Cindy Nemser

Cindy Nemser (born March 26, 1937) is an American art historian and writer. Founder and editor of the Feminist Art Journal, Nemser was an activist and prominent figure in the feminist art movement who is best known for her writings on the work of women artists such as Eva Hesse, Alice Neel, and Louise Nevelson.^[1]

Early life

Nemser was born in Brooklyn, New York. She received her B.A. in Education and M.A. in English and American Literature from Brooklyn College before attending the Institute of Fine Arts at New York University where she received her M.A. in Art History. While at the Institute, Nemser wrote exhibition reviews for Arts Magazine alongside her studies.^[2]

Career

After completing an internship at the Museum of Modern Art, Nemser continued to be involved in the New York art scene in 1966 as a critic. Her articles covered contemporary realism, OP Art, body art, and other areas. She was the first critic to write about the work of several artists including Chuck Close, Vito Acconci and Gordon Matta-Clark.

In 1972, Cindy Nemser was one of the founders of the organization, Women in the Arts and was on the board of the collective which published the journal Woman and Art along with Patricia Mainardi, Irene Peslikis, Irene Moss, Michelle Wallace and Majorie Kramer.

She was the publisher and editor of the Feminist Art Journal (FAJ) from 1972-1977, working with Patricia Mainardi for the first year of publication before continuing on as the sole editor of the FAJ. By 1977 when Nemser closed the Feminist Art Journal, it had been instrumental in securing positions for creative women and achieved world-wide readership, reaching major public and university libraries as well as many prominent artists, art critics and historians. The critic designated that the contribution that women artists in particular made for contemporary art was the social aspect of their work.^[3]

In 1973, Nemser organized three panels on women in the arts for the artists’ division of the College Art Association. In 1973-1974 Nemser was instrumental in conceiving Philadelphia Focus on the Visual Arts, or FOCUS, a multi-venue exhibition series.^[4] She worked with Diane Burko to make the festival a reality.

In 1975 Nemser authored Art Talk: Conversations with 12 Women Artists, which included interviews with Barbara Hepworth, Sonia Delaunay, Louise Nevelson, Lee Krasner, Alice Neel, Grace Hartigan, Marisol, Eva Hesse, Lila Katzen, Eleanor Antin, Audrey Flack, and Nancy Grossmann.^[5] A reprint published by Harper Collins in 1995 also included conversations with Betye Saar, Isabel Bishop, and Janet Fish. She published Ben Cunningham: A Life with Color in 1989 and her novel Eve’s Delight in 1982. Her numerous articles have appeared in Artforum, Art in America, Arts Magazine, The New York Times, The Village Voice, Newsday, MS Magazine, The Journal of Aesthetic Education, Art Education and many more magazines and newspapers.

In the 1990s Nemser became a theater critic, writing for publications such as Theater Guild Quarterly. Feminism continued to influence her work which exposed sexism that permeated the theater world.

She is currently completing her memoir Firebrand: Tales of the 70's Art World Told by a Feminist Art Critic.^[2]

Curating

Nemser has served as curator or co-curator of several exhibitions which celebrate female artists and feminist art.

• 1974 — "In Her Own Image" at the Fleisher Art Memorial Gallery of the Philadelphia Museum of Art.
• 1974 — "FOCUS: Women’s Work— American Art in 1974" (with Marcia Tucker, Adele Breeskin, Anne d’Hanoncourt and sculptor Lila Katzen) at the Philadelphia Civic Center.
• 2007 — "Women’s Work: Homage to Feminist Art" at the Tabla Rasa Gallery in Brooklyn.

References

1. ↑ ,
2. ↑ 2.0 2.1 ,
3. ↑ Wagner, p.179,
4. ↑ ,
5. ↑ Nemser, p1,

Van Wagner, Judith (August 15, 1984). Women Shaping Art. Praeger. ISBN 0275917525.  Nemser, Cindy (1975). Art Talk. Scribner. ISBN 0684139847.