Cäcilie (Strauss)
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894.
The words are from a love poem "Cäcilie" written by Heinrich Hart (1855-1906), a German dramatic critic and journalist who also wrote poetry. It was written for the poet's wife Cäcilie.
German pronunciation: [tsɛːˈtsiː.liːə], or UK English as "Cecilia".
History
Strauss composed the song at Weimar on 9 September 1894, the day before his wedding to the soprano Pauline de Ahna, as a wedding present to her.
Instrumentation and accompaniment
The song was originally written with piano accompaniment in the key of E major, but later orchestrated in his 'heroic' key of E♭. The instrumentation is: 2 flutes, 2 oboes, 2 clarinets in B♭, 2 bassoons, 4 horns in E♭, 2 trumpets in E♭, 3 trombones, tuba, 3 timpani, harp and the orchestral string section.[1]
The tempo direction is "Sehr lebhaft und drängend".[2]
Strauss, in his rich and lively orchestration, included parts for a solo string player from each section.
The change of key a semitone down from E to E♭ explains why, from bar 34 on the violas are asked to play the note B, a semitone below the lowest normally possible on the instrument. At this point Strauss asks half the violas to tune this string down a semitone.[3]
Lyrics
Cäcilie |
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Opus 27
The other songs of Strauss' Opus 27:
- Op. 27 No. 1 "Ruhe, meine Seele!" (Nicht ein Lüftchen regt sich leise)
- Op. 27 No. 3 "Heimliche Aufforderung" (Auf, hebe die funkelnde Schale)
- Op. 27 No. 4 "Morgen!" (Und morgen wird die Sonne wieder scheinen)
Recordings
There are many recordings of this, one of Strauss's most popular songs.
Videos
Orchestral accompaniment:
- Renée Fleming, Rome
- Renée Fleming, Copenhagen
- Renée Fleming, Beijing
- Renée Fleming, Moscow
- Jessye Norman
- Anna Netrebko
- Ben Heppner
Orchestral accompaniment, sound only:
Piano accompaniment:
- Kiri te Kanawa and Georg Solti
- Christa Ludwig and Gerald Moore
- Kishani Jayasinghe
- Krista McClellan and Matthew Larson
Piano acccompaniment, sound only:
- Joana Banyeres and Maria Canela
- Gwyneth Jones and John Wustman, Carnegie Hall, 1978
- Bárbara Hendricks