Bill Anschell

Bill Anschell
Background information
Origin Seattle, Washington, USA
Genres Jazz
Occupation(s) Pianist, composer,
musical director, band leader,
arranger, writer
Instruments Piano
Years active 1982 to present
Labels Summit Records,
LoveCat Music,
Origin Records
Website BillAnschell.com

Bill Anschell is a Jazz pianist and composer. He has recorded five CDs as a leader, and performed or recorded with a host of other top jazz players including Lionel Hampton, Nnenna Freelon, Tierney Sutton, Russell Malone, Richard Davis, Russell Gunn, Ron Carter, and many other greats. His original compositions and piano work are prominently featured on Freelon's Grammy Award-nominated recording Shaking Free (Concord Records) and her CBS recordings Heritage and Listen. His own CDs have received extensive national airplay and critical acclaim. His compositions have appeared in film and television, including "The West Wing" and "The Wire."

Performances

Anschell has performed in premiere jazz festivals and clubs throughout the United States and abroad, leading his band, the Bill Anschell Trio, and as pianist, composer and musical director for vocalist Nnenna Freelon[1] and others. His concert credits include six European tours and six South American tours, involving over 100 performances ranging from the Nice Jazz Festival in France to the North Sea Jazz Festival in the Netherlands. Anschell has performed thousands of concerts in the United States, from the Monterey Jazz Festival in California to the Kennedy Center for the Performing Arts in Washington, DC. His performances have been widely broadcast on radio and television including National Public Radio's JazzSet, hosted by Branford Marsalis.

Background

Anschell grew up in the Seattle area.[2] He attended Oberlin College and Wesleyan University and graduated Phi Beta Kappa with a music degree from Wesleyan in 1982. At Wesleyan, he studied composition privately with Bill Barron; and South Indian rhythmic theory with T. Ranganathan. He later spent three years in Madison, Wisconsin, where he worked with legendary bassist Richard Davis.

From 1989 to 2002 Anschell was based out of Atlanta. During his first three years there he served as Jazz Coordinator for the Southern Arts Federation, creating a host of regional projects including JazzSouth, a syndicated radio program broadcast on more than 200 stations around the world. Anschell left the SAF Jazz Coordinator post in 1992 to focus on his performing and composing career, but continued to produce JazzSouth through 2002. From 1992 to 2002, Anschell's trio appeared in leading events across the Southeast, including the 1996 Summer Olympic Games, the Atlanta Jazz Festival, and Piccolo Spoleto. In 2001, he was selected by the American Composers Forum for its “Composer-in-the-Schools” program; his residency included a commissioned piece for chamber orchestra.

In 2002 Anschell moved from Atlanta to Seattle, Washington where he performs with other resident artistss and visiting jazz legends. In February 2006 he won the "Northwest Jazz Instrumentalist of the Year" Golden Ear Award (Earshot Jazz),[3] and in January 2007 his trio received a Golden Ear as the "Northwest Acoustic Jazz Ensemble of the Year." In January 2011 he was again named "Northwest Jazz Instrumentalist of the Year"; 2012 saw him winning "Northwest Jazz Instrumentalist of the Year" for a third time, and his solo piano CD, "Figments," was named "Northwest Jazz Recording of the Year."

Original compositions and recordings

A Different Note All Together
More to the Ear than Meets the Eye

Anschell released his debut album, Rhythm Changes, in 1995 (Consolidated Artists Productions), and was praised by reviewers for his composing, arranging, and piano playing on the disc. He appeared as the featured artist in the December, 1997 issue of Jazz Player magazine, which included a "play-along" CD of his original music.

Anschell's follow-up album, A Different Note All Together, was released in 1998 by Accurate Records. The album spent eight weeks in the top 50 for jazz airplay nationally, and was named by United Press International (UPI) as one of the "10 Best" jazz releases of the year.

Anschell's 2001 album, When Cooler Heads Prevail (Summit Records) is the first recording to feature him exclusively in the trio format. It spent eleven weeks on the national radio airplay charts, and received a full-page profile in JazzTimes.

More to the Ear Than Meets the Eye, was released October 17, 2006 by Origin Records and was chosen by numerous critics and radio stations across the country for their "10 Best of 2006" lists.

We Couldn't Agree More, a July 2009 duo release with Idaho saxophonist Brent Jensen, "comes with about as high a recommendation as I can give an album," according to jazz critic Chris Robinson.[2] and received a year-end "Critics Choice" award from Jazziz magazine.

Figments, Anschell's 2011 solo piano CD, featured abstract takes on a mixture of jazz standards and pop songs from the 1970s. Describing the project, allaboutjazz.com critic Dan McClenaghan wrote "Anschell stretches and bends the familiar melodies to near-breaking point, in turns ruminative, playful, dark, and sparkling... Figments: Bill Anschell alone and letting go, taking a risk that pays off nicely." Figments received an Earshot Golden Ear Award as the "Northwest Jazz Recording of the Year."

In 2013, Anschell ventured into a new musical arena, producing a CD of all-electronic music. Impulses contained ten original compositions, plus covers of "Mustang Sally" and Coltrane's "Naima."

Publishing, radio, and TV works

Anschell is also widely known for his work as a writer, producer and humorist. He has written reviews and feature articles for numerous arts periodicals and is the author of two books: Jazz in the Concert Setting,[4] published by the Association of Performing Arts Presenters; and a manual for jazz grant-writing, Who Can I Turn To?, published by the Southern Arts Federation (SAF).

He is the creator and producer of SAF's JazzSouth, an innovative radio program broadcast on more than 200 stations internationally from 1992–2002. Many of his satirical jazz pieces have gone viral on the internet and been translated into multiple languages. "Careers in Jazz" is the all-time most-read story on leading jazz website allaboutjazz.com with more than 150,000 hits, and was the centerpiece of an article in the Wall Street Journal.

His musical compositions have been heard on numerous network and cable programs, including NBC's The West Wing, FX's Damages, HBO's The Wire, CBS'sThe Defenders, NCIS: LA, The Mindy Projects and the soundtrack of the PBS movie Old Settler. Many of Anschell's original compositions are published by LoveCat Music.

References

  1. ↑ Porter, Christopher (January 2002). "Bill Anschell". Jazztimes. Retrieved 2010-10-01.
  2. ↑ 2.0 2.1 Robinson, Chris (July 2009). "CD Review: We Couldn’t Agree More" (PDF). Earshot Jazz. Retrieved 2010-10-01.
  3. ↑ Peterson, Lloyd (August 2006). "More to the ear than meets the eye" (PDF). Earshot Jazz. Retrieved 2010-10-01.
  4. ↑ Jazz in the Concert Setting - Amazon.com

External links