The Drift
The Drift | ||||
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Studio album by Scott Walker | ||||
Released | 8 May 2006 | |||
Recorded | June 2004 – November 2005 at Metropolis Studios, Chiswick, London, and AIR Studios, Hampstead, London | |||
Genre |
Art rock Avant-garde | |||
Length | 68:48 | |||
Label | 4AD | |||
Producer | Scott Walker, Peter Walsh | |||
Scott Walker chronology | ||||
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The Drift is the thirteenth studio album by the American solo artist Scott Walker. It was released on the 8 May 2006 and reached number 51[1] on the UK Albums Chart. No singles were released from the album. Apart from composing the soundtrack to the film Pola X, the album was Walker's first studio album in eleven years and only his third studio album since the final disbanding of The Walker Brothers in 1978.
Walker composed the songs for the album slowly over the eleven years soon after the release of 1995's Tilt[2] beginning with "Cue", the longest song to complete, up until the album's recording. An early version of "Buzzers" was premièred at the Meltdown festival on 17 June 2000 under the title "Thimble Rigging". The album was recorded over a period of 17 months at Metropolis Studios in Chiswick, London, with orchestra recorded in one day at George Martin's AIR Studios in Hampstead, London. Receiving good reviews from critics, the album was released as an LP and CD in May 2006. The artwork for the album was designed by Vaughan Oliver at v23 with assistance from Chris Bigg and photography by Marc Atkins.
Overview
Walker's first album composed entirely of new material since 1995's Tilt, The Drift forms the second instalment of the "trilogy" that concluded with 2012's Bish Bosch.[3] In the years between Tilt and The Drift, Walker's released output comprised a few instrumental tracks on the soundtrack to the film Pola X,a cover of Bob Dylan's "I Threw It All Away" on the To Have and to Hold soundtrack and "Only Myself To Blame" from The World Is Not Enough soundtrack, as well as a few compilations of previously released material, including the retrospective box set 5 Easy Pieces.
The Drift has been cited by many critics and fans alike as a disturbing and complex album that departs from Scott Walker's previous albums while still remaining true to his experimental roots. French singer Vanessa Contenay-Quinones appears as the voice of Clara Petacci on "Clara".
The sound and subject matter for the album is unrelentingly dark and unsettling, often juxtaposing quiet sections with sudden loud noise to induce discomfort in the listener. Subjects include torture, disease, 9/11, and Elvis Presley.[4][5]
Reception
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | link |
Brainwashed | (favourable) 3 May 06 |
Telegraph | (favourable) 6 May 06 |
The Guardian | 5 May 06 |
The Independent | 5 May 06 |
Mojo | p.102, #151 |
musicOMH.com | May 2006 |
New York | (favourable) 8 May 06 |
The Observer | 23 Apr 06 |
Pitchfork Media | (9.0/10) 9 May 06 |
PlayLouder | 15 May 06 |
PopMatters | 10 May 06 |
The Times | 6 May 06 |
Uncut | (favourable) 10 May 06 |
Yahoo! Music | 15 May 06 |
The Drift received positive reviews by the majority of critics.
Mikael Åkerfeldt wanted his band Opeth to have their album Watershed be a heavy metal version of this album but "it proved to be impossible simply because his [Scott's] head is sicker than mine and I also love melodies and dynamics. There are however many parts on there directly inspired by Scott."[6]
Track listing
All songs written and composed by Scott Walker, except "Psoriatic" (Scott Walker/Bob Carleton).No. | Title | Length | |
---|---|---|---|
1. | "Cossacks Are" | 4:32 | |
2. | "Clara" | 12:43 | |
3. | "Jesse" | 6:28 | |
4. | "Jolson and Jones" | 7:45 | |
5. | "Cue" | 10:27 | |
6. | "Hand Me Ups" | 5:49 | |
7. | "Buzzers" | 6:39 | |
8. | "Psoriatic" | 5:51 | |
9. | "The Escape" | 5:18 | |
10. | "A Lover Loves" | 3:11 |
Personnel
- Scott Walker – Vocals, Guitar, Harmonica, Sax, Sound Treatment
- Hugh Burns – Guitar
- Ian Thomas – Drums
- Mark Warman – Keyboards, Orchestration, Conducting, Percussion, Woodwind, Sound Treatment
- Philip Sheppard – Orchestration, Conducting, Cello
- Alasdair Malloy – Percussion, Drums
- John Giblin – Bass
- Steve Pearce – Bass
- Peter Walsh – Sound Treatment, Sitar, Percussion
- Andrew Cronshaw – Woodwind, Concertina
- James Stevenson – Guitar
- Brian Gascoigne – Keyboards, Sound Treatment
- Thomas Bowes – Violin
- Vanessa Contenay-Quinones – Vocals
- Beverly Foster – Voice
- Pete Long – Sax
- Rohan Onraet – Percussion
- Lucy Painter – Vocals
- Rebecca Painter – Vocals
- Ralph Warman – Vocals
- Derek Watkins – Flugelhorn
- Drums: Ian Thomas
- Bass: John Giblin
- Electric Guitar: Hugh Burns
- Keyboards: Brian Gascoigne, Mark Warman
- Percussion: Alasdair Malloy
- Drums: Ian Thomas
- Bass: Steve Pearce
- Electric Guitar: Hugh Burns
- Echoplex Guitar: James Stevenson
- Ocarina: Mark Warman
- Shawm: Andrew Cronshaw
- Percussion and Meat Punching: Alasdair Malloy
- Sound Treatment: Peter Walsh and Mark Warman
- Vanessa Contenay-Quinones as the voice of Claretta Petacci
- Strings Orchestrated and Conducted by Philip Sheppard
- :Electric Baritone/Electric Guitar: Hugh Burns
- Mosquito/Echoplex Guitar: James Stevenson
- Strings Orchestrated and Conducted by Mark Warman
- Drums: Ian Thomas
- Bass: Steve Pearce
- Electric Guitar: Hugh Burns
- Violin: Thomas Bowes
- Alto Sax: Scott Walker
- Keyboards: Mark Warman
- Percussion: Alasdair Malloy
- Sound Treatment: Peter Walsh
- Man Descending Stairs: Peter Walsh
- Concertina: Andrew Cronshaw
- Strings Orchestrated and Conducted by Mark Warman
- Drums: Alasdair Malloy
- Bass: John Giblin
- Acoustic Baritone Guitars: Hugh Burns and Scott Walker
- Electric Guitar: Hugh Burns
- Flugelhorn: Derek Watkins
- Big Box Percussion: Alasdair Malloy
- Big Box Construction: Tim Painter
- Strings Orchestrated and Conducted by Philip Sheppard
- Drums: Ian Thomas
- Bass: John Giblin
- Vox Continental: Mark Warman
- Children Scream Vocals: Ralph Warman, Rebecca Painter, Lucy Painter
- Choirboy: Ralph Warman
- Tubax/Baritone Sax: Pete Long
- Percussion-Claps: Rohan Onraet
- Bass: John Giblin
- Electric/Acoustic Guitar: Hugh Burns
- Percussion: Alasdair Malloy
- Newsreader: Beverly Foster
- Sound Treatment: Scott Walker and Peter Walsh
- Strings Orchestrated and Conducted by Philip Sheppard
- Drums: Ian Thomas
- Bass: Steve Pearce
- Electric Guitar: Hugh Burns
- Sitar Guitar: Peter Walsh
- High Sus Guitar: James Stevenson
- Electric Cello: Philip Sheppard
- Sound Treatment: Brian Gascoigne and Peter Walsh
- Di-Zi: Andrew Cronshaw
- Percussion: Alasdair Malloy
- Drums: Ian Thomas
- Bass: Steve Pearce
- Electric Baritone/Acoustic Guitar: Hugh Burns
- Cello: Philip Sheppard
- Harmonica: Scott Walker
- Keyboards and Percussion: Mark Warman
- Strings Orchestrated and Conducted by Mark Warman
- :Acoustic Guitar: Scott Walker
Session 1 | Violin I | Violin II | Cello | Bass |
---|---|---|---|---|
Janice Graham Paul Willey |
Steve Morris Simon Smith |
Alistair Blayden Nick Roberts |
Neil Tarlton Chris West | |
Julian Tear Ofer Falk |
Deborah Widdup Alison Kelly |
Jane Fenton Andrew Fuller |
Matthew Corman Clare Tyack | |
Sophie Barber Ben Buckton |
Clive Dobbins Amanda Smith |
John Tunnell Tamsy Kaner |
Roger Linley Diane Clark | |
Clare Hoffman Elizabeth Wexler |
Ulrike Kipp Jo Godden |
Judith Herbert Jackie Phillips | ||
Karen Leishman Matthew Scrivener |
Ruth Funnell Sue Briscoe |
Robert Max Roberto Sorrentino |
Session 2 | Violin I | Violin II | Cello | Bass |
---|---|---|---|---|
Michael Davis Paul Willey |
Steve Morris Simon Smith |
Alistair Blayden Nick Roberts |
Neil Tarlton Chris West | |
Julian Tear Ofer Falk |
Deborah Widdup Alison Kelly |
Jane Fenton Andrew Fuller |
Matthew Corman Clare Tyack | |
Sophie Barber Ben Buckton |
Clive Dobbins Amanda Smith |
John Tunnell Tamsy Kaner |
Roger Linley Diane Clark | |
Clare Hoffman Elizabeth Wexler |
Ulrike Kipp Jo Godden |
Judith Herbert Jackie Phillips | ||
Ralph De Souza Robert Salter |
Charles Sewart Celia Sheen |
Jonathan Williams Joely Koos |
Production
- Produced By Scott Walker & Peter Walsh
- Engineers: Geoff Foster, Peter Walsh
- Mixing: Peter Walsh
Release history
Region | Date | Label | Format | Catalogue |
---|---|---|---|---|
United Kingdom | 8 May 2006 | 4AD | 2×LP | CAD 2603 |
CD | CAD 2603 CD | |||
United States | 6 June 2006 | 4AD | CD | |
Japan | 24 June 2006 | Hostess | CD | HSE-20015 |
Charts
Chart | Position |
---|---|
Belgian Albums Chart[7] | 49 |
German Albums Chart[8] | 97 |
Irish Albums Chart | 80 |
UK Albums Chart[1] | 51 |
References
- ↑ 1.0 1.1 "Chart Stats - Scott Walker". chartstats.com. Archived from the original on 2012-12-05. Retrieved 2009-02-12.
- ↑ Williams, Lewis (2006). Scott Walker - The Rhymes of Goodbye (1st ed.). London: Plexus. p. 179. ISBN 0-85965-395-1.
- ↑ http://www.guardian.co.uk/music/2012/nov/23/scott-walker-interview
- ↑ Elvis Dreams of 9/11, a review from New York magazine
- ↑ "Interview with Scott Walker". The Wire. May 2006.
- ↑
- ↑ "ultratop.be - Scott Walker - The Drift". © 2006-2010 ULTRATOP & Hung Medien / hitparade.ch. Retrieved 2010-02-25.
- ↑ "Charts Surfer - UK, German and French charts". charts-surfer.de. Retrieved 2009-02-12.
External links
- The Drift at MusicBrainz (list of releases)
- The Drift at the official 4AD site. Also "Jesse" video
- Album completion announcement at the official 4AD site.
- "Horrorpop!" - Momus writes about The Drift.
- Dan Warburton on The Drift
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