Chicago Grand Opera Company
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The Auditorium Building, home of the Chicago Grand Opera Company | |
| Type | Opera house |
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| Genre(s) | Opera |
Two grand opera companies in Chicago have gone by the name Chicago Grand Opera Company
The first Chicago Grand Opera Company produced four seasons of opera in Chicago’s Auditorium Theater from the Fall of 1910 through November 1915. It was the first resident Chicago opera company. The company also spent several months each year performing in the city of Philadelphia where it performed at the Philadelphia Metropolitan Opera House under the name the Philadelphia-Chicago Grand Opera Company in order to "satisfy the civic pride" of that city.[1] The company notably presented the world premieres of Victor Herbert's Natoma (1911) and Attilio Parelli's I dispettosi amanti (1912). The company also mounted the United States premieres of Jean Nouguès's Quo vadis (1911), Karl Goldmark's Das Heimchen am Herd (1912), and Alberto Franchetti's Cristoforo Colombo (1913). Notable performers who sang with the company included Paul Althouse, Marguerite Bériza, Armand Crabbé, Charles Dalmorès, Enrica Clay Dillon, Jenny Dufau, Hector Dufranne, Minnie Egener, Amy Evans, Mary Garden, Jeanne Gerville-Réache, Orville Harrold, Gustave Huberdeau, Frances Ingram, Lydia Lipkowska, Vanni Marcoux, Carmen Melis, Lucien Muratore, Giovanni Polese, Albert Reiss, Myrna Sharlow, Tarquinia Tarquini, Luisa Tetrazzini, Alice Zeppilli, and Nicola Zerola among others.
The second Chicago Grand Opera Company was an attempt to keep opera going in Chicago after the collapse of the Chicago Civic Opera in 1932. It produced three seasons of opera at the Civic Opera House from 1933 to 1935 before it too succumbed to financial difficulties. It was succeeded by the Chicago City Opera Company.
References
- ↑ Special to the New York Times, The New York Times, March 8, 1911
- Davis, Ronald L., Opera in Chicago, Appleton, New York City, 1966.
- Marsh, Robert C. and Norman Pellegrini, 150 Years of Opera in Chicago, Northern Illinois University Press, Chicago 2006.
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