Recognition

Bibliography

References

  1. ↑ Libeskind, Daniel (2004). Breaking Ground. New York: Riverhead Books. p. 88. ISBN 1-57322-292-5.
  2. ↑ Studio Daniel Libeskind. "Projects". Retrieved June 12, 2008.
  3. ↑ Studio Daniel Libeskind. "Exhibitions". Retrieved July 29, 2008.
  4. ↑ Rochan, Lisa. "Libeskind shows genius for complexity", "The Globe and Mail", February 28, 2003
  5. ↑ Royal Ontario Museum. "Hiroshi Sugimoto-Daniel Libeskind: The Conversation". Retrieved June 12, 2008.
  6. ↑ Marek, Michael (February 18, 2010). "Architect Libeskind took unusual path to an international career". dw.de.
  7. ↑ Libeskind, Daniel (2004). Breaking Ground. New York: Riverhead Books. pp. 11, 10, 35. ISBN 1-57322-292-5.
  8. ↑ 8.0 8.1 Studio Daniel Libeskind. "Studio Daniel Libeskind: Daniel Libeskind". Retrieved June 12, 2008.
  9. ↑ 9.0 9.1 Davidson, Justin (October 8, 2007). "The Liberation of Daniel Libeskind". New York Magazine. pp. 56–64.
  10. ↑ Libeskind, Daniel (2004). Breaking Ground. New York: Riverhead Books. p. 41. ISBN 1-57322-292-5.
  11. ↑ See, Frequent Flyer. When the Wife is a Lucky Charm, Don't Leave Home Without Her. The New York Times, Tuesday, August 9, 2011, p. B6.
  12. ↑ Jewish Museum Berlin. "Jewish Museum Berlin - Daniel Libeskind". Archived from the original on October 13, 2007. Retrieved February 25, 2009.
  13. ↑ Yu, Myung-hee (2007). Daniel Libeskind. OPUS 1946-present. South Korea: I-Park. p. 34. ISBN 1-57322-292-5.
  14. ↑ Pearman, Hugh (July 27 – August 1, 1998). "Walls hold back the forgetting". Zeitgeist. pp. 26–27.
  15. ↑ Erbacher, Doris and Kubitz, Peter Paul. "'You appear to have something against right angles", "The Guardian", October 11, 2007
  16. ↑ "Voices on Antisemtisim interview with Daniel Libeskind". United States Holocaust Memorial Museum. 2007-09-13.
  17. ↑ "Fiam Italia".
  18. ↑ "DesignBoom". 2013-04-09.
  19. ↑ "Jacuzzi".
  20. ↑ "TreP-Tre-Piu".
  21. ↑ "Olivari".
  22. ↑ "Sawaya & Moroni".
  23. ↑ "Poltrona Frau".
  24. ↑ "Architzer.com".
  25. ↑ Davies, Colin. "Fishing From the Pavement – Book Reviews", "The Architectural Review", April 1998
  26. ↑ http://www.denverpost.com/ci_5139329
  27. ↑ 27.0 27.1 http://www.nytimes.com/2006/10/12/arts/design/12libe.html
  28. ↑ 28.0 28.1 http://www.architectural-review.com/reviews/reputations/daniel-libeskind/8620025.article
  29. ↑ http://articles.latimes.com/2008/jun/04/entertainment/et-jewish4
  30. ↑ http://www.bdonline.co.uk/whatever-happened-to-student-housing?/5063213.article
  31. ↑ http://www.architectsjournal.co.uk/news/daily-news/daniel-libeskind-im-not-interested-in-building-gleaming-streets-for-despots/8643134.article
  32. ↑ World Trade Center Site Refined Master Site Plan
  33. ↑ Peres invited to advise on restoration of Vilnius synagogue
  34. ↑ Sinoo, Ola europe-re.com "What's the Added Value of Architecture?", "Europe Real Estate Yearbook", 2008
  35. ↑ Hiroshima City. "General Description of the Hiroshima Art Prize". Retrieved August 3, 2008.
  36. ↑ University of Ulster Honours World-Leading Architect Daniel Libeskind University of Ulster News Release, November 11, 2009

External links

Wikimedia Commons has media related to Daniel Libeskind.