Caroline Arscott

Caroline Arscott is the Head of Research at the Courtauld Institute.^[1] She is an expert on the art of the Victorian period.

Selected publications

• "Edward Burne-Jones (1833-98)" in E. Prettejohn (ed.), The Cambridge Companion to the Pre-Raphaelites, Cambridge: Cambridge University Press, 2012.
• "Everyday Variety and Classical Constraint in Victorian Drawings" in Life, legend, landscape: Victorian drawings and watercolours edited by Joanna Selborne, exhibition catalogue, London: The Courtauld Gallery, 2011.
• Edward Burne-Jones and William Morris: Interlacings, Yale University Press, New Haven and London, 2008. ISBN 0300140932
• "William Powell Frith’s The Railway Station: Classification and the Crowd", in William Powell Frith, exhibition catalogue, London, Guildhall Art Gallery, November 2006, pp. 79-93.
• "Representations of the Victorian City" in M. Daunton, (ed.), Cambridge Urban History of Britain: Volume Three (1840-1950), Cambridge University Press, Cambridge, 2000, p. 811-32.
• "Convict Labour: Masking and Interchangeability in Victorian Prison Scenes", Oxford Art Journal, vol. 23, no. 2, 2000, pp. 119-42 (on Frith).

References

External links

• Caroline Arscott talking about Subject and Object in Whistler: The Context of Physiological Aesthetics on YouTube.