Aria (film)
Aria | |
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Theatrical release poster | |
Directed by | |
Produced by | Don Boyd |
Written by |
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Starring | |
Music by | |
Cinematography | Christopher Hughes |
Edited by | Neil Abrahamson |
Distributed by | Miramax Films |
Release dates | 15 September, 1987 |
Running time | 90 minutes |
Country | United Kingdom |
Language | Italian, French, German |
Aria is a 1987 British anthology film produced by Don Boyd from Virgin Group's visual section consisting of ten short films by a variety of directors. It was entered into the 1987 Cannes Film Festival.[1]
Each segment features its director's visual accompaniment to arias and scenes from operas. Each film has minimal dialogue (most have none at all), with most of the spoken content being the operas' lyrics (libretto) in Italian, French, or German.
The music archive source was RCA Red Seal Records (which at the time included Erato Records, a label which later went to Warner Music; RCA is now a part of Sony Music Entertainment, further complicating the film's music rights).
Summary
Un ballo in maschera
A fictionalised account of a 1931 assassination attempt on King Zog I of Albania, notable for his shooting back at his would-be assassins and surviving. (In the actual attempt, King Zog was leaving a performance of Pagliacci.)
- Music composed by Giuseppe Verdi
- Extracts: Prelude, "Re dell' abisso", "Di che fulgor che musiche", "La rivedra nell'estasi", "Ebben si t'amo", "Mezza notte", "O giustizia del fato"
- Sung by Leontyne Price, Carlo Bergonzi, Robert Merrill, Shirley Verrett, Reri Grist; conducted by Erich Leinsdorf
- Directed by Nicolas Roeg
- Starring Theresa Russell
- Running time: 14 minutes
"La vergine degli angeli" from La forza del destino
Two London teenage girls and a young boy steal a car.
- Music composed by Giuseppe Verdi
- Sung by Leontyne Price; conducted by Thomas Schippers
- Directed by Charles Sturridge
- Starring Nicola Swain, Jackson Kyle, Marianne McLaughlin
- Running time: 5 minutes
Armide
Two nude women try to attract the attention of oblivious bodybuilders.
- Music composed by Jean-Baptiste Lully
- Extracts: "Ah! Si la liberté me doit être l'Amour", "Enfin, il est en ma puissance", "Venez,venez, Haine implacable"
- Libretto by Philippe Quinault
- Performed by Rachel Yakar, Zeger Vandersteene , Danielle Borst; conducted by Philippe Herreweghe
- Directed by Jean-Luc Godard
- Starring Valérie Allain
- Running time: 11 minutes
Rigoletto
A bedroom farce set in San Luis Obispo's famous Madonna Inn, in which a movie producer cheats on his wife unaware that she, too, is there with a clandestine lover of her own.
- Music by Giuseppe Verdi
- Extracts: "Questa o quella", "Gualtier Maldè... caro nome", "La donna è mobile", "Addio, addio"
- Sung by Robert Merrill, Anna Moffo, Alfredo Kraus; conducted by Georg Solti
- Directed by Julien Temple
- Written by Charlie Coffey
- Starring Buck Henry and Beverly D'Angelo
- Running time: 14 minutes
"Glück, das mir verblieb" from Die tote Stadt
A look at the seemingly-dead city of Bruges, Belgium. Scenic footage of the empty streets and cemeteries is intercut with a duet of two lovers, providing counter-pointed to the dead city.
- Music composed by Erich Wolfgang Korngold
- Sung by Carol Neblett and René Kollo; conducted by Erich Leinsdorf
- Directed by Bruce Beresford
- Starring Elizabeth Hurley and Peter Birch
- Running time: 5 minutes
Abaris ou les Boréades
A re-creation of opening night at Paris's Théâtre Le Ranelagh in 1734. The audience is filled with a raffish assortment of inmates from an asylum.
- Music composed by Jean-Philippe Rameau
- Libretto by Louis de Cahusac
- Extracts:Entr'acte – "Suite des vents", "Nuit redoutable! ... Lieu désolé", "Jouissons, jouissons! Jouissons de nos beaux ans"
- Performed by Jean-Philippe Lafont , Philip Langridge, John Aler; conducted by John Eliot Gardiner
- Directed by Robert Altman
- Starring Julie Hagerty, Geneviève Page, Sandrine Dumas, Chris Campion
- Running time: 7 minutes
"Liebestod" from Tristan und Isolde
Two young lovers arrive in Las Vegas. After driving down Fremont Street, they check into a cheap hotel room where they unsuccessfully try to commit suicide following the consummation of their relationship.
- Music composed by Richard Wagner
- Sung by Leontyne Price; conducted by Henry Lewis
- Directed by Franc Roddam
- Starring Bridget Fonda in her first credited film role.
- Running time: 7 minutes
"Nessun dorma" from Turandot
After a car crash, a lovely young girl imagines her body is being adorned by jewels mirroring her injuries, in a tribal ritual parallel to the procedures of the surgical team treating her, until she wakes up in the operating room after resuscitation.
- Music composed by Giacomo Puccini
- Sung by Jussi Björling; conducted by Erich Leinsdorf
- Directed by Ken Russell
- Starring Linzi Drew
- Running time: 7 minutes
"Depuis le jour" from Louise
A veteran opera singer gives her final performance, intercut by 8mm home movies of an early love affair.
- Music composed by Gustave Charpentier
- Sung by Leontyne Price; conducted by Francesco Molinari-Pradelli
- Directed by Derek Jarman
- Starring Tilda Swinton
- Running time: 6 minutes
"Vesti la giubba" from Pagliacci
A virtuoso remembers his career while arriving at an opera house, visiting the dressing room to put on his clown makeup, and performing the aria for his audience of one. (This story provides a vague framing narrative to link together the other segments.)
- Music composed by Ruggero Leoncavallo
- Sung by Enrico Caruso
- Directed by Bill Bryden
- Written by Bill Bryden and Don Boyd
- Starring John Hurt and Sophie Ward
- Running time: 4 minutes
Critical response
- The film was nominated for the Palme d'Or at the Cannes Film Festival (won that year by Sous le soleil de Satan).
- Amazon.com review: "This omnibus directors fest brings together 10 different filmmakers making 10 different films based on operatic arias. Jean-Luc Godard is stylistically the boldest, Robert Altman possibly the most imaginative, Franc Roddam celebrates American glitz, and Bruce Beresford is the most sentimental. Nearly all the other filmmakers involved—including Nicolas Roeg, Ken Russell, Julien Temple, Charles Sturridge, Derek Jarman, and Bill Bryden—are (or were, in the case of the late Jarman) world-class talents, but you wouldn't know that from their murky participation here." – Tom Keogh
- Guerand, Jean-Philippe. In: Première (France). (MG), June 1987, p. 17
- Godard, Jean-Luc. "Jean-Luc Godard par Jean-Luc Godard", vol. 2, 1984–1998. Cahiers du cinéma, 1998, 2866421981
- Leonard Maltin from his guide: "BOMB (i.e.0/4) Godawful collection of short films, each one supposedly inspired by an operatic aria. Precious few make sense, or even seem to match the music; some are downright embarrassing. Roddam's bittersweet Las Vegas fable (set to Tristan und Isolde), Beresford's sweet and simple rendering of Erich Wolfgang Korngold's Die tote Stadt are among the better segments—relatively speaking. A pitiful waste of talent."
References
- ↑ "Festival de Cannes: Aria". festival-cannes.com. Retrieved 19 July 2009.
External links
- Aria at the Internet Movie Database
- Aria review at Digitally Obsessed