André Caplet

André Caplet
André Caplet with Claude Debussy

André Caplet (23 November 1878 – 22 April 1925) was a French composer and conductor now known primarily through his orchestrations of works by Claude Debussy.

Early life

Caplet was born on a boat sailing between Le Havre (Seine-Maritime) and Honfleur (Calvados), the youngest child of a modest family.

Career

He exhibited an unusual talent and originality during his musical education, and won the Prix de Rome in 1901 ahead of Maurice Ravel. He became a close friend of Claude Debussy, sometimes serving as translator, and he orchestrated part of Debussy's Le Martyre de Saint Sébastien.[1][2] He also collaborated with Debussy in the orchestration of La Boîte à joujoux. In 1911, Caplet prepared an orchestration of Debussy's Children's Corner, which, along with his orchestration of Clair de lune from the Suite bergamasque is probably the most widely performed and recorded example of his work.

Caplet was a composer in his own right, whose very innovative works have been sadly overlooked for the most part. Especially interesting is his instrumental use of voices, as in his Septuor à cordes vocales et instrumentales from 1909 and in the oratorio-like Le Miroir de Jésus from 1923, which features "choeur de femmes" in an accompanying role Caplet termed "voix d'accompagnement". He also wrote two works based on the short story The Mask of the Red Death by Edgar Allan Poe: Conte fantastique for harp and string quartet, and an orchestral symphonic study Le Masque de la mort rouge.

Caplet served as conductor of the Boston Opera from 1910 to 1914.

Death

While serving in the military during the First World War, he was gassed, which resulted in the pleurisy that killed him. He died in Neuilly-sur-Seine (Hauts-de-Seine), a suburb of Paris, at the age of 46. The next year the sculptor Jacques Zwobada, a native of Neuilly, was commissioned to create a monument to Caplet. This was one of Zwobada's earliest works after he graduated from the École des Beaux-Arts.[3]

Compositions

Works for voice and piano

1.) Le livre ou je veux lire
2.) Premier prix
3.) Les pleurs de bébé
4.) Le furet du bois, Mesdames
1.) Préludes
2.) Ce sable fin et fuyant
3.) Angoise
1.) Oraison dominicale
2.) Salutation angélique
3.) Symbole des apôtres
1.) Songe
2.) Berceuse
3.) In una selva oscura
4.) Forêt
1.) Le corbeau et le renard
2.) La cigale et la fourmi
3.) Le loup et l'agneau
1.) Cloche d'aube
2.) La Ronde
3.) Notre chaumière en Yveline
4.) Songe d'une nuit d'été
5.) L'Adieu en barque

Voice and organ

Voice and flute

Voice & harp

Harp solo

Voice & orchestra

1.) Préludes
2.) Angoisse

A cappella chorus

1.) Kyrie eleison
2.) Gloria
3.) Sanctus
4.) Agnus Dei
5.) O Salutaris

Mixed chorus & orchestra

Orchestral works

Orchestral transcriptions

Chamber music

1.) Allegro
2.) Adagio
3.) Scherzo
4.) Finale
1.) Scharki, (allegretto)
2.) Nihavend, (andantino)
3.) Iskia Samaisi, (vivo)
1.) Quiet
2.) Interieur
3.) Alleluia

Cello & piano

Flute & piano

Piano, two hands

Piano, four hands

Reductions for piano, 4 hands & for 2 pianos, 4 hands or 6 hands

1.) Rondes de Printemps
2.) Gigues
3.) Iberia

Sources

French government publication on Caplet.

References

  1. ↑ Bernac (1978): p. 221
  2. ↑ Orledge (2003)
  3. ↑ Bernard Vasseur, Jacques Zwobada – L'œuvre dessiné (Paris: Éditions Cercle d'Art, 2008)
  4. ↑ Revue belge de musicologie: - Volumes 36 à 38 - Page 166 1982 "On Sunday, November 24 (a matinee concert) a Festival Caplet was held in the Théatre Cirque.... The principal work which was presented was his prize-winning cantata Myrrha."

External links