Armand Vaillancourt

Armand Vaillancourt

Armand Vaillancourt
Born September 3, 1929
Black Lake, Quebec, Canada.
Nationality Québécois Canadian
Known for sculptor, painter and performance artist

Armand J. R. Vaillancourt is a Québécois sculptor, painter and performance artist born on September 3, 1929, in the city of Black Lake, Quebec, Canada, which is now a part of the city of Thetford Mines. He received his art training at the École des beaux-arts de Montréal.[1]

In 1971, a publicly commissioned fountain entitled Vaillancourt Fountain, often called "Québec libre!" was installed in San Francisco, United States. One of his best known sculptures, Québec libre! is representative of the relationship between Vaillancourt's art and his political convictions. It is a huge concrete fountain, 200 feet long, 140 feet wide and 36 feet high sitting near the city's financial district at the Embarcadero Center. The night before its inauguration, Vaillancourt inscribed Québec libre! in red letters, to note his support for the Quebec sovereignty movement and more largely, his support for the freedom of all people. The following day, seeing that the city's employees erased the inscription, he jumped on the sculpture during its dedication to reinscribe the phrase.[2]

On November 11, 1987, the fountain became the object of an incident involving U2's singer Bono. During a free concert, Bono climbed the sculpture to write, "Rock N Roll Stops Traffic", referring to the power of rock.[3] Armand Vaillancourt flew from Quebec to California after the incident, and spoke in favor of Bono's actions at U2's Oakland performance several days later.[4] Vaillancourt said, "Good for him. I want to shake his hand. People get excited about such a little thing."[5]

Vaillancourt lives in a 19th-century stone house in Montreal, across the street from Jeanne-Mance Park.[6] His archives, consisting of 500 cardboard boxes on metal shelves, plus nearly 100 notebooks in which he records all of his activities, are stored on the second floor of his house.[6]

His art has a political motivation; and in addition to Quebec independence, he is concerned about environmental issues such as pollution caused by exploitation of oil sands, the decimation of honey bee populations, and also human rights issues such as the rights of indigenous peoples.[6]

He won the Prix Paul-Émile-Borduas, awarded by the Government of Quebec in 1993.[7] In 2004, he was awarded the title of Chevalier of the Ordre national du Québec.[8] In 2008, a retrospective of his work was exhibited at the Musée des beaux-arts de Mont-Saint-Hilaire in Mont-Saint-Hilaire, Quebec.[6]

References

  1. ↑ Beaudry, Louise (2012). "Armand J.R. Vaillancourt". The Canadian Encyclopedia. Historica Foundation. Retrieved May 5, 2013.
  2. ↑ "War Whoop for Freedom". Time. 1971-05-03. Archived from the original on 8 March 2008. Retrieved 2008-01-25.
  3. ↑ Hartlaub, Peter (August 9, 2012). "When U2 comes to town: Vaillancourt incident 25 years later". San Francisco Chronicle (San Francisco). Retrieved April 30, 2013.
  4. ↑ Kootnikoff, David (2010). U2: A Musical Biography. Santa Barbara, California: ABC-CLIO. p. 67. ISBN 9780313365232.
  5. ↑ KNT News Service (November 17, 1987). "Artist praises Bono's graffiti". Lewiston Journal (Lewiston, Maine). pp. 10D. Retrieved May 1, 2013.
  6. ↑ 6.0 6.1 6.2 6.3 Blanchette, Josée (October 10, 2008). "L'alchimie d'Armand: Transformer la scrap en art". Le Devoir (in French) (Montreal). Retrieved May 5, 2013.
  7. ↑ "ARMAND VAILLANCOURT". Festival International de Jazz de Montréal. 3013. Retrieved May 5, 2013. Check date values in: |date= (help)
  8. ↑ "Armand Vaillancourt: Chevalier (2004)". Ordre national du Québec. 2004. Retrieved May 5, 2013.

9. Grande, John K. Playing with Fire Armand Vaillancourt Social Sculptor - Zeitgeist; Montreal, Quebec, Canada, 1999

10. Grande, John K. Jouer avec le feu; Armand Vaillancourt, Editions Lanctot; Montreal, Quebec, Canada 2001

11. Grande, John K., Harper, Glenn, Sullivan, Francoise, Guy Sioui-Durandl, Armand Vaillancourt; Sculpture de Masse, Musee du Bas-St-Laurent, 2004