Vaillancourt Fountain

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Vaillancourt Fountain
A series of angular, jumbled, concrete pieces, with water running through them, set in a pool.
Artist Armand Vaillancourt
Year 1971
Type Precast concrete
Dimensions 12 m (40 ft)
Location Justin Herman Plaza, San Francisco, California, United States

The Vaillancourt Fountain, sometimes called Quebec libre!, is a large fountain located in Justin Herman Plaza in San Francisco, designed by the Québécois artist Armand Vaillancourt in 1971. It is about 40 feet (12 m) high and is constructed out of precast concrete square tubes. Long considered controversial because of its stark, modernist appearance, there have been several unsuccessful proposals to demolish the fountain over the years. It was the site of a free concert by U2 in 1987, when lead singer Bono spray painted graffiti on the fountain and was both praised and criticized for the action.

Location

The fountain is located in a highly visible spot on the downtown San Francisco waterfront, in Justin Herman Plaza, where Market Street meets The Embarcadero.[1] The Hyatt Regency Hotel is at the edge of the plaza, adjacent to the other four highrise towers of the Embarcadero Center. Across The Embarcadero is the Ferry Building, and the eastern end of the California Street cable car line is on the other side of the Hyatt Regency Hotel. When the fountain was constructed, the two-level Embarcadero Freeway separated Justin Herman Plaza from the waterfront, creating a massive backdrop for the fountain.[2]

Design and construction

Armand Vaillancourt in 2009

The Vaillancourt Fountain was a product of the redevelopment of San Francisco that took place in the 1950s and 1960s.[3] Justin Herman, for whom the plaza was named, was a leading figure in this process and the executive director of the redevelopment agency in charge.[4] Modernist landscape architect Lawrence Halprin was selected for the redesign of Market Street from the Embarcadero to the Civic Center, the most visible two mile thoroughfare in San Francisco. Halprin designed Justin Herman Plaza, but hired Armand Vaillancourt to design the fountain. Vaillancourt, 38 years old at the time, had won the invitational fountain design competition that Halprin had judged.[5] Halprin was quoted as saying that if the fountain didn't prove to be among the "great works of civic art ... I am going to slit my throat".[6]

The fountain is about 40 feet (12 m) high, weighs approximately 700 short tons (640 t), and is constructed out of precast concrete square tubes. The fountain is positioned in a pool shaped like an irregular pentagon, and is designed to pump up to 30,000 US gallons (110,000 L) of water per minute.[3] The fountain's budget was US $310,000, and it was dedicated on April 22, 1971.[3] The Los Angeles Times reported that its actual cost was US $607,800.[7]

Just before the dedication, the slogan "Quebec Libre" (a reference to the Quebec sovereignty movement) was painted on the fountain at night, and the graffiti was erased.[5] During the dedication, attended by Thomas Hoving, director of New York's Metropolitan Museum of Art, a rock band played, and Armand Vaillancourt himself painted "Quebec Libre" on the fountain in as many places as he could reach.[5][4] A redevelopment agency employee started to paint over the slogans during the ceremony, but Herman stopped him, saying it could be done later.[4] Vaillancourt said his actions were "a powerful performance" intended to illustrate the notion of power to the people.[4] "Quebec Libre" has been an alternate name for the fountain since.[8]

Critical reaction

Aerial photo of Vaillancourt Fountain
Vaillancourt Fountain and the Embarcadero Freeway in 1988

The fountain has been considered controversial since its construction, and criticism of it has continued over the years.[3][8][9][1][10][11][12][13][2] Hoving, in his dedication speech, said of the fountain had some of the daring of Baroque sculpture and that "A work of art must be born in controversy."[4] Herman himself said it was "one of the greatest artistic achievements in North America."[4]

Opponents of the work handed out leaflets at the dedication of the fountain describing it as a "loathsome monstrosity", a "howling obscenity", an "obscene practical joke", "idiotic rubble", and a "pestiferous eyesore".[11][4] Art critic Alfred Frankenstein of the San Francisco Chronicle responded that "its very outrageousness and extravagance are part of its challenge" and therefore, it "can't be all bad."[10] He added that the fountain was intended to be participated in rather than just observed.[4] An early comment by architecture critic Allan Temko, often repeated over the years, describes "technological excrescences" that had been "deposited by a giant concrete dog with square intestines".[10] Another pithy remark that gained press attention, from critic Lloyd Skinner, was that the fountain was "Stonehenge, unhinged, with plumbing troubles".[4]

Artists have been critical of the work as well. Sculptor Benny Bufano called it "a jumble of nothing", artist Willard Cox likened it to "dynamited debris", and sculptor Humphrey Diaquist said it had been created by "a figure of deranged talent".[4]

At the time of its dedication, the San Francisco chapter of the National Safety Council said that the fountain "may be a safety hazard".[7]

The fountain has been called the "least revered modernist work of art" in San Francisco.[8] Due to its size, it has been said that it "dominates the landscape" of the north side of Justin Herman Plaza.[14] It has also been said that the design intent was "to mock and mirror the clumsy, double-decked roadway",[2] referring to the elevated Embarcadero Freeway which separated the fountain from the waterfront at the time of construction.

1987 U2 free concert

It is fair to say that we overreacted a bit. ... Its not really worth defending my action, I did it in the spirit of the concert, and I thought I did it in the spirit of the artist's work, and he agreed — but, in fact he didn't own his work anymore, as most artists are prone to, he'd sold it, and the City of San Francisco owned it, and they didn't like what I did at all. ... Its a really wild thing, you know, you're in Rock n Roll band — you know, I happen to sell millions of records — people therefore think that makes you a responsible citizen — this is not true. ... I think this is one of the more mild actions of tour-madness. ... It's the music that is magical with U2. ... I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.

—Bono, on reactions to his spray painting the fountain.[15]

On the first leg of The Joshua Tree Tour by the rock band U2 in 1987, they performed concerts at the Cow Palace just south of San Francisco on April 24 and April 25, 1987. On the third leg of the tour, concerts had been announced for November 14 and 15, 1987, across the San Francisco Bay, at the Oakland Coliseum.

On the morning of November 11, 1987, local radio stations announced that U2 would hold a free concert that day in Justin Herman Plaza, with the stage set up in front of the Vaillancourt Fountain. Within a few hours, a crowd estimated at 20,000 people gathered in the plaza.[16] The concert was jokingly called "Save the Yuppies", in reference to the 1987 stock market crash that had taken place three weeks earlier.[17]

The band closed their nine-song performance with their hit "Pride (In the Name of Love)".[18] During an elongation of the instrumental portion in the middle, Bono, lead singer of the band, climbed onto the sculpture and spray painted graffiti on it, reading "Rock N Roll Stops The Traffic".[18] Mayor Dianne Feinstein, who had been waging a city-wide campaign against graffiti that had resulted in over 300 citations during the year, was angry and criticized Bono for defacing a San Francisco landmark.[19][20][21] She said, "I am disappointed that a rock star who is supposed to be a role model for young people chose to vandalize the work of another artist. The unfortunate incident marred an otherwise wonderful rock concert."[22] Bono was issued a citation for misdemeanor malicious mischief.[20] U2 manager Paul McGuinness said, "This is clearly not an act of vandalism. This act was clearly in the spirit of the artwork itself."[20] The numerous callers to Ronn Owens' radio talk show on KGO-AM were evenly split, with younger listeners defending the singer's action and older ones not.[19] Bono soon apologized[19] and the group covered the cost of removal of the graffiti.[23]

Armand Vaillancourt flew from Quebec to California after the incident, and spoke in favor of Bono's actions at U2's Oakland performance several days later.[16] Vaillancourt said, "Good for him. I want to shake his hand. People get excited about such a little thing."[21] The sculptor spray-painted a slogan of his own on the band's stage, "Stop the Madness".[20]

The episode received further attention when it was featured in U2's 1988 Paramount Pictures documentary film Rattle and Hum.[18] There, footage of it was shown over, and interspered into, the band's opening number, "All Along the Watchtower", a song by Bob Dylan that had been a big hit for Jimi Hendrix.[24] This has led some people to misidentify the song being played when the spray painting occurred.[16] In any case, the fountain and plaza ended up on one U2 fan site's list of recommended group-related places in the U.S. to visit.[24]

Proposals to demolish

Following the 1989 Loma Prieta earthquake, the elevated Embarcadeo Freeway was so badly damaged that it was torn down, and was replaced by a boulevard at ground level. An architect hired by the city also proposed demolition of the fountain,[2] but no decision was made. In 2004, San Francisco Supervisor Aaron Peskin renewed the call to demolish the fountain.[9] During the debate, the water was turned off. Armand Vaillancourt immediately pledged that he would "fight like a devil to preserve that work".[1] Debra Lahane, a member of the San Francisco Arts Commission, said that "it succeeds as a work of art if it provokes dialogue and discussion. Art that engages the public has had a measure of success."[1] Within a few months, the water was flowing again, and plans to tear down the fountain were abandoned.[12][25]

See also

References

  1. ↑ 1.0 1.1 1.2 1.3 Herel, Suzanne (March 17, 2004). "Justin Herman Plaza fountain's creator vows to fight Peskin's demolition proposal/ Some say piece looks awkward, draws transients". San Francisco Chronicle. Retrieved May 1, 2013. 
  2. ↑ 2.0 2.1 2.2 2.3 San Francisco Chronicle (October 18, 1992). "Debate spouts in San Francisco over controversial fountain Artwork impeding redesign of park". Dallas Morning News. Retrieved May 1, 2013. 
  3. ↑ 3.0 3.1 3.2 3.3 Katz, Bernard S. (1989). Fountains of San Francisco. Nevada City, California: Lexikos Publishing Co. p. 23. ISBN 9780917583193. 
  4. ↑ 4.0 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 4.9 "$600,000 Fountain In California Dedicated". The Times-News (Hendersonville, North Carolina). United Press International. April 22, 1971. p. 8. 
  5. ↑ 5.0 5.1 5.2 "War Whoop for Freedom". Time (New York City). May 3, 1971. Retrieved May 1, 2013. 
  6. ↑ King, John (October 27, 2009). "Lawrence Halprin - landscape architect - dies". San Francisco Chronicle. Retrieved May 4, 2013. 
  7. ↑ 7.0 7.1 "Safety Group Hits Fountain". Los Angeles Times. May 3, 1971. Retrieved May 1, 2013. 
  8. ↑ 8.0 8.1 8.2 Rough Guides (2011). The Rough Guide to California. London: Penguin Books. ISBN 9781405389044. 
  9. ↑ 9.0 9.1 Herel, Suzanne (March 16, 2004). "Councilman wants to dismantle fountain". San Francisco Chronicle. Retrieved April 30, 2013. 
  10. ↑ 10.0 10.1 10.2 King, John (May 1, 2009). "A taste of Temko - his take on 6 S.F. buildings". San Francisco Chronicle. Retrieved May 1, 2013. 
  11. ↑ 11.0 11.1 "Criticism in the Chronicle through history". San Francisco Chronicle. August 23, 1998. Retrieved May 1, 2013. 
  12. ↑ 12.0 12.1 Friedman, Jan (2005). Eccentric California. Buckinghamshire, United Kingdom: Bradt Travel Guides. p. 38. ISBN 9781841621265. 
  13. ↑ "Obituaries: Lawrence Halprin". The Telegraph (London). December 10, 2009. Retrieved May 1, 2013. 
  14. ↑ Gans, Liz; Newby, Rick (1999). Walking San Francisco. Guilford, Connecticut: Globe Pequot Press. p. 83. ISBN 9781560447061. 
  15. ↑ "San Francisco Press Conference - 16 Nov. 87". 
  16. ↑ 16.0 16.1 16.2 Kootnikoff, David (2010). U2: A Musical Biography. Santa Barbara, California: ABC-CLIO. p. 67. ISBN 9780313365232. 
  17. ↑ "Spotlight: Music". Reading Eagle. November 12, 1987. p. 37. 
  18. ↑ 18.0 18.1 18.2 Selvin, Joel (1996). San Francisco: The Musical History Tour. San Francisco, California: Chronicle Books. p. 93. ISBN 0-8118-1007-0. 
  19. ↑ 19.0 19.1 19.2 Keane, Thomas G. (November 17, 1987). "U2 Star May Have to Scrub Buses". San Francisco Chronicle. 
  20. ↑ 20.0 20.1 20.2 20.3 "Bono cited for malicious mischief". The Bryan Times (Bryan, Ohio). United Press International. November 17, 1987. p. 5. 
  21. ↑ 21.0 21.1 KNT News Service (November 17, 1987). "Artist praises Bono's graffiti". Lewiston Journal (Lewiston, Maine). p. 10D. Retrieved May 1, 2013. 
  22. ↑ "Bono upsets Feinstein by spraying graffiti". Ocala Star-Banner (Ocala, Florida). November 14, 1987. p. 2A. 
  23. ↑ "Bono". People. December 28, 1987. 
  24. ↑ 24.0 24.1 Guadiana, Jessica (July 28, 2011). "U2 Lists: Top 10 Places U2 Fans Must Visit In The USA". atU2.com. Retrieved May 8, 2013. 
  25. ↑ "Vaillancourt Fountain makes a splash again". San Francisco Chronicle. August 3, 2004. Retrieved April 30, 2013. 

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Coordinates: 37°47′43″N 122°23′43″W / 37.7954°N 122.3953°W / 37.7954; -122.3953

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