Blood of Dracula

Blood of Dracula
Directed by Herbert L. Strock
Produced by Herman Cohen
executive
James H. Nicholson
Samuel Z. Arkoff
Written by Ralph Thornton
Starring Sandra Harrison
Louise Lewis
Gail Ganley
Jerry Blaine
Heather Ames
Production
company
Carmel Productions
Distributed by American International Pictures
Release dates
  • November 1957
Running time
68 mins.
Language English

Blood of Dracula (UK title: Blood Is My Heritage) is a horror film starring Sandra Harrison, Louise Lewis and Gail Ganley released by American International Pictures (AIP) in November 1957. It is one of two follow-up films to AIP's box-office hit I Was a Teenage Werewolf released less than five months earlier, being released as a double bill with I Was a Teenage Frankenstein.[1] The film is black and white.

Plot

Six weeks after the death of her mother, Nancy Perkins' father (Thomas B. Henry) marries Doris (Jeanne Dean), and decides to enroll the eighteen-year-old Nancy (Sandra Harrison) into a boarding school, the Sherwood School for Girls. They are greeted by the principal, Mrs. Thorndyke (Mary Adams), who emphasizes to Nancy that the school is not a corrective institution but a private preparatory school with a very good reputation.

Nancy is immediately harassed by her dormmates that night, and at breakfast the next morning, after Thorndyke officially introduces Nancy to the girls, Myra (Gail Ganley), their leader, tells Nancy that it was good thing that she did not mention anything about the way they acted the previous night.

Myra also tells Nancy about their secret club, "The Birds of Paradise," and introduces her to Eddie (Don Devlin), a young groundsman whom the “Birds” take turns dating. Myra is the assistant for Miss Branding (Louise Lewis), the school’s chemistry teacher, who is writing a thesis about her belief that there is a “terrible power,” “strong enough to destroy the world – buried within each of us.” If she can prove this is the case, she hopes that the scientific community will abandon their experiments with nuclear power and other weapons mass destruction. When Branding tells Myra that she is looking for a special girl on whom to experiment, Myra suggests Nancy.

During chemistry class, Myra and her friend Nola (Heather Ames) deliberately switch a chemical in order to burn Nancy, causing her to react violently. Intrigued, Branding later talks with Nancy and gains her confidence. She then asks Nancy if she may hypnotize her and Nancy agrees. Branding places an amulet from antiquity around her neck, telling Nancy that it came from the Carpathian Mountain region and is capable of healing, as well as destroying – and has the ability to release frightening powers. As Nancy gazes at the amulet, Branding hypnotizes her and instructs her to always obey her.

Later, Eddie and two local boys, Tab (Jerry Blaine) and Joe (Jimmy Hayes), climb up into the girls' room as they are having Nancy’s initiation party. In a nearby building, Branding hears the noise and, despite the distance, is able to re-hypnotize Nancy, turning her into a vampire. The party is broken up by the disciplinarian Miss Rivers (Edna Holland), who then sends Nola to the basement to fetch supplies. While in the basement, Nola is attacked by something subhuman and killed.

The next morning, as police detective sergeant Stewart investigates the killing, Nancy is unable to wake up until Branding orders her and, when she relates a nightmare she had, Branding orders her to forget it.

At police headquarters, the coroner informs Lt. Dunlap (Malcolm Atterbury) that he found two puncture wounds in Nola's jugular vein and that the body was drained of blood. A young assistant to the coroner, Mike (Paul Maxwell) who shared a room in med school with “an exchange student from a small town in the Carpathian Mountains,” remembers his friend's stories about vampires. Dunlap is unimpressed in the theory.

The girls later organize a Halloween scavenger hunt in the local cemetery, and Nancy is again transformed into a vampire and kills another girl, as well as Tab. The police subject all the girls in the scavenger hunt to a lie-detector test, however, Branding is able to alter Nancy's responses to the questions by remote hypnosis.

Back at the school, Nancy, confused and frightened by her transformations, begs for Branding's help, but Branding assures her that the experiment will soon be over and that she will be proud of her part in saving mankind from self-destruction. The state threatens to close the school over the unsolved murders, and consequently, Thorndyke asks Branding to take over some of her duties while she attempts to calm concerned parents. Nancy’s boyfriend from back home, Glenn, suddenly arrives at the school, alarmed at the news stories of the slaughters but Nancy acts cold toward him – afraid that she might turn and kill him.

Nancy then goes to Branding's laboratory and begs Branding to release her from the experiment and from her power, but the obsessed Branding refuses and hypnotizes her again. Nancy once more becomes a vampire, nevertheless this time she attacks Branding, strangling her to death with the amulet’s necklace. As they struggle, Branding pushes Nancy away, impaling her on a broken piece of furniture, as Glenn, Thorndyke and Myra break into the laboratory. After they discover that Branding's written thesis has been destroyed by acid, Thorndyke declares that “those who twist and pervert knowledge for evil only work out their own destruction.”

Production notes

The film bears a striking resemblance to AIP’s earlier summer box office hit, I Was a Teenage Werewolf.[2] More or less a remake, and with the hero and villain roles now both played by females, Blood of Dracula could have easily been titled I Was a Teenage Vampire. With a story and screenplay credit by I Was a Teenage Werewolf writer Ralph Thornton (a pseudonym for AIP producer Herman Cohen and Aben Kandel), Blood of Dracula features many other similarities to Werewolf[3] - for instance, both have (among other things): a teenager with social behavior problems; an adult 'mad scientist' who is searching for the perfect guinea pig under the guise of helping troubled youth; an observer who can tell the killings are the work of a "monster;" a disbelieving police chief afraid of bad press; a song written by Jerry Blaine and Paul Dunlap accompanied by a choreographed "ad-lib" dance number; hypnosis as scientific medical treatment; drug injections; specific references to Carpathia; hairy transformation scenes; and even some of the same dialogue. In addition, two prominent actors from I Was a Teenage Werewolf are also featured in Blood of Dracula, Malcolm Atterbury and Louise Lewis; with Lewis's villain, 'Miss Branding' a practically perfect female version of Whit Bissel's 'Dr. Brandon.' However, few critics have drawn a connection between the two films, and while most reference works consider I Was a Teenage Frankenstein and How to Make a Monster as direct follow-ups to I Was a Teenage Werewolf, not even cinema guru Leonard Maltin speaks of Blood of Dracula as even being related to the trilogy.[4]

The film begins with a proto-feminist theme – the female scientist is driven by a need to assert herself in a male-dominated world and prove men of science and politics wrong. The film ends on a conservative anti-women message, however, suggesting that women who try to rise above their station ultimately become unbalanced.

Cast

Reception

Upon its theatrical release, the United States Conference of Catholic Bishops described the film as a “Low-budget chiller ... in which a new student at a girl's prep school turns into a murderous vampire after falling under the hypnotic spell of the school's feminist science teacher ... Stylized violence, hokey menace and sexual innuendo,” and gave the film an “Adults Only” rating. [5]

For its DVD release, DVD Verdict wrote: "Blood of Dracula has nothing to do with Dracula, but rather taints the vampire legend into the fate of a cranky teenage girl. The film basically takes the same route as I Was a Teenage Werewolf, but never lives up to that effort, especially with Harrison’s monster turns kept to a bare minimum. But her wild bat make-up is memorable, looking closer to 'Nosferatu' with big hair than anything else, and an impromptu musical number, 'Puppy Love' is a hoot."[6]

References

Notes
  1. Gary A. Smith, The American International Pictures Video Guide, McFarland 2009 p 29
  2. Arkoff, pp. 61–75
  3. "AIP's Roster of Twisted Teen Creatures – B-Movie Starter Kit: Blood of Dracula," by Marty Bauman, The Astounding B-Monster
  4. Leonard Maltin's Movie & Video Guide, 2001 Edition, pg. 146. Signet, ISBN 0-451-20107-8
  5. Catholic News Service, Media Review Office. The United States Conference of Catholic Bishops. 1957.
  6. DVD Drive-In.com Reviews: SAMUEL Z. ARKOFF COLLECTION: HOW TO MAKE A MONSTER (1958)/BLOOD OF DRACULA (1957) EARTH VS. THE SPIDER (1958)/WAR OF THE COLOSSAL BEAST (1958)
Bibliography

External links