Candi of Indonesia

Map showing the location of the main sites of the so-called "Indonesian classical period" or Hindu-Buddhist period. Black dots represent Hindu sites and red dots Buddhist sites.
Buddha in an open stupa and the main stupa of Borobudur in the background.

Candi (pronounced [tʃandi]) are the Hindu and Buddhist temples and sanctuaries of Indonesia, mostly built during the 8th to 15th centuries. However, ancient non-religious structures such as gates, urban ruins, and pool and bathing places are often also called "candi".

Terminology

Candi refers to a structure based on the Indian type of single-celled shrine, with a pyramidal tower above it, and a portico.[1] The term Candi is given as a prefix to the many temple-mountains in Indonesia, built as a representation of the Cosmic Mount Meru, an epitome of the universe. However, the term also applied to many non-religious structures dated from the same period, such as gopura (gates), petirtaan (pools) and some of habitation complexes. Examples of non-temple candis are the Bajang Ratu and Wringin Lawang gates of Majapahit. The Candi Tikus bathing pool in Trowulan and Jalatunda in Penanggungan slopes, as well as the remnants of non-religious habitation and urban structures such as Ratu Boko and some of Trowulan city ruins, are also considered candi.

"Between the 7th and 15th centuries, hundred of religious structures were constructed of brick and stone in Java, Sumatra and Bali. These are called candi. The term refers to other pre-Islamic structures including gateways and even bathing places, but its principal manifestation is the religious shrine."

— Soekmono, R. "Candi:Symbol of the Universe". [2]

The term "candi" itself derived from Candika one of the manifestations of the goddess Durga as the goddess of death.[3] This suggested in ancient Indonesia the "candi" has mortuary function as well as attributed with the afterlife. The association of the name "candi", candika or durga with Hindu-Buddhist temples is unknown in India and other Indonesia's Southeast Asian neighbours such as Cambodia, Thailand, or Burma. The historians suggested that temples of ancient Java also used to store the ashes of cremated deceased kings or royalties. This is also in-line with Buddhist concept of stupa as the structure to store Buddhist relicts including the ashes and remnants of holy Buddhist priest or the Buddhist king, the patron of Buddhism. The statue of god stored inside the garbhagriha (main chamber) of the temple often modelled after the deceased king and considered as deified self of the king portrayed as Vishnu or Shiva according to the concept of devaraja. The example is the statue of king Airlangga from Belahan temple portrayed as Vishnu riding Garuda.

Architecture

The Shiva temple Candi Prambanan consist of three ascending realms, temple's base (Bhurloka), body (Bhurvaloka) and roof (Svarloka).

The candi architecture follows the typical Hindu architecture traditions based on Vastu Shastra. The temple layout, especially in central Java period, incorporated mandala temple plan arrangements and also the typical high towering spires of Hindu temples. The candi was designed to mimic Meru, the holy mountain the abode of gods. The whole temple is a model of Hindu universe according to Hindu cosmology and the layers of Loka.

The candi structure and layout recognize the hierarchy of the zones, spanned from the less holy to the holiest realms. Each Hindu and Buddhist concepts has their own terms, but the concept's essentials is identical. Either the compound site plan (horizontally) or the temple structure (vertically) are consists of three zones:[4]

Decoration

Kala-makara

Kala-makara on the portal of Borobudur gates, Kala's head on top of the portal and makaras flanking either sides.

The candis of ancient Java is notable with the application of kala-makara as both decorative and symbolic elements of temple architecture. Kala is the giant symbolize time, by making kala's head as temple portals element, it symbolize that time consumes everything. Kala is also a protective figure, with fierce giant face it scare away malevolent spirits. Makara is a mythical sea monster the vahana of sea god Varuna. It has been depicted typically as half mammal and half fish. In many temples, the depiction is in the form of half fish or seal with head of an elephant. It is also shown with head and jaws of a crocodile, an elephant trunk, the tusks and ears of a wild boar, the darting eyes of a monkey, the scales and the flexible body of a fish, and the swirling tailing feathers of a peacock. Both kala and makara is applied as the protective figures of the temple's entrance.

Kala is the giant head, often took place on the top of the entrance with makaras projected on either sides of kala's head flanking the portal or projecting on top corner as antefixes. Kala-makara theme also can be found on stairs railings on either sides. On upper part of stairs, the mouth of kala's head projecting makara downward. The intricate stone carving of twin makaras flanking the lower level of stairs with its bodies forming the stair's railings. Other than makaras, kala's head might also projecting its tongue as stair's railings. These types if stairs decorations can be observed in Borobudur and Prambanan. Makara's trunks are often describes as handling gold ornaments or spouting jewels, while in its mouth often projected Gana dwarf figures or animals such as lions or parrots.

Stupa and ratna pinnacles

The religions dedicated in the temples of ancient Java can be easily distinguished mainly from its pinnacles on top of the roof. Bell-shaped stupa can be found on the Buddhist temples' roof, while ratna, the pinnacle ornaments symbolize gem, mostly founds in Hindu temples. In Prambanan, the stylized vajra replaced ratna as the temple's pinnacles. In later periods, the false lingga-yoni, or cube can be found in Hindu temple's roof, while cylindrical dagoba on top of Buddhist counterparts.

Style

Pawon temple near Borobudur, example of central Javanese style.
Bajang Ratu gate in Trowulan, example of eastern Javanese style.

Soekmono, an Indonesian archaeologist, has classified the candi styles into two main groups: a central Java style, which predominantly date from before 1,000 CE, and an eastern Java style, which date from after 1,000 CE. He groups the temples of Sumatra and Bali into the eastern Java style.[5]

Parts of the temple Central Java Style Eastern Java Style
Shape of the structure Tends to be bulky Tends to be slender and tall
Roof Clearly shows stepped roof sections, usually consist of 3 parts The multiple parts of stepped sections formed a combined roof structure smoothly
Pinacle Stupa (Buddhist temples), Ratna or Vajra (Hindu temples) Cube (mostly Hindu temples), sometimes Dagoba cylindrical structures (Buddhist temples)
Portal and niches adornment Kala-Makara style; Kala head without lower jaw opening its mouth located on top of the portal, connected with double Makara on each side of the portal Only Kala head sneering with the mouth complete with lower jaw located on top of the portal, Makara is absent
Relief Projected rather high from the background, the images was done in naturalistic style Projected rather flat from the background, the images was done in stylized style similar to Balinese wayang image
Layout and location of the main temple Concentric mandala, symmetric, formal; with main temple located in the center of the complex surrounded by smaller perwara temples in regular rows Linear, asymmetric, followed topography of the site; with main temple located in the back or furthermost from the entrance, often located in the highest ground of the complex, perwara temples is located in front of the main temple
Direction Mostly faced east Mostly faced west
Materials Mostly andesite stone Mostly red brick

There are material, form, and location exceptions to these general design traits. While the Penataran, Jawi, Jago, Kidal and Singhasari temples, for example, belong to the eastern Java group, they use andesite stone similar to the central Java temple material. Temple ruins in Trowulan, such as Brahu, Jabung and Pari temples use red brick. Also the Prambanan temple is tall and slender similar to the east Java style, yet the roof design is central Javan in style. The location also do not always correlate with the temple styles, for example Candi Badut is located in Malang, East Java, yet the period and style belongs to older 8th century central Javanese style.

The earlier northern central Java complexes, such as the Dieng temples, are smaller and contain only several temples which exhibit simpler carving, whereas the later southern complexes, such as Sewu temple, are grander, with a richer elaboration of carving, and concentric layout of the temple complex.

The Majapahit period saw the revival of Austronesian megalithic design elements, such stepped pyramids (punden berundak). These design cues are seen in the Sukuh and Cetho temples in Mount Lawu in eastern Central Java, and in stepped sanctuary structures on the Mount Penanggungan slopes that are similar to meso-American stepped pyramids.

Candi of Central Java

Borobudur & Kedu Plain

Borobudur

The Kedu Plain lies to the north west of Yogyakarta and west of Gunung Merapi and south west of Magelang, in Central Java

East of Borobudur

Slopes of Gunung Merapi

Western Slopes

Southern Slopes

Eastern Slopes

Near Yogyakarta

East

Dieng Plateau

Main article: Dieng temples

The Hindu temple compound located in Dieng Plateau, near Wonosobo, Central Java. Eight small Hindu temples from the 7th and 8th centuries, the oldest in Central Java. Surrounded by craters of boiling mud, colored lakes, caves, sulphur outlets, hot water sources and underground channels. The temples are:

Gedong Songo

Gedong Songo I

South-west of Semarang, Central Java

Five temples constructed in 8th and 9th centuries. The site highlights how, in Hinduism, location of temples was as important as the structures themselves. The site has panoramas of three volcanoes and Dieng Plateau.

Klaten Regency

East of Yogyakarta, Central Java

Mount Lawu

Near Surakarta, Central Java

Prambanan Plain

The Prambanan temple complex

East of Yogyakarta

North of main Prambanan complex

South of main Prambanan complex

West of main Prambanan complex

Ratu Boko & surrounds

The gate of Ratu Boko Palace compound.
Candi Barong.

East of Yogyakarta and south of Prambanan

South of Ratu Boko

South-west of Ratu Boko

Candi of West Java

Cangkuang, Garut West Java

Candi of East Java

Malang area

Singosari

Malang, East Java

Blitar area

Penataran

Kediri area

Surowono

Sidoarjo, Tretes & Probolinggo areas

Jawi

Trowulan

Candi Brahu, Trowulan

Candi of Bali

Gunung Kawi, Bali

Candi of Sumatra

Biaro Bahal, North Sumatra

Candi of Kalimantan

Gallery

See also

References

  1. Philip Rawson: The Art of Southeast Asia
  2. Soekmono, R. "Candi:Symbol of the Universe", pp.58-59 in Miksic, John, ed. Ancient History Volume 1 of Indonesian Heritage Series Archipelago Press, Singapore (1996) ISBN 978-981-3018-26-6
  3. Soekmono, Dr R. (1973). Pengantar Sejarah Kebudayaan Indonesia 2. Yogyakarta, Indonesia: Penerbit Kanisius. p. 81. ISBN 979-413-290-X.
  4. Konservasi Borobudur (in Indonesian)
  5. Soekmono, Dr R. (1973). Pengantar Sejarah Kebudayaan Indonesia 2. Yogyakarta, Indonesia: Penerbit Kanisius. p. 86. ISBN 979-413-290-X.
  6. Garut: The Hidden Beauty of West Java http://www.thejakartapost.com/print/317912

Further reading

External links