American art song
The composition of art song in America began slowly in the Colonial and Federal periods, expanded greatly in the 19th century, and has become a distinguished and highly regarded addition to the classical music repertoire in the 20th and 21st centuries.
18th-century American art song
Francis Hopkinson (1737–1791), Philadelphia native and signer of the Declaration of Independence, is usually considered the first important American song composer. His most famous song is "My Days Have been so Wondrous Free", and his Seven Songs for the Harpsichord were composed in 1788 and dedicated to George Washington.
Other 18th-century American song composers
- Peter Von Hagen (1750–1803), Dutch born
- Alexander Reinagle (1756 – 1809)
- Benjamin Carr (1768–1831), English born
- Gottlieb Graupner (1767–1836), German born, arrived in the U.S. in 1795
- Oliver Shaw (1779–1848)
19th-century American art song
In the 19th century, many Americans composed songs for amateur musicians to sing at home (usually called parlor songs). In the middle of the century Stephen Foster (1826–1864) emerged as one of the best known American composers of songs. While many of his vocal pieces were written for Minstrel shows, the simple but effective melodies of his "songs for the hearth and home" are widely popular, often mistaken for American folksongs.
By the end of the 19th century, serious American composers were travelling to European countries to study, especially with German and French composition teachers, and they gained a thorough understanding of Romantic style, including an understanding of the Lieder tradition. American songs written between 1870 and 1910 are often dismissed as sounding too "derivative", although the compositional craft shown in these works is quite high.
Other 19th-century American song composers
- John Hill Hewitt (1801–1890), composed songs about the Civil War
- Francis Boott (1813–1904)
- Daniel Decatur Emmett (1815–1904), composed the song "Dixie"
- George Frederick Root (1820–1895), composed popular Civil War songs
- Louis Moreau Gottschalk (1829–1869), piano virtuoso, also composed songs
- Philip Bliss (1838–1876)
- Alfred Humphreys Pease (1838–1882)
- Dudley Buck (1839–1909), organist and composer of sacred songs
- John Knowles Paine (1839–1906)
- Arthur Foote (1853–1937)
- George Whitefield Chadwick (1854–1931)
- Arthur Bird (1856–1923)
- George Templeton Strong (1856–1948)
- Edgar Stillman Kelley (1857–1944)
- Reginald De Koven (1859–1920), composed over 400 songs, known for "Oh promise me"
- Charles Martin Loeffler (1861–1935)
- Edward MacDowell (1861–1908)
- Carrie Jacobs Bond (1861–1946), wrote the wedding song "I love you truly"
- Ethelbert Woodbridge Nevin (1862–1901)
- Horatio Parker (1863–1919)
20th-century American art song
American composers began to break from European traditions in the early part of the 20th century. Charles Ives (1874–1954) composed songs in a variety of styles, including both traditional and experimental sounds, and self-published his important collection 114 Songs. Other publications of American song, such as those in The Wa-Wan Press editions presented works by less-known American composers.
By the end of the 20th century, several composers emerged as the leaders of American art song composition, especially Aaron Copland (1900–1990), Samuel Barber (1910–1981), and Ned Rorem (born 1923).
Other 20th-century American art song composers
- Sidney Homer (1864–1953), husband of Louise Homer and uncle of Samuel Barber
- Jean Paul Kürsteiner (1864–1943), sacred and dramatic songs
- Harry Burleigh (1866–1949), student of Dvořák, spiritual arrangements and other songs
- Amy Beach (Mrs. H. H. A.) (1867–1944)
- Howard Brockway (1870–1951), wrote folksong arrangements with Loarine Wyman
- Arthur Farwell (1872–1952)
- Oley Speaks (1874–1948), famous for his setting of Kipling's "On the Road to Mandalay"
- Henry Clough-Leighter (1874–1956)
- Pearl G. Curran (1875–1941), 40 songs
- Frederic Ayres (1876–1926)
- John Alden Carpenter (1876–1951)
- Louis Campbell-Tipton (1877–1921)
- John Prindle Scott (1877–1932)
- Frank La Forge (1879–1953)
- Ernest Bloch (1880–1959), Swiss-American
- Clara Edwards (1880–1974), composed over 100 songs, many in anthologies
- Charles Wakefield Cadman (1881–1946), Songs of the American Indian
- Richard Hageman (1882–1970)
- Mary Howe (1882–1964)
- Bainbridge Crist (1883–1969)
- Charles Tomlinson Griffes (1884–1920)
- Wintter Watts (1884–1962), settings of Sara Teasdale
- Deems Taylor (1885–1966)
- Henry Cowell (1887–1965)
- Hall Johnson (1887–1970) concert arrangements of spirituals
- David W. Guion (1892–1981), collected folk songs; composed sacred songs
- John Jacob Niles (1892–1980), arranged folk songs and composed original settings of Thomas Merton poems
- Katherine K. Davis (1892–1980)
- Douglas Moore (1893–1969) opera composer, some songs
- Ernest Charles (1895–1984) a few songs still in the repertoire
- Albert Hay Malotte (1895–1964) famous setting of "Lord's Prayer"
- Leo Sowerby (1895–1968)
- William Grant Still (1895–1978) the "Dean" of African-American composers
- Roger Sessions (1896–1985)
- Virgil Thomson (1896–1987)
- Henry Cowell (1897–1965)
- Ernst Bacon (1898–1990)
- Roy Harris (1898–1979)
- John Woods Duke (1899–1984)
- Sven Lekberg (1899–1984)
- Randall Thompson (1899–1984)
- Otto Luening (1900–1996)
- Elinor Remick Warren (1900–1991)
- Ruth Crawford Seeger (1901–1953)
- Theodore Chanler (1902–1961)
- Celius Dougherty (1902–1986)
- Vittorio Giannini (1903–1966)
- Vernon Duke (1903–1969)
- Undine Smith Moore (1904–1989)
- Marc Blitzstein (1905–1964)
- Louise Talma (1906–1996)
- Paul Creston (1906–1985)
- Ross Lee Finney (1906–1997)
- Howard Swanson (1907–1978)
- Elliot Carter (born 1908), composed a few songs, from 1938 to 1943 and the 1970s
- Sergius Kagen (1908–1964)
- Jean Berger (1909–2002)
- Charles Naginski (1909–1940)
- Paul Nordoff (1909–1977)
- Elie Siegmeister (1909–1991)
- Paul Bowles (1910–1999)
- Sam Raphling (1910–1988)
- Alan Hovhaness (1911–2000)
- Gian-Carlo Menotti (1911–2007)
- John Cage (1912–1992), songs include "The Wonderful Widow of 18 Springs"
- Hugo Weisgall (1912–1997)
- Margaret Bonds (1913–1972)
- Norman Dello Joio (born 1913)
- John Edmunds (1913–1986)
- Vivian Fine (1913–2000)
- Gardner Read (1913–2005)
- Irving Fine (1914–1962)
- David Diamond (1915–2005)
- George Perle (born 1915)
- Vincent Persichetti (1915–1987)
- Gordon Binkerd (1916–2003)
- Leonard Bernstein (1918–1990)
- George Rochberg (1918–2005)
- John La Montaine (1920–2013)
- Jack Beeson (1921–2010)
- Seymour Barab (1921–2014)
- William Bergsma (1921–1994)
- Ernest Gold (1921–1999) film music, cycle Songs of Love and Parting
- Lloyd Pfautsch (1921–2003) much sacred music, some songs
- Lukas Foss (born 1922)
- Robert Kreutz (1922–1996)
- Richard Owen (born 1922) lawyer, judge, and composer
- Jean Eichelberger Ivey (1923–2010)
- Daniel Pinkham (1923–2006)
- Lee Hoiby (1926–2011)
- Dominick Argento (born 1927)
- Richard Hundley (born 1931)
- H. Leslie Adams (born 1932)
- Luigi Zaninelli (born 1932)
- Kenneth Benshoof (born 1933)
21st-century American art song
American art song composition continues to be lively and strong in the early 21st century. Commissions from well-known singers have added a number of new works to the repertoire, and composers such as Tom Cipullo, Ricky Ian Gordon, Daron Hagen, Jake Heggie, and John Musto are establishing themselves as the current generation of leading American art song composers.
Active American art song composers
- André Previn (born 1929)
- Robert Baksa (born 1938)
- William Bolcom (born 1938)
- John Corigliano (born 1938)
- John Harbison (born 1938)
- Thomas Pasatieri (born 1945)
- Judith Lang Zaimont (born 1945)
- Stephen Paulus (born 1949)
- Libby Larsen (born 1950)
- Daniel Brewbaker (born 1951)
- John Musto (born 1954)
- Lori Laitman (born 1955)
- Richard Danielpour (born 1956)
- Ricky Ian Gordon (born 1956)
- Tom Cipullo (born 1960)
- Daron Hagen (born 1961)
See also
References
- Villamil, Victoria Etnier (2004). A Singer’s Guide to the American Art Song: 1870-1980 (paperback ed.). Metuchen, NJ: Scarecrow Press. ISBN 0-8108-5217-9.
- Kimball, Carol (2006). Song: A Guide to Art Song Style and Literature (paperback ed.). New York: Hal Leonard. ISBN 1-4234-1280-X.
- Stevens, Denis, ed. (1970). The History of Song (paperback ed.). New York: Norton. ISBN 0-393-00536-4.
- Clifton, Keith E. (2008). Recent American Art Song: A Guide (paperback ed.). Lanham, MD: Scarecrow Press. ISBN 978-0-8108-5940-1.
- Carman, Judith E. et al. (2001). Art Song in the United States 1759-1999: An Annotated Bibliography, 3rd ed. (hardcover ed.). Lanham, MD: Scarecrow Press.