Black Orchids (film)

Black Orchids

Film poster
Directed by Rex Ingram
Written by Rex Ingram
Starring Cleo Madison
Francis McDonald
Richard La Reno
Cinematography Duke Heyward
Production
company
Bluebird Photoplays
Distributed by Universal Film Manufacturing Company
Release dates
  • January 1917
Running time
5 reels
Country United States
Language Silent

Black Orchids is a 1917 American silent drama film written and directed by Rex Ingram. The film was released as The Fatal Orchids in the United Kingdom. The feature stars Cleo Madison, Francis McDonald and Richard La Reno. The movie was Ingram’s directorial debut, and he later remade the film as Trifling Women in 1922. Black Orchids is considered to be a lost film.[1][2]

Synopsis

Novelist Emile De Severac warns his daughter, Marie, against treating her fiancé, George Renoir, in fickle fashion. He illustrates his warning by telling her the story of Black Orchids. The heroine of the tale is Zoraida, a beautiful courtesan and fortune teller, possessed of magical powers. She has an ape for a familiar. Zoraida ensnares and ruins many lovers. Sebastian De Maupin becomes jealous of his son Ivan’s success with Zoraida and has him sent to the battlefront. Zoraida wins the Marquis De Chantal, whom the elder De Maupin plans to poison, but is himself done to death when Zoraida has the ape switch the goblets. She weds the marquis in the hope of inheriting his vast fortune. Ivan returns from the war. Zoraida leads him to fight a duel with her husband. The marquis is seriously wounded, but feigns death. His wife puts black orchids on his tomb. The marquis decoys his faithless wife and her lover into an air-tight vault in his chateau, where both perish miserably while De Chantal expires on the threshold. The narration of the tragedy cures Marie of her folly and she is reconciled to her lover.[3]

Cast

Reviews and reception

A write-up on the film in the Exhibitor’s Trade Review stated: "Indeed, were it not for this method of picturing the adventures of the man-enslaving Zoraida, one can hardly imagine the film being offered as screen entertainment, in this country at least".[2] Edward Weitzel wrote in his review of the film in the Motion Picture World, that the drama "deals almost exclusively with open defiance of all moral law, but which nevertheless holds the spectator’s undivided attention to the end of the last reel." Weitzel also commented on Ingram’s direction, saying: "While no points of the plot are glossed over or left in doubt, there is no undue stress put upon any of the incidents and the atmosphere which surrounds the entire story belongs to it by right of birth."[2]

See also

References

  1. "Black Orchids". Silent Era.
  2. 2.0 2.1 2.2 John T. Soister (2012). American Silent Horror, Science Fiction and Fantasy Feature Films, 1913–1929. McFarland & Company. pp. 46–47. ISBN 978-0-7864-3581-4.
  3. Janiss Garza. "Black Orchids (1917)". The New York Times.

External links