Tina Keane

Tina Keane (b.1948) is an artist who works with film, video, digital media, and performance and who has been a forerunner of multimedia art in the UK. Reflecting a feminist perspective, her works often explore gender roles and sexuality.

Keane studied at Hammersmith College of Art and Sir John Cass School of Art (1967-70) and received an MA in Independent Film and Video from London College of Printing (1995-96). She is a founder member of the non-profit women’s film distribution organization Circles - Women in Distribution. Keane has also curated and programmed exhibitions and screenings including The New Pluralism exhibition at the Tate Gallery (with Michael O'Pray), 1985.

She has been an important influence on successive generations of artists in the UK as a teacher at Central Saint Martins College of Art, London, where she has been Lecturer in Film & Video since 1982 and Research Fellow since 2003. According to Malcolm Le Grice, "During the 1970s and ’80s, the teaching of women artists – including Tina Keane, Anna Thew, Anne Tallentire, Joanna Greenhill and Pam Skelton –was one of Saint Martins’ major contributions to art education. Their influence helped create a lasting shift in the gender profile in British art, and Saint Martins in general maintained a committed concern for gender, ethnicity and sexual politics throughout the Thatcher years.” Notable students who were mentored by Keane include Sandra Lahire and Sara Turner.

Her 1978 multimedia work, She, presented at the Hayward Gallery, London, in 1978 was an early example of performance that incorporated live video and slide projections. Transparencies of neon signs, poetry and images of shop windows featuring mannequins were projected on a wall before which Keane performed, while video of the performance played on monitors. Keane has said that the work brought into play "the actual and the recorded, the shop dummy, and the person, the illusion and the reality"^[1]

Transposition, first presented at the Museum of Modern Art, Vienna in 1992, used the body as a screen with video projected onto the naked backs of men as they glide sideways standing on a travelator. Keane subsequently re-edited the piece into a double screen video installation for the inaugural Tanks programme at Tate Modern, London, in 2012^[2] .

Details of her work can be found on the website of Lux, London.^[3]

References