Coronation of Napoleon I

Coronation of Napoleon

Date December 2, 1804
(11 Frimaire XIII)
Location Notre Dame Cathedral, Paris

The coronation of Napoleon as Emperor of the French, which took place on Sunday December 2, 1804 (11 Frimaire, Year XIII according to the French Republican Calendar), at Notre Dame Cathedral in Paris, has been said to mark "the instantiation of modern empire", representing a "transparently masterminded piece of modern propaganda".[1]

Napoleon wanted to establish in the mind of France legitimacy of his Imperial reign, with its new royal family and new nobility. Therefore he designed a new coronation ceremony, unlike the one used for the kings of France. It was a sacred ceremony held in the great cathedral in the presence of the Pope. He brought together an assortment of different rites and customs, incorporating aspects of Carolingian tradition, the ancien régime and the Revolution all presented in terms of sumptuous luxury.[2]

On May 18, 1804, the Sénat conservateur vested the Republican government in an Emperor, and preparations for a coronation followed. Napoleon's elevation to Emperor was overwhelmingly approved by the French citizens in a referendum. Among Napoleon's motivations for being crowned were to gain prestige in international royalist and Catholic milieux and to lay the foundation for a future dynasty.[3]:243

In the classical French tradition, kings underwent a ceremony of consecration (sacre) rather than a coronation; in consecration, anointment was conferred by the archbishop of Reims in Notre-Dame de Reims.[3] Napoleon blended Roman imperial pageantry with the purported memory of Charlemagne. The coronation was held in Paris in the presence of Pope Pius VII. According to government tallies, the entire cost was over 8.5 million francs.

Preparations

Not wanting to be an Old Regime monarch, Napoleon explained: "To be a king is to inherit old ideas and genealogy. I don't want to descend from anyone." According to Louis Constant Wairy, Napoleon awoke at 8 a.m. To the sound of a cannonade, he left the Tuileries at 11 a.m. in a white velvet vest with gold embroidery and diamond buttons, a crimson velvet tunic and a short crimson coat with satin lining. He wore a wreath of laurel.[4]:54 The number of onlookers, as estimated by Wairy, was between four and five thousand, many of whom had held their places all night, through intermittent showers that cleared in the morning.[5]:301

The ceremony

Commemorative coin with the image of Pius VII on the obverse and Notre Dame de Paris on the reverse
The coronation balloon

The ceremony had started at 9 a.m. when the Papal procession set out from the Tuileries. The procession was led by a bishop on a mule holding aloft the Papal crucifix.[6] The Pope entered Notre Dame first, to the anthem Tu es Petrus, and took his seat on a throne near the high altar.[4] Napoleon's and Joséphine's carriage was drawn by eight bay horses and escorted by grenadiers à cheval and gendarmes d'élite.[7] The two-part ceremony was held at different ends of Notre Dame to emphasize the disconnectedness of religious and secular facets. An unmanned balloon, ablaze with three thousand lights in an imperial crown pattern, was launched from the front of Notre Dame during the celebration.[6]

Napoleon in coronation robes by François Gérard

Before entering Notre Dame, Napoleon was vested in a long white satin tunic embroidered in gold thread and Josephine similarly wore a white satin empire style dress embroidered in gold thread. During the coronation he was formally clothed in a heavy coronation mantle, made from crimson velvet and lined with ermine; the velvet was covered with embroidered golden bees, drawn from the golden bees among the regalia that had been discovered in the Merovingian tomb of Childeric I, a symbol that looked beyond the Bourbon past and linked the new dynasty with the ancient Merovingians; the bee replaced the fleur-de-lis on imperial tapestries and garments. The mantle weighed at least eighty pounds and was supported by four dignitaries.[5]:299 Josephine was at the same time formally clothed in a similar crimson velvet mantle embroidered with bees in gold thread and lined with ermine, which was borne by Napoleon's three sisters.[nb 1] There were two orchestras with four choruses, numerous military bands playing heroic marches, and over three hundred musicians.[5]:302 A 400-voice choir performed Paisiello's "Mass" and "Te Deum". Because the traditional royal crown had been destroyed during the French Revolution, the so-called Crown of Napoleon, made to look medieval and called the "crown of Charlemagne" for the occasion,[4]:55 was waiting on the altar. While the crown was new, the sceptre was reputed to have belonged to Charles V and the sword to Philip III.

Napoleon I on his Imperial Throne by Jean Auguste Dominique Ingres, 1806

The coronation proper began with the singing of the hymn, Veni Creator Spiritus, followed by the versicle, "Lord, send forth your Spirit" and response, "And renew the face of the earth" and the collect for the Feast of Pentecost, "God, who has taught the hearts of your faithful by sending them the light of your Holy Spirit,..." After this the prayer, "Almighty, everlasting God, the Creator of all..."[nb 2] During the Litany of the Saints, the Emperor and Empress remained seated, only kneeling for special petitions. The Emperor and Empress were both anointed on their heads and on both hands with chrism–the Emperor with the prayers, "God, the Son of God..."[8][nb 3] and "God who let Hazael triumph over the Syrians...",[8] the Empress with the prayer, "God the Father of eternal glory..."—while the antiphon "Zadok the priest..." was sung. The Mass then began. At Napoleon's request, the collect of the Blessed Virgin (as the patron of the cathedral) was said in place of the proper collect for the day. After the epistle the different articles of the imperial regalia were individually blessed,[nb 4] and delivered[nb 5] to the Emperor and Empress.[nb 6]

Last dress of Napoleon's Coronation / Countess Bérenger, wife of Count Jean Bérenger (1767-1850)

At the moment of the crowning when the Pope said, "Receive the imperial crown...", Napoleon unexpectedly turned and, forestalling the Pope, removed his laurel wreath and crowned himself and then crowned the kneeling Joséphine with a small crown surmounted by a cross, which he had first placed on his own head.[8] At Napoleon's enthronement the Pope said, "May God confirm you on this throne and may Christ give you to rule with him in his eternal kingdom".[nb 7] Limited in his actions, Pius VII proclaimed further the Latin formula Vivat imperator in aeternum! ("May the Emperor live forever!"), which was echoed by the full choirs in a Vivat, followed by "Te Deum". With his hands on the Bible, Napoleon took the oath:

"I swear to maintain the integrity of the territory of the Republic, to respect and enforce respect for the Concordat and freedom of religion, equality of rights, political and civil liberty, the irrevocability of the sale of national lands; not to raise any tax except in virtue of the law; to maintain the institution of Legion of Honor and to govern in the sole interest, happiness and glory of the French people".[3]:245 The text was presented to Napoleon by the President of the Senate, the President of Legislature and the most senior President of the Council of State. After the oath the newly appointed herald of arms proclaimed loudly: "The thrice glorious and thrice august Emperor Napoleon is crowned and enthroned. Long live the Emperor!" During the people's acclamations Napoleon, surrounded by dignitaries, left the cathedral while the choir sang "Domine salvum fac imperatorem nostrum Napoleonem"—"God save our Emperor Napoleon".

After the coronation the Emperor presented the imperial standards to each of his regiments.

In addition to David's paintings, a commemorative medal was struck with the reverse design by Antoine-Denis Chaudet.

Notes

  1. There is an anecdotal account that just as Josephine reached the top of the steps of the high altar to be crowned, Napoleon's sisters deliberately gave her mantle a sudden tug which momentarily caused her to lose her balance, but she did not fall as her sisters-in-law had intended.
  2. With the substitution of the word "emperor" for "king" and the addition of the words "and of his consort" to the original prayer from the traditional French coronation ritual.[8]
  3. A translation of this prayer may be found at Coronation of the Hungarian monarch
  4. The blessings for the sword, rings, gloves, the Hand of Justice and the scepter were taken from the Cérémoniel françois, while the blessing of the orb was special composed for the occasion.[8]
  5. The forms for the delivery of the sword, rings, gloves, Hand of Justice and the scepter were also from the Cérémoniel françois, while that for the delivery of the mantles and the Orb were also specially composed for the occasion.[8]
  6. The forms for the delivery of the rings and the mantles were in the plural, since they were given to the Emperor and Empress simultaneously.[8]
  7. A different and more complete translation of this enthronement formula may be found at Coronation of the Hungarian monarch

References

  1. Porterfield, Todd Burke; Siegfried, Susan L. (2006). Staging empire: Napoleon, Ingres, and David. Penn State Press. p. 4. ISBN 978-0-271-02858-3. Retrieved 1 December 2011.
  2. Dwyer 2015
  3. 3.0 3.1 3.2 Englund, Steven (2005-04-30). Napoleon: A Political Life. Harvard University Press. ISBN 978-0-674-01803-7. Retrieved 1 December 2011.
  4. 4.0 4.1 4.2 Junot, Laure, duchesse d'Abrantès (1836). Memoirs of Napoleon, his court and family 2. R. Bentley. Retrieved 1 December 2011.
  5. 5.0 5.1 5.2 Wairy, Louis Constant (1895). Recollections of the private life of Napoleon 1. The Merriam company. Retrieved 1 December 2011.
  6. 6.0 6.1 Napoleon's Coronation as Emperor of the French Georgian Index
  7. Bernard Picart, "Histoire des religions et des moeurs de tous les peuples du monde, Volume 5", Paris, 1819, p.293
  8. 8.0 8.1 8.2 8.3 8.4 8.5 8.6 Woolley, Reginald Maxwell (1915). Coronation Rites. Cambridge University Press. pp. 106–107.

Further reading

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