Videography

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During the 1980s, advances in technology allowed for the emergence of EFP, or Electronic field production, which began to blur the line between traditional cinematography and analog video production.

Videography refers to the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage like a tapeless camcorder) even streaming media. The term includes methods of video production and post-production. It is the equivalent of cinematography, but with images recorded on electronic media instead of film stock.

The word combines "video" from Latin, meaning "I see" or "I apprehend", with the Greek terminal ending "graphy", meaning "to write". Its contemporary sense is rooted in an article titled "Videography" What Does It All Mean? (American Cinematographer, October 1972).[1]

The advent of digital imaging in the late 20th century began to blur the distinction between videography and cinematography. The arrival of computers and the Internet created a global environment where videography covered many more fields than just shooting video with a camera, including digital animation (such as Flash), gaming, web streaming, video blogging, still slideshows, remote sensing, spatial imaging, medical imaging, security camera imaging, and in general the production of most bitmap- and vector-based assets. As the field progresses videographers may produce their assets entirely on a computer without ever involving an imaging device, using software-driven solutions. Moreover, the very concept of sociability and privacy are being reformed by the proliferation of cell-phone and surveillance video cameras, which are spreading at an exceptional rate globally.

A videographer may be the actual camera operator or they may be the person in charge of the visual design of a production (the latter being the equivalent of a cinematographer).

Videography in Social Science

In Social Science Videography also refers to a specific research method of video analysis, that combines ethnography with the recording of sequences of interaction that are analysed in details with methods developed on the basis of conversation analysis. One of the best known application is in workplace studies. [2]

See also

References

[2]Knoblauch H, Tuma R (2011) Videography: an interpretive approach to video-recorded micro-social interaction. In: Margolis M, Pauwels L (eds) The Sage Handbook of Visual Methods. Thousand Oaks, CA: Sage, 414–430.

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