Benjamin Northey

Benjamin Northey (born 1970) is an Australian conductor, musician and arranger. He has been appointed Chief Conductor of the Christchurch Symphony Orchestra in New Zealand, commencing in 2015.[1] He is also the Associate Conductor of the Melbourne Symphony Orchestra.

Early life and family

Northey was born and raised in Ballarat, Victoria. His father Robert (Bob) Northey is a retired university administrator and former president of the Ballarat Symphony Orchestra and his mother Wendy is a forensic psychologist and pianist.[2][3] He attended Ballarat Clarendon College where he studied flute, clarinet and saxophone with Barry Currie and arranging with Graeme Vendy,[4] and where his skills as a saxophonist, clarinettist and flautist were first developed; in his early years he also played piano, trumpet and violin.[5][6] At 12, he won prizes in Ballarat's Royal South Street Eisteddfod for performances on flute and saxophone.[4] During his teenage years he began working professionally in local pit orchestras in Ballarat for musical theatre & operetta productions. After school he moved to Melbourne, where he worked as a freelance musician, composer and arranger for close to ten years.[6] During this time he was an active recording session musician and also performed with the Melbourne Symphony Orchestra, the Australian Pops Orchestra and the Australian Showband. He appeared as a soloist with the Australian Wind Orchestra on their tour of Japan and Hong Kong in 1990. In 1998 he toured Australia and the United States with guitarist Tommy Emmanuel.

He is currently based in Melbourne with his wife (the accomplished horn player Joanne Montesano), daughter Eva and son Leo.[7]

Training

In 1996 Northey commenced performance studies in classical saxophone at the University of Melbourne Conservatorium of Music, graduating in 1999 with First Class Honours.[6][7][8][9] It was only in the final year of his degree, at age 29, that he turned to conducting. This occurred under the mentorship of John Hopkins, who encouraged him to be the first candidate for his new Master of Music in Conducting degree at the Victorian College of the Arts and Music.[6][7][9] He graduated in 2002.[10][11]

In 2001 he won the Nelly Apt Scholarship for study in Israel.[7][10][11][12][13] The same year he won the Symphony Australia Young Conductor of the year competition, marking the first time the two most prestigious Australian conducting prizes had been won by the same person in the same year.[4][5][7][10][11][12] Part of the prize for the latter award was the opportunity to study in Sydney with Jorma Panula, under the aegis of the Symphony Australia Conductor Development Program.[8][10][12]

In 2002 he was the highest placed applicant to the Orchestral Conducting Course at the Sibelius Academy in Helsinki, Finland. He studied there for three years under Leif Segerstam and Atso Almila.[7][8][10][11][12][13]

In 2004 his diploma concert with the Sibelius Academy Symphony Orchestra was awarded the international jury's highest possible mark. The program included the European premiere of Brett Dean’s Amphitheatre.[5][8][12]

He completed his tertiary studies in 2006 as a guest student in Jorma Panula's class at Sweden's Royal College of Music, Stockholm.[8][12]

In 2007 he was chosen from a worldwide field as one of three participants in the International Conductor's Academy of the Allianz Cultural Foundation. This involved a year-long mentorship with the London Philharmonic Orchestra (LPO) and the Philharmonia Orchestra, with conductors Christoph von Dohnányi and Vladimir Jurowski. This culminated in a performance of Stravinsky's Symphony in C in June 2008 at the Royal Festival Hall in London.[6][7][8][12][13]

Conducting

In 2002 Ben Northey first displayed his interest in contemporary music by conducting the world premiere of Mark Elliott's Concerto for Chinese Sheng and Orchestra with the University of Melbourne Symphony Orchestra.[10]

From 2002 to 2006, he was Resident Guest Conductor of the Australian Pro Arte Chamber Orchestra (later renamed the Melbourne Chamber Orchestra, of which he was Principal Guest Conductor 2007-10).[1][7][9][10][11][13]

His major professional conducting debut came in 2003 with the Melbourne Symphony Orchestra, in a concert at the Myer Music Bowl that included Beethoven's 6th Symphony.[4][5][8][10][12][13]

In 2005 he made his official European conducting debut with the Mozarteum Orchestra Salzburg.[4][11] He was also a visiting artist at the Australian National Academy of Music and a guest lecturer in conducting at the University of Melbourne.[11]

Since returning to Australia in 2006, Northey has been a regular guest conductor with all the Australian state symphony orchestras. He has also led opera productions including Carmen, L'elisir d'amore, The Tales of Hoffmann, La sonnambula, Orpheus in the Underworld, Don Giovanni and Così fan tutte, for companies such as the State Opera of South Australia and Opera Australia, and the ballet A Midsummer Night's Dream for the Queensland Ballet.[7][8][12][13]

In 2006 he worked with Hilltop Hoods and the Adelaide Symphony Orchestra to create an orchestral take on the Hoods' platinum-selling album "The Hard Road Restrung". This unique collaboration won an ARIA Award.[14] His orchestral arrangements have been used by Tim Minchin, k.d. lang, The Whitlams and Dan Sultan.

In 2009 Northey was appointed Conductor of the Melbourne Symphony Orchestra (MSO)'s Education Program.[5][13]

In 2011 he was appointed Associate Conductor of the MSO (officially the Patricia Riordan Associate Conductor Chair) for a three-year term. In 2014 this was extended for a further three years.[15] This position was created especially for Northey, and is the only associate conductor position in any Australian state orchestra.[1][5][7][14] In 2012 he was a last-minute replacement when Scottish conductor Donald Runnicles fell ill before an MSO Master Series concert, which included Mahler's 4th Symphony and Shostakovich's Violin Concerto No. 1 performed by Julian Rachlin.[14]

Other orchestras he has conducted include the London Philharmonic Orchestra, Tokyo Philharmonic Orchestra, Malaysian Philharmonic Orchestra, National Symphony Orchestra of Colombia, Hong Kong Philharmonic Orchestra, Sydney, Queensland, Adelaide, West Australian and Tasmanian Symphony Orchestras, Australian Opera & Ballet Orchestra, Orchestra Victoria,[8] Moscow Symphony Orchestra,[4][11][12] Finnish Radio Symphony Orchestra, Israel's Haifa Symphony Orchestra,[12] the Sodra Halsinglands Orkesterforening, Stockholm's Futurum Ensemble Sinfonietta, London's Southbank Sinfonia,[11][12][13] and the New Zealand, Auckland and Christchurch Symphony Orchestra.[1]

Soloists who have played or sung under him include Piers Lane, Emma Matthews, Alban Gerhardt, Marc-André Hamelin, Amy Dickson, William Barton, Slava Grigoryan, Karin Schaupp, Julian Rachlin, Arnaldo Cohen, Karen Gomyo, Johannes Moser, k.d. lang, James Morrison, Kurt Elling, Barry Humphries (as Dame Edna Everage narrating The Carnival of the Animals), Tim Minchin (in "Tim Minchin versus the Melbourne Symphony Orchestra" tour), Sting, Tori Amos and The Whitlams.[4][7][12][16]

Contemporary compositions he has premiered include works by Peter Sculthorpe, Brett Dean, Elena Kats-Chernin, Matthew Hindson,[12] and Brenton Broadstock.[10]

In July 2014 he conducted the Melbourne production of Stephen Sondheim's musical Into the Woods with Victorian Opera and Orchestra Victoria. On 5 November 2014 he was seen by a national television audience when he conducted the Sydney Symphony Orchestra and Sydney Philharmonia Choir in the Sydney Town Hall at the State Memorial Service for the late former Prime Minister Gough Whitlam.[17]

He is Co-Artistic Director with Paul Grabowsky of the Hush Music Foundation which produces recordings of therapeutic music for use at the Royal Children's Hospital in Melbourne.

Awards

References

  1. 1.0 1.1 1.2 1.3 thebigidea. Retrieved 8 November 2014
  2. "Honour for Ballarat conductor".The Courier, 13 February 2011. Retrieved 8 November 2014
  3. 3.0 3.1 "Code of Conduct". The Weekly Review, 11 February 2011. Retrieved 8 November 2014
  4. 4.0 4.1 4.2 4.3 4.4 4.5 4.6 Royal South Street. Retrieved 8 November 2014
  5. 5.0 5.1 5.2 5.3 5.4 5.5 Limelight, 14 February 2011. Retrieved 8 November 2014
  6. 6.0 6.1 6.2 6.3 6.4 ABC Radio. Monica Attard, Speaking out: Interview with Benjamin Northey, 27 June 2008. Retrieved 8 November 2014
  7. 7.0 7.1 7.2 7.3 7.4 7.5 7.6 7.7 7.8 7.9 7.10 7.11 7.12 7.13 Christchurch Symphony Orchestra. Retrieved 8 November 2014
  8. 8.0 8.1 8.2 8.3 8.4 8.5 8.6 8.7 8.8 8.9 Melbourne Symphony Orchestra. Retrieved 8 November 2014
  9. 9.0 9.1 9.2 9.3 "A silent art form", "Voice", February 2011, p. 6, The Age
  10. 10.0 10.1 10.2 10.3 10.4 10.5 10.6 10.7 10.8 10.9 Stacey Trust. Retrieved 8 November 2014
  11. 11.0 11.1 11.2 11.3 11.4 11.5 11.6 11.7 11.8 11.9 Willoughby.new.gov.au. Retrieved 8 November 2014
  12. 12.0 12.1 12.2 12.3 12.4 12.5 12.6 12.7 12.8 12.9 12.10 12.11 12.12 12.13 Symphony Services International. Retrieved 8 November 2014
  13. 13.0 13.1 13.2 13.3 13.4 13.5 13.6 13.7 13.8 13.9 Australian Music Events. Retrieved 8 November 2014
  14. 14.0 14.1 14.2 "Notes of Discord". Katarina Kroslakova, Australian Financial Review, 1 December 2012. Retrieved 8 November 2014
  15. Melbourne Symphony Orchestra
  16. Steve Dow, "Edna, dressed to thrill, on the ascent". The Sydney Morning Herald, 17 June 2013. Retrieved 8 November 2014
  17. "Music from the State Memorial Service for Gough Whitlam Recorded yesterday in the Sydney Town Hall, William Barton, didjeridu; Benjamin Northey, conductor Sydney Philharmonia Choir Sydney Symphony Orchestra". ABC Classic FM. 6 November 2014. Retrieved 6 November 2014.