Claus-Steffen Mahnkopf

Claus-Steffen Mahnkopf (born 22 October 1962) is a German composer, editor, and author.

Life

Claus-Steffen Mahnkopf was born in Mannheim, West Germany, and studied composition with Brian Ferneyhough, Klaus Huber und Emanuel Nunes and music theory at the music academy in Freiburg, where he graduated in 1992. At the same time, he studied musicology, philosophy with Jürgen Habermas and sociology at university. In 1993 he was awarded a doctorate in philosophy for his dissertation on Arnold Schönberg. For his compositions Mahnkopf has won numerous international prizes, among them the Gaudeamus International Composers Award in 1990, the composition prize of the city Stuttgart and the Composers Award of the Ernst-von-Siemens Music Foundation in 1998. Mahnkopf went to Rome (Villa Massimo), Italy, Venice (Centro Tedesco di Studi Veneziani), Italy, and Basel (Paul-Sacher-Stiftung), Swiss, on scholarships. In 1995 he was one of the founders of the Gesellschaft für Musik und Ästhetik (society for music and aesthetics) and he is also one of the editors of the society’s magazine. Mahnkopf worked as music theory teacher and as consultant for opera houses and he published many essays in musicological magazines. In 1999 he married professor doctor Francesca Yardenit Albertini, a Jewish philosopher of religion. From 2001 until 2005 Mahnkopf worked regularly at the Experimental Studio of the SWR. Since 2005 Claus-Steffen Mahnkopf teaches composition at the University of Music and Theatre "Felix Mendelssohn Bartholdy" in Leipzig. His music is being performed by many ensembles, like SurPlus or ensemble recherche on international festivals, for example on the Salzburger Festspiele or the Flandern Festival. Among the artists to perform his works regularly are oboist Peter Veale, Sophie-Mayuko Vetter, Carin Levine, James Avery and Frank Cox.

Style

Mahnkopf is associated with the New Complexity movement which, in 1997, he proposed should be designated the Second Darmstadt School (Fox 2001). his music has its roots in the German-Austrian music tradition; he frequently falls back on Ludwig van Beethoven and Alban Berg. The modern avant-garde has a great influence on his works, which are of exceeding complexity. Mahnkopf is working frequently with multiphonics for all kinds of instruments (e.g., the oboe), quarter and eighth tones and harmonics. In “Mon Coeur mis a nu”, for example, he uses just differently articulated vowels and consonants for the singers. Mahnkopf is convinced of the autonomy of art, but believes that art also has to be considered in context of culture and the modern democratic society.

Major works

Stage Works

musical theatre by Claus-Steffen Mahnkopf after Walter Benjamin, soloists : Soprano, Flute, Piccolo Oboe, Violoncello, Piano, Percussion (variable), written for the Munich Biennale

Orchestra

for piano and orchestra, written for Salzburger Festspiele
for large orchestra, written for Bayerischer Rundfunk

Chamber Orchestra

for oboe/English horn and chamber orchestra
serenade for strings

Ensemble Works

for chamber ensemble
for piccolo oboe and ensemble
for soprano and ensemble
for ensemble

Chamber music

for violoncello and piano
for (4) clarinet(s)
for oboe and piano, written for the Baden-Württemberg Ministry of Science, Research and Arts
for four voices (soprano, alto, tenor, bass), written for the Baden-Württemberg Ministry of Science, Research and Arts
in memoriam victimarum christianitatis, for four players (violin, viola, violoncello and percussion), written for ensemble recherche
for three players (electric guitar, quarter-tone vibraphone and piano), written for ensemble asamisimasa

Solo Works

for oboe
for viola
for harp or for harp with a second, scordated harp
for flute
for accordion, written for Südwestrundfunk
for piano

With Electronic Media

for eight-track tape
for oboe and live electronics
space and sound composition, for eight-track tape

Literature

References

External links