Cecilian Movement

Franz Xaver Haberl
The young Lorenzo Perosi (photo-postcard late 1890s)
Giovanni Tebaldini

The Cecilian Movement of church music reform was centered in Germany (Gmeinwieser 2001), and received great impetus from Regensburg, where Franz Xaver Haberl had a world-renowned school for church musicians. (Haberl was also the Regensburg Domkapellmeister (cathedral choirmaster), where he directed a choir highly skilled in polyphony and chant.)

The Cecilian Movement was a reaction to the liberalization of the Enlightenment. Their theoretical ideas were formulated by Ludwig Tieck, Friedrich and August Wilhelm Schlegel, Johann Michael Sailer, E. T. A. Hoffmann (1814), and Anton Friedrich Justus Thibaut (Gmeinwieser 2001).

Institutionalization

Although the movement traced its roots back to the 15th-century Congregazioni Ceciliani, which in turn inspired the formation during the 18th century in Munich, Passau, Vienna, and other places of Caecilien-Bündnisse (Cecilian Leagues) with the goal of promoting the a cappella singing of sacred music (in keeping with the edicts of the Council of Trent), the Cecilian movement proper is considered to have been established only in the 19th century. Franz Xaver Witt, a priest trained in Regensburg, published a call for reform of church music (Witt 1865) and three years later, on the occasion of a rally of Catholics in Bamberg, founded the first formal body of the movement, the Allgemeiner Deutscher Cäcilienverein. After Pope Pius IX sanctioned this organization in 1870, similar groups soon sprang up in the Netherlands, Italy, Belgium, Poland, Bohemia, Hungary, Switzerland, and North America (Gmeinwieser 2001).

Chant reform

The deficiencies of the official version of the Gradual and Antiphonal, the Medicean edition of 1614, had become evident by the beginning of the 19th century. Calls for its reform led to publication of the Mechlin edition in 1848 which, despite a few attempts at correction retained many of the faults of the Medicean version. in 1871, Franz Xaver Haberl and the publisher Pustet of Ratisbon reissued this edition of the Gradual, claiming it to be the work of Palestrina, which made it an initial success. They also issued an Antiphonal, based largely on the Venetian edition of 1580 (Combe 2008, 6).

In 1904, a papal decree reinstated the readings of the Editio vaticana, effectively bringing the Regensburg chant-reform efforts to an end and rendering Haberl's internationally disseminated textbook Magister choralis unusable (Haberl 2001).

Publishers

The German publishing houses most closely associated with the Cecilian movement were Pustet in Regensburg, Schwann in Düsseldorf, and Böhm in Augsburg. Journals allied with the movement include Fliegende Blätter für katholische Kirchenmusik, Musica sacra, Cäcilienkalender, Kirchenmusikalisches Jahrbuch, and Gregoriusblatt in Germany, Chorwächter in Switzerland, Kirchenmusikalische Vierteljahresschrift and Wiener Blätter für katholische Kirchenmusik in Austria, and Caecilia in the United States (Gmeinwieser 2001).

Timeline

References

Further reading

External links