Anna Dumitriu
Anna Dumitriu | |
---|---|
Born | Brighton, UK |
Nationality | British |
Education | University of Brighton |
Known for | Visual Arts |
Notable work | The Normal Flora Project The Institute Of Unnecessary Research Trust me, I'm an artist: towards an ethics of art/science collaboration The Romantic Disease |
Anna Dumitriu is a visual and performance artist based in Brighton, England specialising in bioart. Her installations, interventions and performances use digital, biological and traditional media including bacteria, digital projections and embroidery, working with diverse audiences.[1]
Dumitriu's work is at the forefront of art and science collaborative practice, particularly working with microbiology, robotics, artificial life technology, and art/science ethics. She is involved in public engagement in science, arts in healthcare and the teaching of art/science practice to both art students and medical/science students. She is Artist in Residence on The UK Clinical Research Consortium - Modernising Medical Microbiology Project at The University of Oxford, Visiting Research Fellow: Artist in Residence at The University Of Hertfordshire in the Department of Computer Science, and a Visiting research Fellow Artist in Residence at The Centre for Computational Neuroscience and Robotics [2] and a Visiting Research Fellow: Lead Artist in the Wellcome Trust Brighton and Sussex Centre for Global Health Research at Brighton and Sussex Medical School. She was fomerly a Visiting Research Fellow: Artist in Residence in the School of Informatics at Sussex University between 2005 and 2014. She participated in the e-MobiLArt project (EU funded European Mobile Lab for Interactive Artists)and is co-chair of the Arts and Culture Subcommittee of the Alan Turing Centenary. Dumitriu is founder and Director of the Institute of Unnecessary Research and lead artist on the "Trust me, I'm an artist: towards an ethics of art/science collaboration" project working with the Waag Society in Amsterdam and co-author of the book of the same name. She has written extensively on the notion of the "bacterial sublime".
Her work has an international exhibition profile and has been featured in Wired UK Magazine and The Lancet.
Her most recent work is focussed around historical and contemporary notions of Tuberculosis, whole genome sequencing of bacteria and global health.
She was recently quoted by The Guardian as saying "Art, for me, is a way of investigating the world. In that way, I see no real distinction between art and science at all."
Notes
External links
- Bioart and Bacteria
- The Institute of Unnecessary Research
- Trust me I'm an artist: towards an ethics of art/science collaboration
- Digital Artworks
- The Romantic Disease