Thomas Newman
Thomas Newman | |
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Newman at Classic Brit Awards in 2010 | |
Background information | |
Birth name | Thomas Montgomery Newman |
Born | October 20, 1955 |
Origin | Los Angeles, California, United States |
Occupations | Film score composer |
Thomas Montgomery Newman (born October 20, 1955) is an American composer best known for his many film scores.
Newman has received a total of twelve Academy Award nominations. He has won two BAFTAs, six Grammys and an Emmy, and has been nominated for three Golden Globes. Newman was honored with the Richard Kirk award at the 2000 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.[1]
Personal life
Born in Los Angeles, California, he is the youngest son of Mississippi-born Martha Louise Montgomery (1920-2005) and composer Alfred Newman (1901-1970). He is a member of a film-scoring dynasty in Hollywood that includes his father Alfred, brother David Newman, uncles Lionel Newman and Emil Newman, cousin Randy Newman (also known as a singer and songwriter), and his nephew Joey Newman. During their upbringing, Martha herded her sons into violin lessons in the San Fernando Valley every weekend.[2] Newman later studied composition and orchestration for two years at the University of Southern California,[3] before moving to Yale University, where he graduated as a Bachelor of Arts in 1977 and a Master of Music in 1978.[4] In Yale, he met composer Stephen Sondheim, who became an early mentor.[2]
Newman and his wife, Ann Marie, have three children. They reside in the Pacific Palisades neighborhood of Los Angeles.
Film scoring career
At first, Newman was more interested in musical theater than in film composition, working with Sondheim in Broadway plays.[5] Lionel, who succeeded Alfred as music director for 20th Century Fox, gave Thomas his first scoring assignment on a 1979 episode of the series The Paper Chase.[1] In 1983, John Williams, who was a friend of both Alfred and Lionel, invited Newman to work on Star Wars Episode VI: Return of the Jedi, orchestrating the scene where Darth Vader dies. Afterwards Newman met in New York producer Scott Rudin, who invited him to compose the score for Reckless (1984). Newman said that he thought "it was a tough job, at first" for requiring him to "develop vocabularies and a sense of procedure", only getting comfortable with writing scores "and not fraudulent in my efforts" after 8 years.[6]
In 1992, Newman composed the score to Martin Brest's film Scent of a Woman.
In 1994, he got his first Academy Award nominations with the scores to The Shawshank Redemption and Little Women.[5] He also scored the film The War. In 1996, he scored Diane Keaton's Unstrung Heroes, receiving yet another Oscar nomination. In 1998, he scored Robert Redford's The Horse Whisperer as well as Meet Joe Black. In 1999, Newman composed the score to Sam Mendes' first feature film American Beauty, created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that."[7] This was his first collaboration with Mendes, and he would go on to score all of the director's subsequent films except for Away We Go. He received a fourth Oscar nomination for this score, and although he lost again (to John Corigliano for The Red Violin), he did receive a Grammy and a BAFTA.
His critical and commercial success has continued in the following years with his scores for films such as Meet Joe Black, The Green Mile, Erin Brockovich, In the Bedroom and The Salton Sea. He was nominated consecutively for a further three Academy Awards, for Road to Perdition (2002), Finding Nemo (2003), and Lemony Snicket's A Series of Unfortunate Events (2004). However, he lost on each occasion to Elliot Goldenthal (for Frida), Howard Shore (for The Lord of the Rings: The Return of the King), and Jan A. P. Kaczmarek (for Finding Neverland) respectively.
He was again nominated for an Oscar for scoring Steven Soderbergh's The Good German (2006). At the Oscar ceremony, he appeared in the opening segment by Errol Morris, who jokingly stated that Newman had been nominated for and failed to win an Oscar eight times. Newman replied: "No, I've failed seven but this will be my eighth", and indeed, he again lost, this time to Gustavo Santaolalla for Babel.
His first score since The Good German was for the 2008 animated film WALL-E, collaborating for the second time with director Andrew Stanton (with the first collaboration being Finding Nemo). The film won the Academy Award for Best Animated Feature (as had "Nemo"). Newman received two Oscar nominations: one for Best Original Score, and another for Best Original Song for "Down to Earth", which he co-wrote with Peter Gabriel. He was nominated in the Original Score category with two other veteran composers, James Newton-Howard and Danny Elfman, both of whom have also been nominated for several Oscars but each time unsuccessfully. Newman lost both the score and song nominations to A R Rahman for his work on Slumdog Millionaire. He and Peter Gabriel did however win a Grammy for "Down to Earth".
In 2008, Newman scored Towelhead and Sam Mendes' Revolutionary Road and in 2009 he scored Brothers. In 2011, Newman had his busiest year with four movie scores, The Help, The Debt, and The Adjustment Bureau.[8]
In 2012, Newman scored The Best Exotic Marigold Hotel. He also scored the 23rd James Bond movie Skyfall, directed by his longtime collaborator Sam Mendes, which celebrates the film franchise's 50th anniversary.[9] His work on this film earned him his eleventh Oscar nomination and a second BAFTA win. During 2013, he scored Steven Soderbergh's Side Effects and Saving Mr. Banks. The latter score was very well received by film music critics, earning Newman BAFTA and Oscar nominations for the second consecutive year.
Newman likes to vary on the instrumentations for his scores, ranging from full orchestras to percussion-only music. He is also fond of incorporating unusual instruments such as the zither, hurdy-gurdy, psaltery and hammered dulcimer,[1] or unexpected sounds, like Aboriginal chants and the chirping of cicadas. The composer declared that he has "an interest in mundane experimentation."[5]
Filmography
Film
1980s
1990s
Year | Title | Director | Studio(s) | Notes |
---|---|---|---|---|
1990 | Men Don't Leave | Paul Brickman | Warner Bros. Pictures | N/A |
Welcome Home, Roxy Carmichael | Jim Abrahams | Paramount Pictures | Soundtrack released by Varèse Sarabande | |
1991 | Career Opportunities | Bryan Gordon | Universal Pictures | Song album with three Newman tracks released by Curb |
The Linguini Incident | Richard Shepard | Academy Entertainment | Soundtrack released by Varèse Sarabande | |
Naked Tango | Leonard Schrader | New Line Cinema | N/A | |
The Rapture | Michael Tolkin | Fine Line Features | Song album with ten Newman tracks | |
Deceived | Damian Harris | Touchstone Pictures | N/A | |
Fried Green Tomatoes | Jon Avnet | Universal Pictures | Song album with three Newman tracks and separate score album, both released by MCA | |
1992 | The Player | Robert Altman | Fine Line Features | Soundtrack released by Varèse Sarabande |
Whispers in the Dark | Christopher Crowe | Paramount Pictures | Varèse Sarabande album release cancelled; released by Intrada in 2012 | |
Scent of a Woman | Martin Brest | Universal Pictures | Soundtrack released by MCA | |
1993 | Flesh and Bone | Steve Kloves | Paramount Pictures | Soundtrack released by Varèse Sarabande |
Josh and S.A.M. | Billy Weber | Columbia Pictures Castle Rock Entertainment |
Soundtrack released by Varèse Sarabande | |
1994 | Threesome | Andrew Fleming | TriStar Pictures | Soundtrack released by Varèse Sarabande. Twinned with American Buffalo |
The Favor | Donald Petrie | Orion Pictures | N/A | |
The Shawshank Redemption | Frank Darabont | Columbia Pictures Castle Rock Entertainment |
First collaboration with Frank Darabont Soundtrack released by Sony BMG | |
The War | Jon Avnet | Universal Pictures | Song album with 12 Newman tracks released by MCA | |
Little Women | Gillian Armstrong | Columbia Pictures | Soundtrack released by Sony Classical | |
1995 | Unstrung Heroes | Diane Keaton | Hollywood Pictures | Soundtrack released by Hollywood Records |
How to Make an American Quilt | Jocelyn Moorhouse | Universal Pictures | Soundtrack released by MCA | |
1996 | Up Close & Personal | Jon Avnet | Touchstone Pictures | Soundtrack released by Hollywood Records |
Phenomenon | Jon Turteltaub | Touchstone Pictures | Song album with one Newman track released by Reprise | |
American Buffalo | Michael Corrente | The Samuel Goldwyn Company | Soundtrack released by Varèse Sarabande. Twinned with Threesome | |
The People vs. Larry Flynt | Miloš Forman | Columbia Pictures | Soundtrack released by Angel Records | |
1997 | Red Corner | Jon Avnet | Metro-Goldwyn-Mayer | Soundtrack released by EAR |
Mad City | Costa Gavras | Warner Bros. Pictures | Soundtrack released by Varèse Sarabande | |
Oscar and Lucinda | Gillian Armstrong | Fox Searchlight Pictures | Soundtrack released by Sony Classical | |
1998 | The Horse Whisperer | Robert Redford | Touchstone Pictures | Soundtrack released by Hollywood Records |
Meet Joe Black | Martin Brest | Universal Pictures | Soundtrack released by Universal Records | |
1999 | American Beauty | Sam Mendes | DreamWorks Pictures | First collaboration with Sam Mendes Soundtrack released by DreamWorks Records |
The Green Mile | Frank Darabont | Warner Bros. Pictures | Second collaboration with Frank Darabont Soundtrack released by Warner Bros. Records |
2000s
Year | Title | Director(s) | Studio(s) | Notes |
---|---|---|---|---|
2000 | Erin Brockovich | Steven Soderbergh | Universal Pictures | First collaboration with Steven Soderbergh Soundtrack released by Sony Classical |
Pay It Forward | Mimi Leder | Warner Bros. Pictures | Soundtrack released by Varèse Sarabande | |
2001 | In the Bedroom | Todd Field | Miramax Films | Soundtrack released by Varèse Sarabande |
2002 | The Salton Sea | D. J. Caruso | Warner Bros. Pictures | Soundtrack released by Varèse Sarabande |
Road to Perdition | Sam Mendes | DreamWorks Pictures Twentieth Century Fox |
Second collaboration with Sam Mendes Soundtrack released by Decca Records | |
White Oleander | Peter Kosminsky | Warner Bros. Pictures | Soundtrack released by Varèse Sarabande | |
2003 | Finding Nemo | Andrew Stanton | Walt Disney Pictures Pixar Animation Studios |
First collaboration with Andrew Stanton Soundtrack released by Walt Disney Records |
2004 | Lemony Snicket's A Series of Unfortunate Events | Brad Silberling | Paramount Pictures DreamWorks Pictures |
Soundtrack released by Sony Classical |
2005 | Cinderella Man | Ron Howard | Universal Pictures | Second collaboration with Ron Howard Soundtrack released by Decca Records |
Jarhead | Sam Mendes | Universal Pictures | Third collaboration with Sam Mendes Soundtrack released by Decca Records | |
2006 | Little Children | Todd Field | New Line Cinema | Soundtrack released by Silva Screen Records |
The Good German | Steven Soderbergh | Warner Bros. Pictures | Second collaboration with Steven Soderbergh Soundtrack released by Varèse Sarabande | |
2007 | Towelhead | Alan Ball | Warner Independent Pictures | Soundtrack released by Lakeshore Records |
2008 | WALL-E | Andrew Stanton | Walt Disney Pictures Pixar Animation Studios |
Second collaboration with Andrew Stanton Soundtrack released by Walt Disney Records |
Revolutionary Road | Sam Mendes | DreamWorks Pictures | Fourth collaboration with Sam Mendes Soundtrack released by Nonesuch | |
2009 | Brothers | Jim Sheridan | Lionsgate | Soundtrack released by Relativity Music Group |
2010s
Year | Title | Director(s) | Studio(s) | Notes |
---|---|---|---|---|
2011 | The Adjustment Bureau | George Nolfi | Universal Pictures | Soundtrack released by Relativity Music Group |
The Help | Tate Taylor | Touchstone Pictures DreamWorks Pictures |
Score album released by Varèse Sarabande | |
The Debt | John Madden | Focus Features Miramax Films |
Soundtrack released by Relativity Music Group, Silva Screen Music | |
The Iron Lady | Phyllida Lloyd | The Weinstein Company | Soundtrack released by Sony Classical | |
2012 | The Best Exotic Marigold Hotel | John Madden | Fox Searchlight Pictures | Soundtrack released by Sony Classical |
Skyfall | Sam Mendes | Metro-Goldwyn-Mayer Columbia Pictures |
Fifth collaboration with Sam Mendes Soundtrack released by Sony Classical | |
2013 | Side Effects | Steven Soderbergh | Open Road Films | Third collaboration with Steven Soderbergh Soundtrack released by Varèse Sarabande |
Saving Mr. Banks | John Lee Hancock | Walt Disney Pictures BBC Films |
Soundtrack released by Walt Disney Records | |
2015 | The Good Dinosaur[10] | Bob Peterson | Walt Disney Pictures Pixar Animation Studios |
N/A |
Television
Year | Title | Director | Notes |
---|---|---|---|
1985 | Amazing Stories | Various | Episode "Santa '85." Soundtrack released by Intrada |
1990 | Heat Wave (TV) | Kevin Hooks | |
1992 | Those Secrets (TV) | David Manson | Soundtrack released by Masters Film Music |
Citizen Cohn (TV) | Frank Pierson | ||
2001 | Six Feet Under | Various | Main Theme only |
2003 | Angels in America | Mike Nichols | Soundtrack released by Nonesuch |
2012 | The Newsroom (TV) | Various | Main Theme and Pilot |
Additional soundtracks
- 2005: Brokeback Mountain (Trailer) (from The Shawshank Redemption)
- 2005: Madagascar (from American Beauty)
- 2007: Sicko (from Little Children, Lemony Snicket's A Series of Unfortunate Events and In the Bedroom)
- 2009: Bigfoot (Trailer) (from WALL-E)
- 2010: Alice in Wonderland (Teaser Trailer) (from Lemony Snicket's A Series of Unfortunate Events)
Newman has composed music for television as well, including theme music for the series Boston Public and the miniseries Angels in America. His theme music for the television show Six Feet Under won two Grammy Awards in 2003, for Best Instrumental Composition as well as Best Instrumental Arrangement. Newman also wrote a commissioned concert work for orchestra, Reach Forth Our Hands, for the 1996 Cleveland Bicentennial. The Los Angeles Philharmonic has commissioned a new work by Newman to be performed by the Kronos Quartet and Los Angeles Philharmonic, conducted by Leonard Slatkin, during the orchestra's 2009-2010 season.
Awards and nominations
As of 2014, Newman has received a total of twelve Academy Award nominations, however as of 2013, he has yet to win the award, making him the most nominated living composer to have never won an Oscar, and behind Alex North, who received 14 unsuccessful nominations. Eleven of his nominations are in the Best Original Score category, while one is for Best Original Song.
His first major successes for which he was recognised, came in 1994, when he earned two Academy Award nominations for his scores to Little Women and The Shawshank Redemption; he was the only double-nominee that year, although he lost to Hans Zimmer for The Lion King.
He received his third Academy Award nomination in 1996 for the score to Diane Keaton's comedy Unstrung Heroes, but again lost, this time to Alan Menken for Pocahontas.
He has also received three Golden Globe nominations including one for Best Original Score for 1999's American Beauty and two for Best Original Song, as well as nine Grammy nominations and five wins.
Award | Year | Category | Project | Outcome |
---|---|---|---|---|
Academy Award | 1995 | Best Music, Original Score | Little Women | Nominated |
Best Music, Original Score | The Shawshank Redemption | Nominated | ||
1996 | Best Music, Original Musical or Comedy Score | Unstrung Heroes | Nominated | |
2000 | Best Music, Original Score | American Beauty | Nominated | |
2003 | Best Music, Original Score | Road to Perdition | Nominated | |
2004 | Best Music, Original Score | Finding Nemo | Nominated | |
2005 | Best Achievement in Music Written for Motion Pictures, Original Score | Lemony Snicket's A Series of Unfortunate Events | Nominated | |
2007 | Best Achievement in Music Written for Motion Pictures, Original Score | The Good German | Nominated | |
2009 | Best Achievement in Music Written for Motion Pictures, Original Score | WALL-E | Nominated | |
Best Achievement in Music Written for Motion Pictures, Original Song (with Peter Gabriel) for "Down to Earth" | Nominated | |||
2013 | Best Music, Original Score | Skyfall | Nominated | |
2014 | Best Music, Original Score | Saving Mr. Banks | Pending | |
Annie Award | 2004 | Outstanding Music in an Animated Feature Production | Finding Nemo | Won |
BAFTA Award | 2000 | Anthony Asquith Award for Film Music | American Beauty | Won |
2009 | Anthony Asquith Award for Film Music | WALL-E | Nominated | |
2013 | Anthony Asquith Award for Film Music | Skyfall | Won | |
2014 | Anthony Asquith Award for Film Music | Saving Mr. Banks | Pending | |
Classical Brit Award | 2010 | Soundtrack of the Year | Revolutionary Road | Won |
Emmy Award | 1991 | Outstanding Achievement in Main Title Theme Music | Against the Law | Nominated |
2002 | Outstanding Main Title Theme Music | Six Feet Under | Won | |
Golden Globe Award | 2000 | Best Original Score - Motion Picture | American Beauty | Nominated |
2009 | Best Original Song - Motion Picture (with Peter Gabriel) for "Down to Earth" | WALL-E | Nominated | |
2012 | Best Original Song - Motion Picture (with Mary J. Blige, Harvey Mason, Jr. and Damon Thomas) for "The Living Proof" | The Help | Nominated | |
Grammy Award | 1995 | Best Instrumental Composition Written for a Motion Picture or for Television | The Shawshank Redemption | Nominated |
1997 | Best Instrumental Composition Written for a Motion Picture or for Television | Unstrung Heroes | Nominated | |
2001 | Best Score Soundtrack Album for a Motion Picture, Television or other Visual Media | American Beauty | Won | |
2003 | Best Instrumental Composition for Title Theme | Six Feet Under | Won | |
Best Instrumental Arrangement for Title Theme | Six Feet Under | Won | ||
2005 | Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media | Angels in America | Nominated | |
2009 | Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media | WALL-E | Nominated | |
Best Song Written for Motion Picture, Television or Other Visual Media (with Peter Gabriel) for "Down to Earth" | Won | |||
Best Instrumental Arrangement (with Peter Gabriel) for Score Track, "Define Dancing" | Won | |||
2014 | Best Score Soundtrack for Visual Media | Skyfall | Won | |
World Soundtrack Awards | 2003 | Best Original Soundtrack of the Year | Road to Perdition | Nominated |
2005 | Soundtrack Composer of the Year | Lemony Snicket's A Series of Unfortunate Events | Nominated | |
2008 | Best Original Song Written Directly for Film (with Peter Gabriel) for "Down to Earth" | WALL-E | Won | |
Best Original Score of the Year | Nominated |
American Film Institute
Newman's scores for American Beauty and The Shawshank Redemption were nominated for AFI's 100 Years of Film Scores.
References
- ↑ 1.0 1.1 1.2 "Richard Kirk Award: Thomas Newman Fulfills the Promise of His Legacy". bmi.com. Retrieved 2010-11-03.
- ↑ 2.0 2.1 http://articles.latimes.com/2009/dec/03/local/la-me-newman3-2009dec03
- ↑ http://www.music.vt.edu/musicdictionary/appendix/composers/N/ThomasNewman.html
- ↑ http://news.yale.edu/2010/03/01/yale-alumni-go-oscars
- ↑ 5.0 5.1 5.2 http://articles.latimes.com/1998/mar/22/entertainment/ca-31343/4
- ↑ http://blogs.indiewire.com/thompsononhollywood/oscar-watch-skyfall-composer-thomas-newman?page=2#blogPostHeaderPanel
- ↑ Burlingame, Jon (January 20, 2000). "Spotlight: Thomas Newman". Variety. Retrieved 14 January 2013.
- ↑ http://variety.com/2011/film/news/newman-help-iron-lady-exhibit-contrasting-styles-1118047376/
- ↑ "Thomas Newman to compose Skyfall score". MI6-HQ.com. 04-01-12.
- ↑ Barcomb, James (March 14, 2013). "Film composer Thomas Newman discusses "The Art of Film Scoring"". The Dolphin. Retrieved March 16, 2013.
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