Bruce Brown
Bruce Brown | |
---|---|
Born |
San Francisco, California | December 1, 1937
Occupation | documentary film director |
Spouse(s) | Patricia Brown |
Children |
Dana Brown Wade Brown Nancy Brown [1] |
Bruce Brown (born December 1, 1937) is an American documentary film director, known as an early pioneer of the surf film. He is the father of filmmaker Dana Brown.
Biography
Brown's films include Slippery When Wet (1958), Surf Crazy (1959), Barefoot Adventure (1960), Surfing Hollow Days (1961), Waterlogged (1962), and his most well known film, The Endless Summer (1964) which received a nationwide theatrical release in 1966. Considered among the most influential in the genre, The Endless Summer follows surfers Mike Hynson and Robert August around the world. Thirty years later Brown would film The Endless Summer II with his son in 1994.
He has also made a number of short films including The Wet Set, featuring the Hobie-MacGregor Sportswear Surf Team and one of the earliest skateboarding films, America's Newest Sport, presenting the Hobie Super Surfer Skateboard Team. These short films along with some unused footage from The Endless Summer were included in the DVD Surfin' Shorts, as part of the Golden Years of Surf collection. Brown has gone beyond surfing a few times with films about motorcycle sport, On Any Sunday (1971), which is held in high regard as one of the best motorcycle documentaries of all time, On Any Sunday II (1981), Baja 1000 Classic (1991), and On Any Sunday, revisited (2000). He made a guest appearance in the SpongeBob SquarePants episode "SpongeBob vs. The Big One".
Brown is a 2009 inductee into the Surfers' Hall of Fame in Huntington Beach, California.[2]
References
- ↑ "Biography: Bruce Brown", Surfline
- ↑ Baker, Candice (March 25, 2009). "Surfers’ Hall of Fame names its 2009 inductees". Huntington Beach Independent. Retrieved March 30, 2009.
External links
- Official site
- Bruce Brown at the Internet Movie Database
- Bruce Brown at the Motorcycle Hall of Fame
- Monterey Media
- Freeriding.nl film review
|