Bhimpalasi

Bhimpalasi is a Hindustani classical raga.

Theory

Arohana and Avarohana

Notation: S R g G M Ḿ P d D n N S

Lower caps indicate 'komal' or flat notes, " indicates higher (third) octave, ' indicates lower (first) octave

The raag has komal Ni and Ga. It is an Audava-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana.

Vadi and Samavadi

Pakad or Chalan

Organization and relationships

Related ragas:

Behavior

The madhyam (fourth) is the most important note - an important 'nyaas' sthaan (note for rest) with emphasized elaboration around this note - S g M, M g M, g M P, M P g M P (M) g (M) g M... The Rishabh (second) and the Dhaivat (sixth) are skipped in Aarohi (ascending) passages, but are given due importance when descending (Avrohi). Use of the Dhaivat and Rishabh is symmetric and both are approached via the succeeding notes (D from n, and R from g).

Samay (Time)

Historical information

Important recordings

Pt. Jasraj- "Ja Ja Re Apne Mandirva"

See also

List of Film Songs based on Ragas

References

    External links