Zohra Sehgal

Zohra Sehgal
Zohra Sehgal (front left), Uday Shankar Ballet Troupe, ca (1935-37)
Born	(1912-04-27) 27 April 1912 Saharanpur, United Provinces
Other names	Zohra Mumtaz-Ullah Khan Sahibzadi Zohra Begum Mumtaz-ullah Khan (birthname)
Occupation	Actress, Dancer
Years active	1946–2007
Spouse(s)	Kameshwar Nath Sehgal
Children	Kiran Sehgal Pawan Sehgal

Zohra Sehgal^[1] (born 27 April 1912) is an Indian actress and choreographer, who started her career as dancer with Uday Shankar in 1935 and worked with him for the next eight years. She has appeared in many Bollywood films as a character actor as well as in English language films and television series.

She also appeared in Bhaji on the Beach (1992), The Mystic Masseur (2001), Bend It Like Beckham (2002), Dil Se.. (1998) and Cheeni Kum (2007); and the TV series, The Jewel in the Crown (1984), Tandoori Nights (1985–87), Amma and Family (1996).^[2] At the age of 90, she got the lead character around whom the story revolved in 2002 film Chalo Ishq Ladaaye, where she had stunt sequences, emotional scenes, etc. Considered the doyenne of Indian theatre, she acted with Indian People's Theatre Association (IPTA) and Prithviraj Kapoor's Prithvi Theatre for fourteen years.^[3]

She was awarded the Padma Shri in 1998, Kalidas Samman in 2001, and in 2004, the Sangeet Natak Akademi. India's National Academy for Music, Dance and Drama presented her with its highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement. She received the Padma Vibhushan, India's second-highest civilian honor, in 2010.^[4]

Early life and education

She was born Sahibzadi Zohra Begum Mumtaz-ullah Khan on 27 April, 1912 into a traditional Muslim family in Saharanpur, Uttar Pradesh, India, to Mumtazullah Khan and Natiqua Begum, belonging to Rampur, Uttar Pradesh. She was third of seven children – Zakullah, Hajrah, Ikramullah, Uzra (Uzra Butt), Anna and Sabira – and grew up in Chakrata, now in Uttarakhand (near Dehradun). She was a tomboy fond of climbing trees and playing games. Zohra lost vision in her left eye as she contracted glaucoma at the age of one year. She was referred to a hospital in Birmingham where she was treated at a cost of £300.

She lost her mother while still young. As per their mother's wishes, she and her sister were sent to Queen Mary College, Lahore. Strict purdah was observed there and the few males invited to speak did so from behind a screen.^[5] As a result of seeing her sister's failed marriage, she decided to pursue a career, rather than get married.^[6][7]

Upon graduating, her maternal uncle, Sahebzada Saeeduzzafar Khan, who was based in Edinburgh,^[8] arranged for her to apprentice under a British actor. They started from Lahore by car and, en route, crossed Iran, Palestine, before reaching Damascus, Syria, where she met her cousin. Then they traveled into Egypt and caught a boat to Europe in Alexandria.^[9]

In Europe, her aunt Dicta took her to try in the Mary Wigman's ballet school in Dresden, Germany, but she had not ever danced, having lived in purdah for so long. Nevertheless, she got admission and became the first Indian to study at the institution.^[10] She stayed in Dresden for the next three years studying modern dance, while living in the house of Countess Liebenstein. She happened to watch the Shiv-Parvati ballet by Uday Shankar who was touring Europe. This was to change her life forever as, impressed by the performance, she went back stage to meet Uday Shankar, who promised her a job on her return to India, at the completion of her course.^[11]

Career

While still in Europe, she received a telegram from Uday Shankar: "Leaving for Japan tour. Can you join immediately?"^[9] On 8 August, 1935, she joined his troupe and danced across Japan, Egypt, Europe and the US, as a leading lady, along with French dancer, Simkie. When Uday Shankar moved back to India in 1940, she became a teacher at the Uday Shankar India Cultural Centre at Almora. It was here that she met her future husband Kameshwar Sehgal, a young scientist, painter and dancer from Indore, eight years her junior, belonging to the Radha Soami sect. There was initial opposition from her parents, but they eventually gave their approval for the union. They married on 14 August 1942. Jawaharlal Nehru was to attend the wedding reception, but he was arrested a couple of days earlier for supporting Gandhi's Quit India Movement.^[5]

Zohra and Kameshwar had two children, Kiran and Pavan. For a while the couple worked in Uday’s dance institute at Almora. Both became accomplished dancers and choreographers. Kameshwar composed a noted ballet for human puppets and choreographed the ballet Lotus Dance.^[12] When it shut down later, they migrated to Lahore and set up their own Zohresh Dance Institute. The growing communal tension preceding the Partition of India made them feel unwelcome. They returned to Bombay, with one-year-old Kiran. By now, her sister Uzra Butt was already a leading lady with Prithvi Theatre. Ultimately, she too joined Prithvi Theatre in 1945, as an actress with a monthly salary of Rs 400, and toured every city across India with the group, for the next 14 years.

Also in 1945, soon after her arrival, she joined the leftist theatre group, IPTA, acted in several plays, and made her film debut in IPTA's first film production, directed by Khwaja Ahmad Abbas, Dharti Ke Lal in 1946; she followed it up with another IPTA-supported film, Chetan Anand's Neecha Nagar. In the same year, it became the first Indian film to gain critical international recognition and won the Palme d'Or at the Cannes Film Festival.^[13][14]

Her involvement remained mostly with the theatre, though she did do a few films in between. During their stay in Bombay, the couple came to know many celebrities, including Ebrahim Alkazi, in whose play, Din Ke Andhere, she played "Begum Qudsia"; K.A. Abbas, in whose plays she acted at the IPTA; Chetan and Uma Anand in whose house the couple stayed when they first moved to Bombay, and his brother, Dev Anand his brother. She did the choreography for several Hindi films, including Guru Dutt's Baazi (1951) and the dream sequence song in Raj Kapoor's film Awaara.^[15] Kameshwar, on the other hand, became art director in Hindi films and later tried his hand at film direction.^[16]

Zohra Sehgal had been acting on the stage in different parts of India and putting up plays for inmates, including at Ferozepore jail.^[9] After staging a play, she stayed on to watch an execution.^{[citation needed]}

After her husband's death in 1959, Zohra first moved to Delhi and became director of the newly founded Natya Academy. She then moved London on a drama scholarship in 1962. Here she met Ram Gopal, a India-born Bharatnatyam dancer, and starting 1963, worked as a teacher in the "Uday Shankar style" of dance at his school in Chelsea, during the short period of its existence.^[17] Her first role for British television was in a BBC adaptation of a Kipling story, The Rescue of Pluffles, in 1964. She also anchored 26 episodes of BBC TV series, Padosi (Neighbours; 1976–77). Her career in the next almost two decades remained sporadic, despite several small appearances in many films.^[1]

In London, Zohra got her first break in the films and was signed by Merchant Ivory Productions. She appeared in The Courtesans of Bombay directed by James Ivory in 1982. This paved way for an important role as Lady Chatterjee in the television adaptation The Jewel in the Crown (ITV, 1984). Thus starting the second phase of her career, as she went on to appear in The Raj Quartet, The Jewel in the Crown, Tandoori Nights, My Beautiful Laundrette, et al.

Return to India

She returned to India in the mid-1990s and lived for a few months in Burdwan. At that time she acted in several films, plays and TV series since. She first performed poetry at a memorial to Uday Shankar organised by his brother, Ravi Shankar in 1983, and soon took it in big way; she started getting invited to perform poetry at various occasions. She even traveled to Pakistan to recite verses for "An Evening With Zohra". Her impromptu performances of Punjabi and Urdu became a norm. After stage performances she was often requested by the audience to recite Hafeez Jullundhri's famous nazm, Abhi To Main Jawan Hoon.^[11][18][19]

In 1993, a critically acclaimed play, Ek Thi Nani, was staged in Lahore for the first time, featuring Zohra and her sister Uzra Butt now staying in Pakistan.</ref> A performance in its English version, A Granny for All Seasons, was held at UCLA in 2001.^[20] In 2008, at the United Nations Population Fund (UNPF)-Laadli Media Awards in New Delhi, she was named Laadli of the century and the award ceremony was presided by the Chief Minister of Delhi, Sheila Dikshit.^[21]

rtoire, by Reginald Massey. Abhinav Publications, 2004. ISBN 81-7017-434-1 p. 22.</ref>^[22] Her son, Pavan Sehgal, works for the WHO.

She describes herself as an agnostic^[23] having been an atheist in her youth.

As of 2014, she is the longest-living actor to have appeared on Doctor Who, as well as the first centenarian associated with the show.

Filmography

As an actor

Awards

• 1963 Sangeet Natak Akademi Award^[24]
• 1998: Padma Shri^[25]
• 2001: Kalidas Samman
• 2002: Padma Bhushan
• 2004: Sangeet Natak Akademi Fellowship
• 2010: Padma Vibhushan

References

Further reading

• Stages: The Art and Adventures of Zohra Sehgal, by Zohra Sehgal, Joan Landy Erdman. Published by Kali for Women, 1997. ISBN 81-85107-59-9. (autobiography)
• Theatre and Activism in the 1940s . Essay by Zohra Sehgal Crossing boundaries, by Geeti Sen. Orient Blackswan, 1998. pp. 31–39. ISBN 81-250-1341-5.
• Shashi Kapoor presents the Prithviwallahs, by Shashi Kapoor, Deepa Gahlot, Prithvi Theatre (Bombay, India). Roli Books, 2004. ISBN 81-7436-348-3.

External links

• Zohra Sehgal at the Internet Movie Database
• Zohra Segal Filmography at New York Times
• Zohra Sehgal uncut: Of love, acting & Bloody Mary CNN IBN