Billboard Hot 100

The Billboard Hot 100 is the music industry standard record chart in the United States for singles, published weekly by Billboard magazine. Chart rankings are based on radio play, streaming online, and sales; a new chart is compiled and officially released to the public by Billboard on Thursday. Example:

• Monday, January 1 – sales tracking-week begins
• Wednesday, January 3 – airplay tracking-week begins
• Sunday, January 7 – sales tracking-week ends
• Tuesday, January 9 – airplay tracking-week ends
• Thursday, January 11 – new chart released, with issue date of Saturday, January 20.

The first number-one song of the Hot 100 was "Poor Little Fool" by Ricky Nelson on August 4, 1958. As of the issue for the week ending May 9, 2015, the Hot 100 has had 1,042 different number-one hits. Its current number one is "See You Again" by Wiz Khalifa featuring Charlie Puth.^[1]

History

What has always been known as the Hot 100 had existed for nearly fifteen years as numerous charts, tracking and ranking the most popular singles of the day in several areas. During the 1940s and 1950s, popular singles were ranked in three significant charts:

• Best Sellers in Stores: ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country (20 to 50 positions). It is the oldest of the Billboard charts and dates to 1936.
• Most Played by Jockeys: ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations (20 to 25 positions).
• Most Played in Jukeboxes: ranked the most played songs in jukeboxes across the United States (20 positions). This was one of the main outlets of measuring song popularity with the younger generation of music listeners, as many radio stations resisted adding rock and roll music to their playlists for many years.

Although officially all three charts had equal "weight" in terms of their importance, many chart historians refer to the Best Sellers in Stores chart when referencing a song's performance prior to the creation of the Hot 100. Billboard eventually created a fourth singles popularity chart that combined all aspects of a single's performance (sales, airplay and jukebox activity), based on a point system that typically gave sales (purchases) more weight than radio airplay. On the week ending November 12, 1955, Billboard published The Top 100 for the first time. The Best Sellers In Stores, Most Played by Jockeys and Most Played in Jukeboxes charts continued to be published concurrently with the new Top 100 chart.

On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week ending July 28, 1958 was the final publication of the Most Played By Jockeys and Top 100 charts, both of which had Perez Prado's instrumental version of "Patricia" ascending to the top.

On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100. The Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958.

The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen BDS, sales data compiled by Nielsen Soundscan (both at retail and digitally) and streaming activity provided by online music sources.

There are several component charts that contribute to the overall calculation of the Hot 100. The most significant ones are:

• Hot 100 Airplay: (per Billboard) approximately 1,000 stations, "composed of adult contemporary, R&B, hip-hop, country, rock, gospel, Latin and Christian formats, digitally monitored twenty-four hours a day, seven days a week. Charts are ranked by number of gross audience impressions, computed by cross-referencing exact times of radio airplay with Arbitron listener data."
• Hot Singles Sales: (per Billboard) "the top selling singles compiled from a national sample of retail store, mass merchant and internet sales reports collected, compiled, and provided by Nielsen Soundscan." The chart is released weekly and measures sales of physical commercial singles. With the decline in sales of physical singles in the US, many songs that become number one on this chart often do not even chart on the Hot 100.
• Hot Digital Songs: Digital sales are tracked by Nielsen SoundScan and are included as part of a title's sales points.
• Streaming Songs: a collaboration between Billboard, Nielsen SoundScan and National Association of Recording Merchandisers which measures the top streamed radio songs, on-demand songs and videos on leading online music services.

Compilation

The tracking week for sales begins on Monday and ends on Sunday, while the radio play tracking-week runs from Wednesday to Tuesday. A new chart is compiled and officially released to the public by Billboard on Thursday. Each chart is dated with the "week-ending" date of the Saturday two weeks after. For example:

• Monday, January 1: sales tracking-week begins
• Wednesday, January 3: airplay tracking-week begins
• Sunday, January 7: sales tracking-week ends
• Tuesday, January 9: airplay tracking-week ends
• Thursday, January 11: new chart released, with issue date of Saturday, January 20.

Hot 100 policy changes

The methods and policies by which this data is obtained and compiled have changed many times throughout the chart's history.

As the advent of a singles music chart spawned chart historians and chart-watchers and greatly affected pop culture and produced countless bits of trivia, the main purpose of the Hot 100 is to aid those within the music industry: to reflect the popularity of the "product" (the singles, the albums, etc.) and to track the trends of the buying public. Billboard has (many times) changed its methodology and policies to give the most precise and accurate reflection of what is popular. A very basic example of this would be the ratio given to sales and airplay. During the Hot 100's early history, singles were the leading way by which people bought music. At times when singles sales were robust, more weight was given to a song's retail points than to its radio airplay.

As the decades passed, the recording industry concentrated more on album sales than singles sales. Musicians eventually expressed their creative output in the form of full-length albums rather than singles, and by the 1990s many record companies stopped releasing singles altogether (see Album Cuts, below). Eventually a song's airplay points were weighted more so than its sales. Billboard has adjusted the sales/airplay ratio many times to more accurately reflect the true popularity of songs.

Double-sided singles

Billboard has also changed its Hot 100 policy regarding "two-sided singles" several times. The pre-Hot 100 chart "Best Sellers in Stores" listed popular A- and-B-sides together, with the side that was played most often (based on its other charts) listed first. One of the most notable of these, but far from the only one, was Elvis Presley's "Don't Be Cruel" / "Hound Dog". During the Presley single's chart run, top billing was switched back and forth between the two sides several times. But on the concurrent "Most Played in Juke Boxes", "Most Played by Jockeys" and the "Top 100", the two songs were listed separately, as was true of all songs. With the initiation of the Hot 100 in 1958, A- and-B-sides charted separately, as they had on the former Top 100.

Starting with the Hot 100 chart for the week ending November 29, 1969, this rule was altered; if both sides received significant airplay, they were listed together. This started to become a moot point by 1972, as most major record labels solidified a trend they had started in the 1960s by putting the same song on both sides of the singles it serviced to radio.

More complex issues began to arise as the typical A-and-B-side format of singles gave way to 12 inch singles and maxi-singles, many of which contained more than one B-side. Further problems arose when, in several cases, a B-side would eventually overtake the A-side in popularity, thus prompting record labels to release a new single, featuring the former B-side as the A-side, along with a "new" B-side.

The inclusion of album cuts on the Hot 100 put the double-sided hit issues to rest permanently.

Album cuts

As many Hot 100 chart policies have been modified over the years, one rule always remained constant: songs were not eligible to enter the Hot 100 unless they were available to purchase as a single. However, on December 5, 1998 the Hot 100 changed from being a "singles" chart to a "songs" chart. During the 1990s, a growing trend in the music industry was to promote songs to radio without ever releasing them as singles. It was claimed by major record labels that singles were cannibalizing album sales, so they were slowly phased out. During this period, accusations began to fly of chart manipulation as labels would hold off on releasing a single until airplay was at its absolute peak, thus prompting a top ten or, in some cases, a number one debut. In many cases, a label would delete a single from its catalog after only one week, thus allowing the song to enter the Hot 100, make a high debut and then slowly decline in position as the one-time production of the retail single sold out.

It was during this period that several popular mainstream hits never charted on the Hot 100, or charted well after their airplay had declined. During the period that they were not released as singles the songs were not eligible to chart. Many of these songs dominated the Hot 100 Airplay chart for extended periods of time:

• 1995 The Rembrandts: "I'll Be There For You" (number one for eight weeks)
• 1996 No Doubt: "Don't Speak" (number one for 16 weeks)
• 1997 Sugar Ray featuring Super Cat: "Fly" (number one for six weeks)
• 1997 Will Smith: "Men in Black" (number one for four weeks)
• 1997 The Cardigans: "Lovefool" (number two for eight weeks)
• 1998 Natalie Imbruglia: "Torn" (number one for 11 weeks)
• 1998 Goo Goo Dolls: "Iris" (number one for 18 weeks)

As debate and conflicts occurred more and more often, Billboard finally answered the requests of music industry artists and insiders by including airplay-only singles (or "album cuts") in the Hot 100.

EPs

Extended play (EP) releases were listed by Billboard on the Hot 100 and in pre-Hot 100 charts (Top 100) until the mid-to-late 1960s. With the growing popularity of albums, it was decided to move EPs (which typically contain four to six tracks) from the Hot 100 to the Billboard 200, where they are included to this day.

Digital downloads and online streaming

Since February 12, 2005, the Billboard Hot 100 tracks paid digital downloads from such internet services as iTunes, Musicmatch, and Rhapsody. Billboard initially started tracking downloads in 2003 with the Hot Digital Tracks chart. However, these downloads did not count towards the Hot 100 and that chart (as opposed to Hot Digital Songs) counted each version of a song separately (the chart still exists today along with Hot Digital Songs). This was the first major overhaul of the Hot 100's chart formula since December 1998.

The change in methodology has shaken up the chart considerably, with some songs debuting on the chart strictly with robust online sales and others making drastic leaps. In recent years, several songs have been able to achieve 80-to-90 position jumps in a single week as their digital components were made available at online music stores. Since 2006, the all-time record for the biggest single-week upward movement was broken nine times.

In the issue dated August 11, 2007, Billboard began incorporating weekly data from streaming media and on-demand services into the Hot 100. The first two major companies to provide their statistics to Nielsen BDS on a weekly basis were AOL Music and Yahoo! Music.^[2] On March 24, 2012, Billboard premiered its On-Demand Songs chart, and its data was incorporated into the equation that compiles the Hot 100.^[3] This was expanded to a broader Streaming Songs chart in January 2013, which ranks web radio streams from services such as Spotify and MySpace, as well as on-demand audio titles.^[4] In February 2013, U.S. views for a song on YouTube were added to the Hot 100 formula. "Harlem Shake" was the first song to reach number one after the changes were made.^[5] The Hot 100 formula starting 2013 generally incorporates sales (35–45%), airplay (30–40%) and streaming (20–30%), and the precise percentage can change from week to week.^[6]

Remixes

Billboard has also answered the call of music industry insiders who raised an issue regarding song remixes. A growing trend in the early first decade of the 21st century was to issue a song as a "remix" that was so drastically different in structure and lyrical content from its original version that it was essentially a whole new song. Under normal circumstances, airplay points from a song's album version, "radio" mix and/or dance music remix, etc. were all combined and factored into the song's performance on the Hot 100, as the structure, lyrics and melody remained intact. Criticisms began when songs were being completely re-recorded to the point that they no longer resembled the original recording. The first such example of this scenario is Jennifer Lopez' "I'm Real". Originally entering the Hot 100 in its album version, a "remix" was issued in the midst of its chart run that featured rapper Ja Rule. This new version proved to be far more popular than the album version and the track was propelled to number one.

To address this issue, Billboard now separates airplay points from a song's original version and its remix, if the remix is determined to be a "new song". Since administering this new chart rule, several songs have charted twice, normally credited as "Part 1" and "Part 2". The remix rule is still in place.

Recurrents

Billboard, in an effort to allow the chart to remain as current as possible and to give proper representation to new and developing artists and tracks, has (since 1991) removed titles that have reached certain criteria regarding its current rank and number of weeks on the chart. Recurrent criteria have been modified several times and currently (as of 2010), a song is permanently moved to "recurrent status" if it has spent 20 weeks on the Hot 100 and fallen below position number 50. Exceptions are made to re-releases and sudden resurgence in popularity of tracks that have taken a very long time to gain mainstream success. These rare cases are handled on a case-by-case basis and ultimately determined by Billboard's chart managers and staff.

The most notable exception to the recurrent entry policy applies to holiday-themed releases, which are commonly reissued year after year in anticipation of Christmas purchasing. After its initial chart run, a holiday entry cannot re-enter the Hot 100 in subsequent years.

Year-end charts

Billboard's "chart year" runs from the first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December.

Prior to Nielsen SoundScan, year-end singles charts were calculated by an inverse-point system based solely on a song's performance on the Hot 100 (for example, a song would be given one point for a week spent at position 100, two points for a week spent at position 99 and so forth, up to 100 points for each week spent at number one). Other factors including the total weeks a song spent on the chart and at its peak position were calculated into its year-end total.

After Billboard began obtaining sales and airplay information from Nielsen SoundScan, the year-end charts are now calculated by a very straightforward cumulative total of yearlong sales and airplay points. This gives a more accurate picture of any given year's most popular tracks, as a song that hypothetically spent nine weeks at number one in March could possibly have earned fewer cumulative points than a song that spent six weeks at number three in January. Songs at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked on the following year's chart as well, as their cumulative points are split between the two chart-years, but often are ranked lower than they would have been had the peak occurred in a single year. One example of this is "We Found Love" which spent eight weeks at number one in 2011 (beginning in October), but was only ranked 69 on the 2011 year-end chart.

Limitations

The limitations of the Hot 100 have become more pronounced over time. Since the Hot 100 was based on singles sales, as singles have themselves become a less common form of song release, the Hot 100's data represented a narrowing segment of sales until the December 1998 change in the ranking formula.

Few music historians believe that the Hot 100 has been a perfectly accurate gauge of the most popular songs for each week or year. For example, during the 1950s and 1960s, payola and other problems skewed the numbers in largely undetectable ways.^[7]

Further, the history of popular music shows nearly as many remarkable failures to chart as it does impressive charting histories. Certain artists (such as Pink Floyd and Led Zeppelin) had tremendous album sales while being oblivious to the weekly singles charts. Business changes in the industry also affect artists' statistical "records." Single releases were more frequent and steady, and were expected to have much shorter shelf lives in earlier decades, making direct historical comparisons somewhat specious. Of the 16 singles to top the Billboard chart for more than ten weeks since 1955, only two released before 1992. During the first 40 years of the rock era, no song had ever debuted at number one; since a 1995 change in methodology, 19 songs have.

Strategizing also plays a role. Numerous record labels have taken deliberate steps to maximize their chart positions by such tactics as timing a single's debut to face the weakest possible competition, or massively discounting the price of singles to the point where each individual sale represented a financial loss. Meanwhile, other labels would deliberately withhold even their most marketable songs in order to boost album sales. Particularly in the 1990s, many of the most heavily played MTV and radio hits were unavailable for separate purchase. Because of such countervailing strategies, it cannot be said that a Hot 100 chart necessarily lists the country's 100 most popular or successful songs. Strategies like these were the main reason behind the December 1998 change in the charts.

Some critics have argued that an overemphasis on a limited number of singles has distorted record industry development efforts, and there are nearly as many critics of the Hot 100 as there are supporters. Certain of these criticisms, however, are becoming less and less germane as digital downloads have revitalized the concept of “singles sales.”

The Billboard charts have endured as the only widely circulated published report on songs that have been popular across the United States over the last half-century. Competing publications such as Cash Box, Record World, Radio & Records and most recently Mediabase have offered alternate charts, which sometimes differed widely.

Use in media

The Hot 100 served for many years as the data source for the weekly radio countdown show American Top 40. This relationship ended on November 30, 1991, as American Top 40 started using the airplay-only side of the Hot 100 (then called Top 40 Radio Monitor). The ongoing splintering of Top 40 radio in the early 1990s led stations to lean into specific formats, meaning that practically no station would play the wide array of genres that typically composed each weekly Hot 100 chart.

Similar charts

A new chart, the Pop 100, was created by Billboard in February 2005 to answer criticism that the Hot 100 was biased in favor of rhythmic songs, as throughout most of its existence, the Hot 100 was seen predominantly as a pop chart. It was discontinued in June 2009 due to the charts becoming increasingly similar.

The Canadian Hot 100 was launched June 16, 2007. Like the Hot 100 chart, it uses sales and airplay tracking compiled by Nielsen SoundScan and BDS.^[8]

The Japan Hot 100 was launched in the issue dated May 31, 2008, using the same methodologies as the Hot 100 charts for the U.S. and Canada, utilizing sales and airplay data from SoundScan Japan and radio tracking service Plantech.^[9]

See also

• Bestseller
• Billboard charts
• Billboard Music Awards
• Chart-topper
• List of artists who reached number one in the United States
• List of best-charting U.S. music artists
• List of best-selling music artists
• List of Billboard Hot 100 chart achievements and milestones
• List of number-one hits (United States)
• Single Certifications

Notes

References

External links

• Official website
• Billboard's online archive services

Lists of Billboard Hot 100 number-one singles 1940–1959 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960–1979 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980–1999 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000–present 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 By decade 1940s 1950–1958 1958–1969 1970s 1980s 1990s 2000s 2010s See also Hot 100 Year-end List of Billboard Hot 100 chart achievements and milestones

Lists of Billboard Hot 100 top-ten singles 1950s 1958 1959 1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970s 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000s 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010s 2010 2011 2012 2013 2014 2015 See also Number-one hits Billboard Year-End

Billboard charts Albums Billboard 200 Top Catalog Albums Digital Albums Billboard Comprehensive Albums (defunct) R&B/Hip-Hop Top R&B/Hip-Hop Albums Rap Albums Rock Rock Albums Alternative Albums Hard Rock Albums Folk Albums Country Top Country Albums Latin Top Latin Albums Regional Mexican Albums Latin Pop Albums Latin Rhythm Albums Tropical Albums Religious Christian Albums Other Heatseekers Albums Tastemaker Albums Dance/Electronic Albums Independent Albums Reggae Albums Comedy Albums Kid Albums International Canadian Albums European Albums (defunct) Singles and tracks Hot 100 Radio Songs Digital Songs Digital Tracks Hot Singles Sales Streaming Songs On-Demand Songs Bubbling Under Hot 100 Singles Pop Mainstream Top 40 Adult Contemporary Adult Top 40 Pop 100 (defunct) Dance/Electronic Dance Club Songs Hot Dance/Electronic Songs Dance/Mix Show Airplay Dance/Electronic Singles Sales (defunct) Dance/Electronic Digital Songs R&B/Hip-Hop Hot R&B/Hip-Hop Songs R&B/Hip-Hop Airplay Bubbling Under R&B/Hip-Hop Singles Hot Rap Songs Hot R&B Songs Rhythmic Rock Hot Rock Songs Mainstream Rock Alternative Triple A Country Hot Country Songs Country Airplay Latin Hot Latin Songs Latin Pop Airplay Regional Mexican Airplay Tropical Airplay Latin Rhythm Airplay Religious Hot Christian Songs Other Heatseekers Songs Smooth Jazz Songs International Brasil Hot 100 Airplay Canadian Hot 100 Euro Digital Songs Japan Hot 100 Korea K-Pop Hot 100 (defunct) European Hot 100 (defunct) Türkiye Top 20 (defunct) Lists of number-one albums and singles Adult Contemporary Alternative Songs Billboard 200 Dance Club Songs Dance/Electronic Albums Dance/Mix Show Airplay Folk Albums Hot 100 Hot Country Songs Hot R&B Songs Hot R&B/Hip-Hop Songs K-Pop Mainstream Rock Top Country Albums Year-End Lists of artists who reached number one U.S. Canada Japan Dance Club Songs Dance/Mix Show Airplay Alternative Songs Mainstream Rock Adult Contemporary Hot R&B/Hip-Hop Songs Rhythmic Hot Country Songs Adult Top 40 Mainstream Top 40 Social 50 Artist 100 See also Billboard Radio Monitor (defunct) List of Billboard Hot 100 chart achievements and milestones Hot Country Songs achievements R&R (defunct) Billboard Greece Billboard Türkiye Billboard Brasil Billboard En Español Billboard K-Town Billboard Twitter Real-Time Uncharted (defunct) Joel Whitburn

Music industry Companies Music publishers BMG Rights Management EMI Music Publishing Imagem Sony/ATV Music Publishing Universal Music Publishing Group Warner/Chappell Music Record labels Major: Sony Music Entertainment Universal Music Group Warner Music Group Independent: Independent UK record labels Retailers Amazon.com Fnac HMV Online music stores (iTunes Store) Trans World Entertainment Virgin Megastores Live performance Live Nation SFX Entertainment Ticketmaster Genres Avant-garde Blues Contemporary R&B Country Crossover Dance Drum and bass Easy listening Electronica Experimental Folk Funk Gospel Hip hop Instrumental Jazz Latin Metal Motown New age Operatic pop Pop Punk Reggae Rock Soul Soundtrack World Sectors and roles Album cover design Artists and repertoire (A&R) Distribution Entertainment law Music education Music executive Music journalism Music publisher Music venue Musical instruments Promotion Radio promotion Record label Record shop Road crew Talent manager Tour promoter Production Arrangement Record producer Recording artist Session musician Songwriter Sound engineer Release formats Album Extended play (EP)/Mini album Maxi single Single Awards World World Music Awards Africa South African Music Awards (RSA) Channel O Music Video Awards (RSA) Nigeria Entertainment Awards (NGR) The Headies (NGR) Americas Grammy Awards (US) Billboard Music Awards (US) American Music Awards (US) Latin Grammy Awards (US) MTV Video Music Awards (US) BET Awards (US) Soul Train Awards (US) TEC Awards (US) Juno Awards (CAN) MuchMusic Video Awards (CAN) MTV Video Music Brazil (BRA) Asia and Oceania ABU Song Festivals (AS) ARIA Music Awards (AUS) Awit Awards (PHL) Golden Disk Awards (S. KOR) Golden Melody Awards (TW) Japan Record Awards (JPN) Japan Gold Disc Awards (JPN) New Zealand Music Awards (NZ) Anugerah Juara Lagu (MAS) Anugerah Industri Muzik (MAS) Anugerah Musik Indonesia (INA) dahSyat Awards (INA) Anugerah Planet Muzik (SIN, MAS, INA) Europe Eurovision Song Contest (EU) Europe Music Awards (EU) Junior Eurovision Song Contest (EU) Brit Awards (UK) Mercury Prize (UK) MOBO Awards (UK) Kerrang! Awards (UK) Classic Brit Awards (UK) Gramophone Award (UK) Echo Awards (GER) Victoires de la Musique (FRA) Grand Prix du Disque (FRA) NRJ Music Awards (FRA) Diapason d'Or (FRA) Sanremo Music Festival Awards (ITA) Wind Music Awards (ITA) TRL Awards (ITA) Edison Awards (NLD) Grammis Awards (SWE) Melodifestivalen (SWE) Premio Nacional de Música (SPA) Dansk Melodi Grand Prix (DNK) Melodi Grand Prix (NOR) Meteor Music Awards (IRL) Choice Music Prize (IRL) Russian Music Awards (RUS) ZAI Awards (SK) Aurel Awards (SK) Anděl Awards (CZ) BBC Music Awards (UK) Charts ARIA Charts Billboard Hot 100 Brasil Hot 100 Airplay Canadian Hot 100 Gaon Singles Charts Irish Singles Chart Italian Singles Chart Media Control Charts Mediaguide Charts Oricon Charts New Zealand Singles Chart SNEP Singles Chart UK Singles Chart Sales certifications ARIA (Gold Platinum) BPI (Silver Gold Platinum) CRIA (Gold Platinum Multi-Platinum Diamond) FIMI (Gold Platinum Multi-Platinum Diamond) PROMUSICAE (Gold Platinum) RIAA (Gold Platinum Multi-Platinum Diamond) SNEP (Gold Platine Diamant) Publications Billboard HitQuarters Hot Press Kerrang! Mojo Musica e Dischi NME Q Rolling Stone Smash Hits Top of the Pops Television Channels Black Entertainment Television Country Music Television Fuse TV Juice TV MTV MTV Italia MuchMusic The Music Factory VH1 Classic Viva Series Idols Star Academy The Voice The X Factor Other A-side and B-side Backmasking Christian music industry Hidden track Grammy Museum Music video White label Category Commons

Billboard Year-End charts 1951–1969 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970–1989 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990–2009 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010–present 2010 2011 2012 2013 2014