Theatre Is Evil

Theatre Is Evil
Studio album by Amanda Palmer & The Grand Theft Orchestra
Released	September 7, 2012 (2012-09-07)
Genre	Glam Rock
Length	71:16
Label	8 Ft. Records
Producer	John Congleton
Amanda Palmer & The Grand Theft Orchestra chronology
Amanda Palmer Goes Down Under (2011) Theatre Is Evil (2012)
Singles from Theatre Is Evil
"Do It With a Rockstar" Released: June 2012

Theatre Is Evil is a studio album by Amanda Palmer & The Grand Theft Orchestra produced by John Congleton. It was released on September 7, 2012 in Australia,^[1] on September 10, 2012 in the United Kingdom and Europe, and September 11, 2012 in the United States and Canada.^[2] The album has been released by Palmer's own record label, 8 Ft. Records, with distribution handled by Cooking Vinyl in the UK and Europe, and Alliance Entertainment in the US.^[3][4]

The album has been written over the four years since she made her solo debut with Who Killed Amanda Palmer in 2008, and the recording and release process was funded by a Kickstarter project that raised a total of over $1.2 million.^[5][6][7][8]

The song "Do It With a Rockstar" was released on a limited basis to promote the album in June 2012,^[9] followed by "Trout Heart Replica", "Want It Back" and "The Killing Type".

An art book, filled with images inspired by the content of this album commissioned to artists Amanda knows, has been released.

About the Grand Theft Orchestra

The Grand Theft Orchestra is composed of Amanda Palmer (vocals & piano), Jherek Bischoff (bass, backing vocals), Chad Raines (lead guitar, banjo, backing vocals, horn arrangements, programming), and Michael McQuilken (drums, ukulele, backing vocals).^[10] The band regularly switches instruments during their live performance,^[11] including in their version of The Dresden Dolls's song, "Missed Me".^{[citation needed]}

Critical reception

Professional ratings
Aggregate scores
Source	Rating
Metacritic	83/100[12]
Review scores
Source	Rating
The Guardian	[13]
Drowned in Sound	[14]
The Independent	[15]
Antiquiet	[16]
Allmusic	[17]
Beats Per Minute	(78%)[18]

On July 11, 2012, Ben Folds, fellow friend, producer and musician, posted the very first review of Theatre is Evil on his Facebook page, stating that he was "listening to 'Theatre is Evil' everyday, more than once. It's good. It's really good," and in summary that, "This record is as good as it gets. You're going to shit when you hear it. It's going to be around for ages. Otherwise, it's total crap."^[19][20]

Numerous reviews have been released since then. Richard Marcus, of Music Review, stated "I think I'm being quite honest when I say I've not heard anything like this disc before. [...] It felt like listening to the soundtrack from some wonderfully anarchic musical. Something set in a basement night club in Paris during the decadent desperate period just before a war, any war. [...] Theatre is Evil is far more dangerous than the music you normally hear, but it lets you know you're alive."^[21] Kate Mossman, of The Guardian, wrote "Theatre Is Evil feels like sitting on the bed of your tattooed, far cooler cousin 30 years ago, while she tells you 'all you need to know' about music."^[22] Adam Rathe, of Spin, wrote "If Theatre Is Evil does anything, it should make clear that [Amanda] Palmer's not just a fundraiser par excellence but someone who's energized enough people with her work to be able to create exactly the kind of record that makes people love music in the first place."^[23]

Kickstarter

The album was crowdfunded by $1,192,793.00 pledged via Kickstarter. Backers could choose from a number of bundles offered for different investment amounts.^[24] At the time it closed, this was the most successful Kickstarter campaign by any musician.^[24]

Music videos

The first music video, released for this album, was a stop motion video for the song "Want It Back" and features Amanda Palmer prominently nude on a bed with the rest of the band mates, clothed, as the lyrics to the song crawl across their bodies. It was "filmed on and around Brunswick Street in Melbourne, Australia in March 2012" and was produced, edited, and directed by Jim Batt.^[25]

The second music video was for "The Killing Type," directed by Tim Pope, who had previously directed many videos for The Cure. It features scenes from the band playing in an all white room, dressed in all white clothes, playing all white instruments and another scene where Amanda seems to contemplate killing her lover while in bed with him.^[26] A music video for "The Bed Song" was also shot as part of the band's residency at Bard College in Annandale-on-Hudson, New York, which was the first residency in a new program lead by Gideon Lester, to have artists do their work with student assistance on-campus. The video was released February 14, 2013.

Amanda Palmer has also released lyric videos for every song on the main disc of "Theatre Is Evil" on her YouTube channel.^[27]

Tour

Palmer has planned an extensive tour schedule in support of the album. In June 2012, Amanda Palmer and the Grand Theft Orchestra began with a short six-date stint of small club shows throughout Europe and the US, beginning in Berlin and ending in Boston.^[28] A full-scale tour began on September 10, 2012, this time reaching 33 cities throughout North America and Europe.^[29] According to Palmer's husband, she plans to spend approximately 14 months on the road in support of "Theatre is Evil," though not yet confirmed by her official schedule.^[30]

Controversy

A controversy arose at the start of the tour, when Palmer crowdsourced volunteer horn and string players among her fans to back the Grand Theft Orchestra onstage for a few songs in each city. After some sceptical posts, most notably by Steve Albini,^{[citation needed]} that she should pay since she raised 1.2 M on Kickstarter, Palmer pointed out on her blog that most of the money was actually spent on covering the cost of creating the album, producing and shipping the Kickstarter rewards, and setting up the tour.^{[citation needed]} The discussion broadened to topics such as the right to get a decent pay as a musician versus the right of an artist to do a performance for free.^{[citation needed]}

On September 14, 2012, following an article in the New York Times^[31][32] Palmer wrote on her blog that she considered the issue to be about artists' choice more than anything else.^[33]

On September 19, 2012, Palmer announced that she had decided to pay the volunteer musicians. This includes retroactive payment to volunteers at the start of the tour.^[34]

Title

After posting the album name to her Twitter, there was a debate amongst fans about whether the album should be spelled "Theater Is Evil" or "Theatre Is Evil". Palmer took a vote and "Theatre is Evil" eventually won,^[35] causing some of the CDs to have to be reprinted.^{[citation needed]}

Personnel

Amanda Palmer & The Grand Theft Orchestra

• Amanda Palmer – vocals, piano, synthesizers
• Jherek Bischoff – vocals, upright bass, guitar
• Michael McQuilken – vocals, drums, percussion, programming
• Chad Raines – vocals, guitar, trumpet, keyboards, programming

Guest musicians

• Meow Meow featured on "Meow Meow Introduces The Grand Theft Orchestra"
• "Trout Heart Replica": Paris Hurley - violin 1 & 2, Alex Guy - viola, Maria Scherer Wilson - cello, Paul Kikuchi - concert bass drum, orchestra arrangement by Jherek Bischoff
• "A Grand Theft Intermission": Paris Hurley - violin 1 & 2, Alex Guy - viola, Maria Scherer Wilson - cello, Horns: Mick Fraser, Benjamin Gillespie, Eamon McNelis, Phil Noy, and Paul Willy, orchestral arrangement by Jherek Bischoff
• "Melody Dean" features David J on bass
• "Massachusetts Avenue", "Berlin", and "Olly Olly Oxen Free": Horns by Mick Fraser, Benjamin Gillespie, Eamon McNelis, Phil Noy, and Paul Willy. Horn arrangements by Chad Raines

Production

• Produced by John Congleton at Sing Sing Studios (Melbourne, Australia)
• Assistant Engineer: Adam Dobos
• Mixed by John Congleton at Elmwood Studios (Dallas, Texas)
• Mastered by Greg Calbi at Sterling Sound (New York, New York)

Track listing

References