Assotto Saint

Assotto Saint
Born Yves François Lubin
October 2, 1957
Les Cayes, Haiti
Died June 29, 1994
New York City
Occupation poet, performance artist
Nationality American
Period 1980s
Spouse Jan Holmgren

Assotto Saint (October 2, 1957 - June 29, 1994) was a Haitian-born American poet, publisher and performance artist, who was a key figure in LGBT and African-American art and literary culture of the 1980s and early 1990s.[1]

Background

Born in Les Cayes, Haiti on October 2, 1957 as Yves François Lubin,[2] He moved to New York City in 1970, enrolling briefly in a pre-med program at Queens College,[1] but soon dropped out to pursue his artistic interests.[1] He adopted the name Assotto Saint around this time, choosing Assotto for a ceremonial drum used in Haitian Vodou rituals and Saint for Haitian revolutionary leader Toussaint L'Ouverture.[1]

Artistic career

He performed for several years as a dancer with the Martha Graham Dance Company.[1] In 1980, he met Jan Holmgren, a Swedish-born musician and composer who would become both his life partner and a collaborator in his artistic work.[1]

With Holmgren, Saint founded a theatre company, Metamorphosis Theatre, and an electronic pop music group, Xotika.[1] With Metamorphosis, Saint performed theatrical pieces including Risin' to the Love We Need, New Love Song, Black Fag and Nuclear Lovers.[1] Risin' to the Love We Need won second prize from the Jane Chambers Award for Gay and Lesbian Playwriting in 1980.[3]

During this era, he began publishing poetry in anthologies such as In the Life: A Black Gay Anthology (1986, edited by Joseph Beam) and Gay and Lesbian Poetry in Our Time (1988, edited by Carl Morse and Joan Larkin), and in his own chapbook, Triple Trouble (1987).[1] He was also poetry editor for the anthology Other Countries: Black Gay Voices in 1988, and founded Galiens Press to publish work by black gay poets.[1] Titles published by Galiens included the anthologies The Road Before Us: 100 Gay Black Poets (1991), Here to Dare: A Collection of Ten Gay Black Poets (1992) and Milking Black Bull: 11 Black Gay Poets (1995), as well as Saint's own poetry collections Stations (1989) and Wishing for Wings (1994).[1]

He was also a mentor to other emerging LGBT African American cultural figures of the era, including Essex Hemphill, Marlon Riggs and Melvin Dixon.[1]

He won a Lambda Literary Award in the Gay Poetry category at the 4th Lambda Literary Awards as editor of The Road Before Us. He was also a nominee in the Gay Anthology category at the 5th Lambda Literary Awards for Here to Dare, and in the Gay Poetry category at the 7th Lambda Literary Awards for Wishing for Wings. In 1990 he was awarded a fellowship in poetry from the New York Foundation for the Arts, and received the Black Gay and Lesbian Leadership Forum's James Baldwin Award.[3]

After Saint and Holmgren were diagnosed HIV-positive, Saint became an AIDS activist, including appearing in Riggs' 1993 film No Regrets (Non, Je Regrette Rien).[1] He was one of the first African American activists to publicly disclose his HIV status.[3] Holmgren died on March 29, 1993,[1] and Saint died on June 29, 1994.[1]

A posthumous book which blended an autobiography with an anthology of his published writings, Spells of a Voodoo Doll: The Poems, Fiction, Essays and Plays of Assotto Saint, was published in 1996. That book was a Lambda nominee in the Gay Biography or Autobiography category at the 9th Lambda Literary Awards.[3]

Many of Saint's personal papers, including professional and personal correspondence from friends and colleagues, are held by the New York Public Library at the Schomburg Center for Research in Black Culture.[4]

Works

as editor

as writer

References

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 1.10 1.11 1.12 1.13 1.14 Luca Prono, "Saint, Assotto (1957-1994)". glbtq.com, January 23, 2011.
  2. Erin Durban-Albrecht, The Legacy of Assotto Saint: Tracing Transnational History from the Gay Haitian Diaspora. Journal of Haitian Studies, Volume 19, Number 1, Spring 2013. pp. 235-256. 10.1353/jhs.2013.0013.
  3. 3.0 3.1 3.2 3.3 Victoria Brownworth, "Remembering Assotto Saint: A Fierce and Fatal Vision". Lambda Literary Foundation, June 19, 2014.
  4. Jana Evans Braziel, Artists, Performers, and Black Masculinity in the Haitian Diaspora. Indiana University Press, 2008. ISBN 978-0253219787. p. 227.