Alicia Gaspar de Alba

Alicia Gaspar de Alba is a scholar, cultural critic, novelist,^[1] and poet whose works include historical novels and scholarly studies on Chicana/o art, culture and sexuality.

Biography

She is from the border between El Paso and Ciudad Juárez,^[2] where she lived until age 27. She has a B.A. (1980) and a M.A. (1983) in English from the University of Texas at El Paso, and a Ph.D. in American Studies from the University of New Mexico (1994).^[3] She started her doctoral work at the University of Iowa in 1985 but left after a year, then lived in Boston, Massachusetts for four years. In 1994, she was hired as one of six founding faculty members of the then César Chávez Center for Interdisciplinary Instruction in Chicana and Chicano Studies at University of California, Los Angeles. She has published and organized a conference on the Juarez murders.^[4] Alicia Gaspar de alba also keeps a regular blog called "Cooking With Sor Juana".^[5]

Awards

• International Latino Book Award for Spanish Translation of Desert Blood, Sangre en el desierto (trans. Rosario Sanmiguel) (2009)
• Gold Shield Faculty Prize for Academic Excellence (UCLA) 2008
• Lambda Literary Award for Best Lesbian Mystery (2005)
• International Latino Book Award for Best English-Language Mystery (2005)
• Latino Literary Hall of Fame for Best Historical Fiction (2000)
• Border-Ford/Pellicer-Frost Award for Poetry (1998)
• Shirley Collier Prize for Literature (UCLA)(1998)
• Premio Aztlán Literary Prize (1994)
• Massachusetts Artists' Foundation Fellowship Award in Poetry (1989)

Works

• [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause. Austin, TX: U of Texas Press, 2014.
• Our Lady of Controversy: Alma Lopez's "Irreverent Apparition" (co-edited with Alma Lopez) (University of Texas Press 2011)
• Making a Killing: Femicide, Free Trade, and La Frontera (editor) (University of Texas Press 2010)
• Calligraphy of the Witch (Saint Martin's Press 2007)
• Desert Blood: The Juarez Murders (Arte Publico Press 2005)^[6][7]
• La Llorona on the Longfellow Bridge: Poetry y Otras Movidas (Arte Publico Press 2003)
• Velvet Barrios: Popular Culture and Chicana/o Sexualities (editor) (Palgrave/Macmillan 2003)
• Sor Juana's Second Dream (University of New Mexico Press 1999)
• Chicano Art Inside/Outside the Master's House (University of Texas Press1998)
• "La Frontera," "Domingo Means Scrubbing," and "Beggar on the Cordoba Bridge. " Floricanto Si!: A Collection of Latina Poetry. Eds. Bryce Milligan, Mary Guerrero Milligan, and Angela De Hoyos. New York: Penguin Books, 1998. 135-138.
• "The Politics of Location of the Tenth Muse of America: An Interview with Sor Juana Ines de la Cruz." In Living Chicana Theory. Ed. Carla Trujillo. Berkely, Calif. : Third Women Press, c 1998. 136-166.
• "After 21 Years, a Postcard?" and "Bamba Basilica." In The floating Borderlands; Twenty-five Years of U.S. Hispanic Literature. Ed. Lauro Flores. Seattle: University of Washington Press, c1998. 235-237.
• "Born in East L.A. : An Exercise in Cultural Schizophrenia." The Latino/a Condition: A Critical Reader. Eds. Richard Delgado and Jean Stefancic. New York: New York University Press, c1998. 226-230.
• "The Alter-Native Grain: Theorizing Chicano/a Popular Culture." Cultures and Differences: Critical Perspectives on the Bicultural Experience in the United States. Ed. Antonia Darder. Westport, Conn. : Bergin and Garvey, 1995. 103-123.
• "Malinche's Rights." Currents from the Dancing River: Contemporary Latino Fiction, Nonfiction, and Poetry. Ed. Ray Gonzalez. New York: Harcourt Brace, c1994. 261-267.
• "Malinchista, A Myth Revised," "Literary Wetback," and "Making Tortillas." Infinite Divisions: An Anthology of Chicana Literature. Tey Diana Rebolledo and Eliana S. Rivero. Tucson: University of Arizona Press, c1993.
• "Facing the Mariachis." Latina Women's Voices from the Borderlands. Ed.Lillian Castillo-Speed. New York: Simon and Schuster, c1995. 37-49.
• The Mystery of Survival and Other Stories (Bilingual Press 1993)
• "The Last Rite." Mirrors Beneath the Earth: Short Fiction by Chicano Writers. Ed. Ray Gonzalez. Willimantic, CT: Curbstone Press; East Haven, CT: Distributed by InBook, 1992. 312-321.
• "Beggar on the Cordoba Bridge," collection of poems in Three Times A Woman: Chicana Poetry (Bilingual Press, 1989)

"Alicia's poetry and fiction have been anthologized in numerous publications, and her novels have been translated into Spanish, German, and Italian"^[8]

Critical studies

• Allatson, Paul. Book review of Sor Juana’s Second Dream. In Aztlán: A Journal of Chicano Studies 26.2 (Fall 2001): pp. 231–37.
• Allatson, Paul. “A Shadowy Sequence: Chicana Textual/Sexual Reinventions of Sor Juana.” Chasqui: Revista de Literatura Latinoamericana 33.1 (May 2004): pp. 3–27.
• Chávez-Silverman, Susana. “Alicia Gaspar de Alba.” The Oxford Encyclopedia of Latinos and Latinas in the United States. Eds. Suzanne Oboler and Deena J. González. New York and Oxford: Oxford University Press, 2005. Vol. 2: pp. 185–86.
• Marchino, Lois A. The Oxford Companion to Women's Writing in the United States, edited by Cathy N. Davidson and Linda Wagner-Martin. New York: Oxford University Press, 1995.
• Vivancos Perez, Ricardo F. Los discursos sobre sexualidad en la obra de Alicia Gaspar de Alba. Dissertation: Thesis (M.A. )--Texas A & M University, 2002.
• Vivancos Perez, Ricardo F. Radical Chicana Poetics. London and New York: Palgrave Macmillan, 2013.

References

External links

• Biography from the Cesar Chavez Department at UCLA
• Alicia's Website
• Desert Blood site
• Alicia's Blog