Alain Mabanckou

Alain Mabanckou in January 2013

Alain Mabanckou (born 24 February 1966) is a novelist, journalist, poet, and academic, a French citizen born in the Republic of the Congo, he is currently a Professor of Literature in the United States. He is best known for his novels and non-fiction writing depicting the experience of contemporary Africa and the African diaspora in France.[1] He is among the best known and most successful writers in the French language[2] and one of the best known African writers in France. He is also controversial,[3] and criticized by some African and diaspora writers for stating Africans bear responsibility for their own misfortune.[4]

Life

Alain Mabanckou was born in Congo-Brazzaville in 1966. He spent his childhood in the coastal city of Pointe-Noire[4] where he received his baccalaureate in Letters and Philosophy at the Lycée Karl Marx. After preliminary law classes at The Marien Ngouabi University in Brazzaville, he received a scholarship to go to France at the age of 22. He already had several manuscripts to his name, mostly collections of poems, which he began publishing three years later.

After receiving a post-graduate Diploma in Law from the Université Paris-Dauphine, he worked for about ten years for the group Suez-Lyonnaise des Eaux.

Writing

Mabanckou dedicated himself increasingly to writing after the publication of his first novel, Bleu-Blanc-Rouge (Blue-White-Red), which won him the Grand prix littéraire d'Afrique noire in 1999.[1] Since then he has continued to regularly publish prose and well as poetry. His African Psycho, Le Serpent à Plumes (2003) is a novel written from the point of view of Gregoire Nakobomayo, a fictional African serial killer.

Mabanckou is best known for his fiction, notably Verre Cassé (Broken Glass), a comic novel centered on a Congolese former teacher and life in the bar he now frequents.[5] Verre cassé has also been the subject of several theatrical adaptations. It was published as Broken Glass, in English translation in 2009.

In 2006 he published Memoires de porc-épic (Memoirs of a Porcupine), which garnered the Prix Renaudot, one of the highest distinctions in French literature. The book is a magic realism-inspired reworking of a folk tale into a psychological portrait of a young Congolese man's descent into violence.[1]

In 2007, Mabanckou’s early poetry was re-published by Points-Seuil under the title Tant que les arbres s’enracineront dans la terre, as well as a biography of James Baldwin, Lettre à Jimmy (Fayard), on the twentieth anniversary of Baldwin’s death.[1]

His 2009 novel, Black Bazar, is a dark comic story set in Jip's, a Paris Afro-Cuban bar once frequented by Mabanckou, portraying the lives of characters from the various African diasporas of France.[2]

Mabanckou's work has been published in fifteen languages.[2] African Psycho (2007), Broken Glass (2009), Memoirs of a Porcupine (2011) and Black Baazar (2012) have been translated into English.

Academic

In 2002, Mabanckou went to teach Francophone Literature at the University of Michigan as an Assistant Professor. After three years there he was hired in 2006 by the University of California Los Angeles, where he is now a full Professor in the French Department. He currently lives in Santa Monica, California.[1]

Work

Novels

(English translation, African Psycho, 2007, London: Serpent's Tail, 2009)

(English translation: Broken Glass, 2009, London, Serpent's Tail, 2011)

(English translation, Memoirs of a Porcupine, London: Serpent's Tail, 2011)

(English translation Black Bazaar, London: Serpent's Tail, 2012)

(English translation., "Tomorrow I'll be Twenty", London: Serpent'sTail, 2013)

(English translation " The Lights of Pointe-Noire", London Serpent's Tail, 2015)

Poetry

Essays

(English translation : Letter to Jimmy, USA: Soft Skull, 2014)

Awards and recognition

External links

Official Website :

References

  1. ↑ 1.0 1.1 1.2 1.3 1.4 "Alain Mabanckou, l'enfant noir". "G.L.", Le Nouvel Observateur, 19 August 2010.
  2. ↑ 2.0 2.1 2.2 Alain Mabanckou. Julien Bisson, France Today, 2009-04-09
  3. ↑ "Les Africains ont une responsabilité dans la traite des Noirs". Adrien Hart, SlateAfrique, 2012-03-16.
  4. ↑ 4.0 4.1 "Le grand rire d’Alain Mabanckou" Valérie Marin La Meslée. SlateAfrique, 2012-01-30
  5. ↑ "Duck soup: A Congolese comedy amuses" (Review of Broken Glass). Tibor Fischer, The Guardian, 2009-02-20.