Bugge Wesseltoft

Bugge Wesseltoft
Background information
Birth name Jens Christian Bugge Wesseltoft
Born 1 February 1964
Porsgrunn, Telemark
Origin Norway
Genres Jazz, NuJazz, future jazz and electronica
Occupation(s) Musician, composer and music producer
Instruments Piano, keyboards, electronic instruments and percussion
Labels Jazzland Recordings
ECM Records
Associated acts New Conception of Jazz
Website buggesroom.com

Jens Christian Bugge Wesseltoft (born 1 February 1964 in Porsgrunn, Norway) is a Norwegian jazz musician, pianist, composer and producer, son of the Jazz guitarist Erik Wesseltoft.[1]

Career

Bugge Wesseltoft (with John Scofield) at Moers Festival 2006, Germany.

After high school in Skien, were he was involved in the school brass band and dance orchestras, Bugge Wesseltoft became a professional musician in 1983 only 19 years old. By the age of 16, he joined a punk rock band, but the influence of the jazz guitarist father, stalked on him. After moving to his father in Oslo (1984), it was for the most music with roots in jazz that mattered, although he also was utilized as a performer and producer by the pop and rock elite in Norway. He had originally intended to attend musical studies, but the gigs were too many, and therefore he never got any further formal musical education. Towards the end of the 1980s Bugge Wesseltoft was involved in a variety of pop, rock and jazz bands like the "U and Z", "Et Cetera" and most important the Oslo Groove Company, and he was recognised as a coming musical genius with a great talent for the piano. This led to collaborations within the Knut Riisnæs Quartet in 1989, and he was soon after contacted by Arild Andersen to join in on the commissioned work for Vossajazz released on the album Sagn (1990) and the follow up Arv (1993), and Jan Garbarek for his Molde Canticle (1990), a commission from the Moldejazz, released on the album I Took Up the Runes (1990).[1]

Bugge Wesseltoft had a great impact on the Norwegian Jazz scene at the beginning of the 1990s, while going through a transition from Nordic jazz traditions exemplified by the ECM label to a style sometimes referred to as future jazz or nu jazz. There after he toured extensively on the international Jazz scenes, performing both jazz and rock conspts to live audiences, and on a sries of recordings on his own Jazzland label. Bugge Wesseltoft collaborated with a series artists in this period, like the guitarists Terje Rypdal and Jon Eberson, the experimental jazz vocalist Sidsel Endresen, and in the mid-90's he toured and recorded the album Billy Cobham presents Nordic – Off Color (1999) together with Billy Cobham. He collaborated for many years with Sidsel Endresen, and was in the lineup for her commissioned work at the Moldejazz in 1993, which was released on the album Exile (1994). His own commissioned work A Little War Story for the Vossajazz was also performed in 1993. Bugge Wesseltoft formed his own band the 'New Conception of Jazz' in 1995, and their first album New Conception of Jazz' (1996), was awarded a Spellemannprisen in 1996.[2]

During the 1990s the music of Bugge Wesseltoft found an audience on the Norwegian techno and dance music scenes. The connection with the club world led to the 2000 release of Jazzland Remixed, which enhanced his reputation even more with the younger audience. Firmly committed to electronic music, he completely eschews acoustic forms and is just as adamant that he will not be tied by genre boundaries, bringing hip-hop and other contemporary dance music forms into his concept of contemporary jazz. On the album Sharing (1998) many was taken by surprise by his extensive use of club DJ's and scratchers.[2]

The track "Existence" could be heard in Philippe Harel's movie "Extension du domaine de la lutte", adaptation of Michel Houellebecq's roman, written in 1994.

John Kellman of the All About Jazz magazine recognized Bugge Wesseltoft Solo appearance at The Punkt Festival, Kristiansand, Norway, September 2013, as one of his 25 "Best Live Shows of 2013".[3]

Honors

Discography

Solo albums

Solo piano
Within New Conception of Jazz


The Platinum Edition German Jazz Award

As co-leader

With Sidsel Endresen (duo)

Collaborations

With Jan Garbarek
With Arild Andersen
With Sidsel Endresen
With other projects

Guest appearances

Also appears on

With Jan Garbarek
With Terje Rypdal
With Lars Danielsson & Nils Petter Molvaer

See also

References

Wikimedia Commons has media related to Bugge Wesseltoft.
  1. ↑ 1.0 1.1 1.2 Halvorsen, Tore (13 February 2009). "Bugge Wesseltoft Extended Biography". Norsk Biografisk Leksikon (in Norwegian). Kunnskapsforlaget. Retrieved 2013-10-08.
  2. ↑ 2.0 2.1 2.2 Kelman, John. "Bugge Wesseltoft: New Conception of Jazz Box Review". All About Jazz date=2009-03-04. Retrieved 2013-10-08.
  3. ↑ Kelman, John (13 December 2013). "John Kelman's Best Live Shows of 2013". All About Jazz. Retrieved 2013-12-14.
  4. ↑ "Bugge Wesseltoft The Bugge Wesseltoft Platinum Edition". Musical reviews. ACT Music. Retrieved 2014-10-11.

External links

Awards
Preceded by
Vigleik Storaas Trio		 Recipient of the Jazz Spellemannprisen
1996 		Succeeded by
Vigleik Storaas Trio
Preceded by
Nils Petter Molvær		 Recipient of the Kongsberg Jazz Award
1997 		Succeeded by
Sidsel Endresen
Preceded by
Nils Petter Molvær		 Recipient of the Open class Spellemannprisen
1998 		Succeeded by
Krøyt
Preceded by
Nils Petter Molvær		 Recipient of the Jazz Gammleng-prisen
1999 		Succeeded by
Kristin Asbjørnsen
Preceded by
Anja Garbarek		 Recipient of the Open class Spellemannprisen
2002 		Succeeded by
Niko Valkeapää
Preceded by
Nils Petter Molvær		 Recipient of the Buddyprisen
2004 		Succeeded by
Arve Henriksen