Betty Goodwin

Betty Goodwin
Born March 19, 1923
Montreal, Quebec
Died December 1, 2008 (aged 85)
Montreal, Quebec

Betty Roodish Goodwin, OC (March 19, 1923 – December 1, 2008) was a Canadian printmaker, sculptor, painter, and installation artist.

Early life

Born in Montreal the only child of Romanian immigrants Betty loved to paint and draw as a child, and was much encouraged by her mother to pursue art. Goodwin's father, a factory owner in Montreal, died when she was 9. After graduating from high school, she studied design at Valentine's Commercial School of Art in Montreal, then launched her career as a painter and printmaker in the late 1940s. In the 1960s, she enrolled in a printmaking class with Yves Gaucher at Sir George Williams University in Montreal. Dissatisfied with her work, she destroyed most of it and in 1968 she limited herself to drawing.[1] She was married to Martin Goodwin, a civil engineer (d. 2008). Their son Paul died at 30 of a drug overdose.[1]

Art

Betty Goodwin used a large variety of media, including collage, sculpture, printmaking, painting and drawing, assemblage and etchings. Her subject matter almost always revolves around the human form and deals with it in a highly emotional way.[1] Many of her ideas came from clusters of photographs, objects or drawings on the walls in her studio. She also used the “germ” of ideas that are left after being erased from a work.[1]During the 1950's and 60's Goodwin painted still-lifes. She also depicted scenes of Montreal's Jewish Community. She became interested in found objects, particularly how they represent traces of life. She created copper plate impressions of items of clothing to produce a series of etchings, entitled Vest, which gained international attention. Goodwin created a series of wall hangings entitled Tarpaulin from 1972-`974, which she reworked to shape into sculptures and collages. Over a period of six years beginning in 1982, Goodwin explored the human form in her drawing series Swimmers, this project used graphite, oil pastels and charcoal on translucent Mylar. The large-scale drawings depict solitary floating or sinking bodies, suspended in space. In 1986, to show the interaction of human figures she created her series Carbon using charcoal and wax to create drawings. [2]


Other Notable Artworks

Exhibitions

Solo Exhibitions[3]

2002

1999

1998

Group Exhibitions[3]

2000

1999

1997

1996

1994

1993

1991

1990

1986

1985

1976

1974

1973

1967

1962

1955


Career highlights

Goodwin's work has been exhibited in Montreal since the early 60s, with some significant solo shows. Other exhibitions have taken place elsewhere in Canada, the U.S. and Europe. She was chosen to represent Canada in the Venice Biennial in 1995. In 1996, she was acknowledged with an exhibition at the National Gallery of Canada, Betty Goodwin: Signs of Life. In 2003, she was made an Officer of the Order of Canada. She died in December 2008 in Montreal.

Betty Goodwin's work is represented in many public collections including the Winnipeg Art Gallery,[4] Musée d'art contemporain de Montréal,[5] and the National Gallery of Canada.[5]

Honours

References

  1. ↑ 1.0 1.1 1.2 1.3 Johnson, Brian D. "Body Language." Maclean's Vol. 111, no. 48 (Nov. 30, 1998): 88-89.
  2. ↑ "Betty Goodwin". www.gallery.ca. National Gallery of Canada. Retrieved 5 March 2015.
  3. ↑ 3.0 3.1 "Betty Roodish Goodwin Biography". Artnet.com. Retrieved 5 March 2015.
  4. ↑ "Canadian Art, Winnipeg Art Gallery". Retrieved 11 March 2015.
  5. ↑ 5.0 5.1 "Artefacts Canada". Canadian Heritage Information Network. Retrieved 11 March 2015.
  6. ↑ http://www.collectionscanada.gc.ca/women/002026-511-e.html
  7. ↑ "Members since 1880". Royal Canadian Academy of Arts. Retrieved 11 September 2013.

Further reading

External links