Aftermath!

Aftermath!

Aftermath! cover art
Designer(s) Paul Hume, Robert N. Charrette
Publisher(s) Fantasy Games Unlimited
Publication date 1981
Genre(s) Post-apocalyptic fiction
System(s) Custom

Aftermath! is a role-playing game created by Paul Hume & Robert Charette which was published in 1981 by Fantasy Games Unlimited.

It is set in a post-apocalyptic world in which the characters typically have to fight for food, water, basic supplies and shelter. The rules are reasonably complex and include many flow charts and tables to enable the Games Master to simulate the world. This leads to a very immersive gaming experience. However, it does require a good knowledge of the rules to play.

The nature of the Apocalypse is up to the Games Master but it is often reminiscent of the Mad Max films. There is even an expansion (Aftermath! Magic!) to play in a universe dominated by dragons in the style of the film Reign of Fire.

Game design

The game's designers can be found in the credits list below (see External links).

Aftermath is the second RPG produced by Hume and Charrette for FGU after producing Bushido.[1] It was also praised for its features, but often criticized for its complexity, a common refrain when discussing games from FGU.[1]

Aftermath! 101 (Courtesy David Harmer, Fantasy Games Unlimited)

Characters are rated on a set of six stats – Wit, Will, Strength, Deftness, Speed, and Health. These are rated as follows:

Characters also have a set of talents – Charismatic, Combative, Communicative, Esthetic, Mechanical, Natural, and Scientific. These talents govern the progress in skills, and can be used in a pinch as a “Natural Talent” instead of a skill.

Aftermath! is a true skill-based system, with no “levels” to artificially balance gameplay. A character has a set of skills that define the tasks that they are proficient in. Skills are rated on a skillscore, which is converted to a D20 roll (BCS) for convenience. If the D20 is under the BCS, then the skill test succeeds.

The combat system is a tiered system. The players only resolve the combat to the level of detail needed for the encounter; therefore, they can forgo using the more complex resolution methods if it benefits the game's current pace.

A basic attack is roll to hit (D20). If the target is an “extra”, there is no need to even roll for damage. An average attack (for a player attacking) is roll to hit (D20), and then roll for damage. A detailed attack is roll to hit (D20), roll for hit location (D100), then roll for damage. A personality attack (or an attack against the PC) is roll to hit (D20) roll for location(d100) roll for damage, and resolve any special effects as needed.

Each weapon or attack method uses a different number of "damage dice" to express its power. A muscle-powered or melee weapon, for instance, uses the character's strength statistic as its damage dice. Firearms, on the other hand, use a fixed amount of damage dice regardless of a character's stats, based on the caliber of the weapon.

Notable to this system, skill advancement (what might be considered "leveling-up" in other RPGs) is a fluid and ongoing process, based on the application of a talent during gameplay. A specific talent that is used successfully during gameplay increments in ability immediately after being used.

Most everything the player needs to know to play the game is summarized on their character sheet.

Contents

Reception

Like its sibling, Bushido, Aftermath! gained a number of very positive reviews on its publication. In the Open Box feature of White Dwarf #34, Andy Slack gave the game a 10/10, comparing it favourably to both Bushido and the Morrow Project RPG.[2] It received similar positive treatment in the pages of the short-lived Imagine magazine. The reviewer compared it favorably to Mad Max but disliked the use of Australia on purely familiarity reasons and suggested moving it to a location more familiar to the players.[3] Baylis also compares the game to The Morrow Project and gives the adventure included a positive review.

Scenarios

A number of add-on scenario and campaign books were published. Because of the detailed rules, it was possible to build extremely detailed and believable worlds around actual places, such as Sydney University, where for example every room in the University was modeled with lengthy descriptions of items in each room, and maps based on actual university blueprints.

References

  1. ↑ 1.0 1.1 Appelcline, Shannon (2011), Designers & Dragons (1st ed.), London: Mongoose Publishing
  2. ↑ Slack, Andy (1982), "Open Box", White Dwarf Magazine (34)
  3. ↑ Baylis, Chris (May 1983). Imagine Magazine (TSR Hobbies (UK) Ltd.) 1 (2): 36–37.

External links