Da Liu Ren
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Da Liu Ren (Chinese: 大六壬 pinyin: dàliùrén) is a form of Chinese calendrical astrology dating from (at least) the later Warring States period.[1]
Along with the divination methods Qi Men Dun Jia 奇门遁甲 and Taiyi 太乙—collectively known as the "Three Styles" (San shi 三式)—Da Liu Ren is considered in China to be one of the highest forms of Chinese metaphysics.
Beijing Medical professor, Li Yang, in her "I Ching and Chinese Medicine (2000) describes Da Liu Ren as the highest form of divination in China. This divination form is called Da Liu Ren because in the Sexagenary cycle there are Six Rens each with a different branch:
壬申 | 壬午 | 壬辰 | 壬寅 | 壬子 | 壬戌 |
Ren Shen | Ren Wu | Ren Chen | Ren Yin | Ren Zi | Ren Xu |
In the words of a contemporary Chinese master of Da Liu Ren, the six Ren indicate an entire movement of the sexagenary cycle, during which an event – object may appear, rise to maturity and then decline and disappear. Thus the six Ren indicate the life cycle of phenomena. There is a homonym in the Chinese language which carries the meaning of pregnancy, and so the six Ren also carry this meaning, that of the term of the birth of a phenomenon, its maturity and its passing, all within the period of a sexagenary cycle.[2]
Instrument
The diviner's board (shi) used for the Three Styles differ markedly. The Qi Men Dun Jia divinor's board consists of a 3 × 3 magic square, while the Tai Yi board is somewhat larger, and may be drawn as either a square or circle. The Da Liu Ren cosmic board contains positions for the Earth pan and Heaven pan, which hold the twelve Earth Branches and the twelve spirits. In addition, the Da Liu Ren cosmic board indicates the Three Transmissions (san chuan 三传) and Four Classes (四课).
A shi (also known as a liuren astrolabe) from the Six Dynasties period (222–589 CE) consists of a Heaven Plate 天盘 placed over an Earth Plate 地盘. On the Earth Plate are three groups of inscriptions:[1]
- Outer band: 36 animals (12 associated with the Branches plus the 28 animals associated with the xiu or lunar mansions)
- Middle band: 28 xiu
- Inner ring: Stems and Branches (ganzhi).
The square plate is divided diagonally into four sections that allocate 9 animals, 7 xiu, and 5 ganzhi to a section.
A diviner examined current sky phenomena to set the board and adjust their position in relation to the board.[3]
A modern version of the Da Liu Ren cosmic board places the Three Transmissions at the top of the board, along with the corresponding Earth Branch and any pertinent vacancies.
The Four Classes are placed below the Three Transmissions, with the Heaven Pan and Earth Pan positions clearly indicated below the corresponding spirit position.
A diagram of the Heaven Pan positions of the twelve generals and their corresponding Earth Branch positions in the Heaven Pan completes the illustration. The Earth pan is not depicted.
The sexegenary cycle date is given in the upper right – hand margin, with the corresponding situation (Ju) number, the location of pertinent vacancies, and an indication of whether the array belongs to daytime or evening divination.
The structured situation types for each array are provided in the left-hand margin. In some versions, an annotated description of the major aspects of each situation is provided. The description is often taken from the body of classical literature about Da Liu Ren.[4]
Technique
Divination in Da Liu Ren is determined by relationships of five elements (wu xing 五行) and yin and yang (阴阳) between and among the Three Transmissions (San chuan 三传), Four Classes (Si ke 四课), Twelve Generals, and the Heaven and Earth Plates.
Each double-hour of the day contains a cosmic board for daytime and evening divination. The Three Transmissions are derived from configurations of the Heavenly Stem of the date, and the Earthly Branch of the date. The Four Classes are determined in a similar manner.
Da Liu Ren had overtaken Qi Men Dun Jia in popularity, at least according to source documents found in the caverns of Dunhuang 敦煌.
Qi Men Dun Jia was widely used in China during the Tang 唐 and Song 宋 dynasties, by the time of the Yuan dynasty 元, Da Liu Ren had overtaken Qi Men Dun Jia in popularity, at least according to source documents found in the caverns of Dunhuang 敦煌.
The overwhelming popularity of Da Liu Ren in ancient China was perhaps due to its higher degree of precision, in comparison with Qi Men Dun Jia.
As is true with Qi Men Dun Jia, Da Liu Ren was first used in China for the purposes of devising military strategy and later developed into a more popular and widespread form of divination which grew to include medical divination, matchmaking, childbirth, travel, criminology, weather forecasting, etc. types of divination.
In view of its complex nature, Da Liu Ren was regarded as the highest of the Three Styles, since mastery of its complex rule structure required many years of memorization. In contemporary China, few claim mastery of Da Liu Ren, while aging masters worry that younger generations of Chinese will disdain Da Liu Ren and the practice will die out in China.
Da Liu Ren is further complicated by the necessity of mastering a large body of rules and regulations which govern the relationships named above. Da Liu Ren contains perhaps four times as many rules as Qi Men Dun Jia, for example. The extant historical literature on Da Liu Ren by far surpasses that of Qi Men Dun Jia.
Mathematical Foundation
The Da Liu Ren Cosmic Board is modeled after the concept of the atomic nucleus in Vedic Nuclear Physics, according to recent research by John Sweeney. That is to say that the atomic nucleus contains 720 particle pairs, or 1,440 sub - atomic particles per atom. The Da Liu Ren Cosmic Board contains 1,440 possible arrangements, in all of the permutations for the 60 - day cycle, with twelve double hours per day, and with the Day and Evening Aristocrat arrangements. Moreover, atomic structure in Vedic Nuclear Physics includes twelve spokes, which form an isomorphic relationship with the 12 Earth Branches, and the 12 Generals, of Da Liu Ren. Thus, 12 + 12 = 24, the number of the Hurwitz Quaternions, which is a key time - keeping component in the temporal scheme of Qi Men Dun Jia.[5] The 60 Jia Zi of Chinese metaphysics are used to keep track of time in the sexagenary cycle.[6] The close matching between actual nuclear structure and the structure of the Da Liu Ren divination mechanism, the Cosmic Board in all its permutations, allows for extremely accurate mathematical prediction in Da Liu Ren.
See also
- Qi Men Dun Jia
- Tai Yi Shen Shu
- Feng Shui
- I Ching
- Chinese astrology
- Chinese astronomy
- Chinese Classical Texts
- Siku Quanshu
- Monadology – the metaphysical basis for synchronicity provided in 1714 by Gottfried Wilhelm Leibniz, another student of the I Ching.
- Flying Star Feng Shui
References
- ↑ 1.0 1.1 Marc Kalinowski (1996). "The Use of the Twenty-eight Xiu as a Day-Count in Early China." Chinese Science 13 (1996): 55–81.
- ↑ Philosophy of Da Liu Ren.
- ↑ Mark Edward Lewis (2006). The Construction of Space in Early China. p. 275
- ↑ Da Liu Ren 1,440 Situations, page 4.
- ↑ vixra.org/pdf/1501.0053v1.pdf
- ↑ Da Liu Ren Basis in Vedic Nuclear Physics
- "Da Liu Ren Divination" by Jack Sweeney
- "Book of Changes And Traditional Chinese Medicine, Yang Li (Language: English)
Published by Beijing Science and Technology Press, 1998 Paperback, 7.9 × 5.5 inches, 575 pages ISBN 7-5304-2025-9, 978-7-5304-2025-6
Further reading
- Fengshui Forward,www.fengshuiforward.com
- Yijing
- "Chinese Mathematical Astrology" by Ho Peng Yoke
- "Da Liu Ren Bi Jing" (大六壬必镜)
- "Da Liu Ren Divination" by Jack Sweeney (2008)
- "The Philosophy of Da Liu Ren" by Jack Sweeney (2009)
- "Da Liu Ren Feng Shui" by Jack Sweeney (2008)
- "Da Liu Ren Dream Analysis" by Jack Sweeney (2009)
- "Da Liu Ren 1,440 Arrays" by Jack Sweeney (2008)
- "Liu Ren Da Quan"(六壬大全 Encyclopedia of Liu Ren), published in the Qing Dynasty Imperial Archive, known as the Four Treasures (四库)
- "Liu Ren Guan Ge Shen Shu" (六壬管辂神书)
- "Personal Fortunes in Da Liu Ren" by Jack Sweeney (2009)
- "Lingtai jing," an astrological treatise preserved in the Daoist canon (Daozang)
- Marc Kalinowski, “La littérature divinatoire dans le Daozang,” Cahiers d’Extrême-Asie no. 5 (1989–1990), p. 91; and Kalinowski, “Les manuscrits astro-calendériques des Han,” pp. 396–401