12th Helpmann Awards
The 12th Annual Helpmann Awards was held on 24 September 2012 at the Sydney Opera House, in Sydney, New South Wales.[1] Administered by Live Performance Australia (LPA), accolades were presented for achievements in disciplines of Australia's live performance sectors, for productions during the season between 1 March 2011 - 31 May 2012.[2]
Awards were handed out in forty-two categories for achievements in theatre, musicals, opera, ballet, dance and concerts.[3]
In 2012, LPA established the Helpmann Awards Travel Fund which seeks to provide a greater opportunity for productions outside of Melbourne and Sydney to become Nominated for an Award. The Fund provides travel assistance to members of the voting panel, allowing them to attend productions outside of their home states.[4]
Schedule
Date |
Deadline |
Tuesday, 1 May 2012 |
Entries open |
Monday, 28 May 2012 |
Entries close |
Monday, 18 June 2012 |
Comedy nominating panel meeting |
Contemporary music nominating panel meeting |
Tuesday, 19 June 2012 |
Dance and physical theatre nominating panel meeting |
Wednesday, 20 June 2012 |
Musicals nominating panel meeting |
Cabaret nominating panel meeting |
Thursday, 21 June 2012 |
Opera and classical music nominating panel meeting |
Friday, 22 June 2012 |
Theatre nominating panel meeting |
Monday, 25 June 2012 |
Regional touring nominating panel meeting |
Industry nominating panel meeting |
Monday, 13 August 2012 |
Helpmann Awards nomination announcement and media launch |
Monday, 24 September 2012 |
12th Annual Helpmann Awards ceremony at the Sydney Opera House |
Winners and nominees
In the following tables, winners are listed first and highlighted in boldface.
Production
Best Musical |
Best Play |
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- Ganesh Versus the Third Reich
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Best Opera |
Best New Australian Work |
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- Angela's Kitchen
- Kursk: An Oratorio Requiem
- Ganesh Versus the Third Reich
- Symphonia Eluvium
- Songs For Nobodies
|
Best Visual or Physical Theatre Production |
Best Ballet or Dance Work |
- Circa
- Raoul
- The Adventures of Alvin Sputnik: Deep Sea Explorer by Tim Watts
- The Man the Sea Saw by Wolfe Bowart
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- Can We Talk About This?
- Aviary: A Suite for the Bird
- Mass
- Anatomy of an Afternoon
|
Best Presentation for Children |
Best Contemporary Music Festival |
|
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Best Symphony Orchestra Concert |
Best Chamber and Instrumental Ensemble Concert |
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- Tafelmusik 'The Galileo Project: Music of the Spheres'
- KURSK: An Oratorio Requiem
- Syzygy Ensemble – Black Angels
- Evgeny Kissin
|
Best International Contemporary Concert |
Best Australian Contemporary Concert |
|
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Best Regional Touring Production |
Best Special Event |
|
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Direction and choreography
Performance
Best Male Actor in a Musical |
Best Female Actor in a Musical |
|
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Best Male Actor in a Play |
Best Female Actor in a Play |
|
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Best Male Performer in an Opera |
Best Female Performer in an Opera |
|
|
Best Male Dancer in a Ballet or Dance Work |
Best Female Dancer in a Ballet or Dance Work |
- Paul White – Anatomy of an Afternoon
- Waangenga Blanco – Belong
- Daryl Brandwood – HELIX
- Chen Wen – 2 One Another
|
- Charmene Yap – 2 One Another
- Kirstie McCracken – Double Think
- Tara Soh – Proximity
- Brooke Stamp – Aviary: A Suite for the Bird
|
Best Cabaret Performer |
Best Comedy Performer |
- Meow Meow – Little Match Girl
- Trevor Ashley – Diamonds are for Trevor
- Moira Finucane, with Rhonda Burchmore, Deborah Conway, Dei Roten Punkte, Pamela Rabe, Phillip Adams' BalletLab, Meow Meow, Vika and Linda Bull, Kamahi Djordon King as Constantina Bush & The Bushettes, Sosina Wogayehu and Burlesque Hour artistes Maude Davey, Holly Durant and Harriet Ritchie – Finucane & Smith's Burlesque Hour LOVES Melbourne
- Caroline Nin – Caroline Nin - Hymne A Piaf
|
|
Best Male Actor in a Supporting Role in a Musical |
Best Female Actor in a Supporting Role in a Musical |
|
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Best Male Actor in a Supporting Role in a Play |
Best Female Actor in a Supporting Role in a Play |
|
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Best Male Performer in a Supporting Role in an Opera |
Best Female Performer in a Supporting Role in an Opera |
|
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Best Individual Classical Performance |
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Industry
Best Original Score |
Best Musical Direction |
- David Page and Steve Francis – Belong
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- Iain Grandage – Little Match Girl
- Ian McDonald – Songs For Nobodies
- Richard Mills – Elektra
- Timothy Sexton – Moby-Dick
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Best Costume Design |
Best Scenic Design |
|
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Best Lighting Design |
Best Sound Design |
- Paul Jackson – Little Match Girl
- Paul Jackson – Elektra
- Matthew Marshall – The Red Tree
- Nick Schlieper – Gross und Klein (Big and Small)
|
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Special awards
The JC Williamson Award, a lifetime achievement award, was awarded to the late Indigenous Australian musician Jimmy Little (1 March 1937 – 2 April 2012) and Katharine Brisbane, a theatre journalist and publisher.[5][6] The Brian Stacey Award, for emerging conductors of live theatre, opera and ballet, was given to Daniel Carter.[7]
See also
References
External links
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| Theatre | |
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| Musical | |
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| Opera and Classical Music | |
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| Dance and Physical Theatre |
- Best Ballet or Dance Work
- Best Visual or Physical Theatre Production
- Best Choreography in a Dance or Physical Theatre Production
- Best Male Dancer in a Dance or Physical Theatre Production
- Best Female Dancer in a Dance or Physical Theatre Production
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| Contemporary Music |
- Best International Contemporary Concert
- Best Australian Contemporary Concert
- Best Contemporary Music Festival
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| Industry |
- Best New Australian Work
- Best Original Score
- Best Music Direction
- Best Costume Design
- Best Scenic Design
- Best Lighting Design
- Best Sound Design
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| Other | |
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| Special awards | |
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| Retired | |
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| Ceremonies | |
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