The 101ers
| The 101ers | |
|---|---|
| Origin | London, UK |
| Genres | Pub rock, protopunk |
| Years active | 1974–1976, 2003 (tribute concert for Joe) |
| Labels |
Chiswick Andalucia Astralwerks EMI |
| Associated acts |
The Clash The Passions The Raincoats Public Image Ltd Basement 5 The Latino Rockabilly War The Pogues The Mescaleros |
| Past members |
John "Woody" Mellor Clive Timperley Dan Kelleher Richard Dudanski Simon Cassell Alvaro Peña-Rojas Antonio Narvaez Julian Yewdall Tymon Dogg Marwood Chesterton aka " Mole" Patrick Nother Martin Stone |
The 101ers were a pub rock band from the 1970s, notable as being the band that Joe Strummer left to join The Clash.[1] Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton,[2] under the name El Huaso and the 101 All Stars. The name would later be shortened to the 101 All Stars and finally just the 101ers. The group played at free festivals such as Stonehenge, and established itself on the London pub rock circuit prior to the advent of punk.
History
The group was named after the squat where they lived together: 101 Walterton Road, Maida Vale, although it was for a time rumoured that they were named for "Room 101", the infamous torture room in George Orwell's novel Nineteen Eighty-Four.
The 101ers were supported by the Sex Pistols at the Nashville Room on 3 April 1976, and this is when Strummer claimed he saw the light and got involved in the punk scene.[1]
Joe Strummer commented on this event in the Don Letts documentary Westway to the World on the end of the 101ers by saying "5 seconds into their (the Pistols') first song, I knew we were like yesterday's paper, we were over."[1]
By the time their debut single, "Keys to Your Heart", was released, Joe Strummer was in The Clash and the band were no more.[2] Clive Timperley later joined The Passions, Dan Kelleher went to Martian Schoolgirls and The Derelicts.[2] Richard Dudanski went on to work with The Raincoats, Basement 5 and Public Image Ltd.[2] Tymon Dogg worked with Strummer briefly in The Clash, playing fiddle and singing his original song, "Lose This Skin," on Sandinista!, and later in The Mescaleros.
I know the 101ers were good. In fact, as far as sound and excitement went we were much better than Eddie and the Hot Rods. The other guys in the group were twenty-five and twenty-six and they played good because they'd spent a few years getting that far. But they were just too old. What I really wanted was to get in with some young yobbo's who I was more in tune with.
The 101ers' recorded output was initially limited to one single. However, by 1981, interest in The Clash was at its height and a second single and a compilation album Elgin Avenue Breakdown was released.[2] Several of the tracks on the latter album were live recordings, and there is no evidence that the band ever conceived of these recordings as a full length album.
Until his death in 2002, Joe Strummer had been planning to re-release Elgin Avenue Breakdown, complete with previously unreleased tracks that would encompass everything the band ever recorded.[citation needed] The project was completed with the help of Strummer's widow Lucinda Tait and former drummer Richard Dudanski, and released in May 2005 as Elgin Avenue Breakdown Revisited via Astralwerks in the US and EMI in Europe. The last track on the 2005 re-issue was an 8 minute version of Gloria recorded on 22nd May 1976 at the Cellar Club in Bracknell. This was recorded 2 weeks before the 101ers finally split.[4] Joe Strummer joined The Clash who played their first gig at the Black Swan, Sheffield supporting the Sex Pistols on 4th July 1976.
Covers
The Clash have played "Keys to Your Heart" live at around the same time it was reissued as a single. The Hypertonics have also covered this song.[5]
Band line-up
- John "Woody" Mellor aka Joe Strummer – Guitar, vocals
- Clive Timperley – Guitar, vocals
- Dan Kelleher – Bass, guitar, vocals
- Richard Dudanski – Drums
- Simon Cassell aka "Big John" – Saxophone
- Alvaro Peña-Rojas – Saxophone
- Marwood Chesterton aka "Mole" – Bass guitar (until Oct. 1975)
- Antonio Narvaez – Drums
- Julian Yewdall – Vocals, harmonica
- Patrick Nother – Bass (1st gig)
- Martin Stone – Lead guitar (final gig)
- Tymon Dogg – Fiddle, vocals
Discography
Singles
- "Keys to Your Heart" (Joe Strummer) b/w "5 Star Rock & Roll Petrol" (Strummer, Dan Kelleher) (Chiswick/Big Beat 1976)
- "Sweet Revenge" b/w "Rabies" (Chiswick 1981)
Albums
- Elgin Avenue Breakdown Andalucia AND101 (1981)
- Elgin Avenue Breakdown Revisited Astralwerks ASW32161 / EMI 474460 2 (2005)
- Five Star Rock'n'Roll Made In Heaven 362020 (1993) [6]
References
Sources
- Books
- Coon, Caroline (1977). 1988: The New Wave Punk Rock Explosion. London: Hawthorn. ISBN 0-8015-6129-9. OCLC 79262599. Retrieved 2011-09-21.
- Strong, Martin C. (2003) [1999]. "101'ers'". The Great Indie Discography (Revised and enlarged ed.). Edinburgh: Canongate. p. 109. ISBN 1-84195-335-0. OCLC 52530784.
- Films and documentaries
- Letts Don; Rick Elgood, Joe Strummer, Mick Jones, Paul Simonon, Topper Headon, Terry Chimes, The Clash (2001). The Clash: Westway to the World (DVD). New York, NY: Sony Music Entertainment; Dorismo; Uptown Films. Event occurs at 8:40–11:40. ISBN 0-7389-0082-6. OCLC 49798077.
Further reading
- D'Ambrosio, Antonino (2004-10-13). Let Fury Have the Hour: The Punk Rock Politics of Joe Strummer. New York: Nation Books. ISBN 1-56025-625-7. OCLC 56988650. "Edited with an Introduction by Antonino D'Ambrosio."
- DeCurtis, Anthony (2003). "1952–2002 Joe Strummer – A tribute to the late Clash singer and songwriter, plus his final remarks on the rise and fall of the legendary punk band". Rolling Stone (San Francisco, CA: Straight Arrow) 914 (27). ISSN 0035-791X. OCLC 96002520.
- Matula, Theodore (12 2003). "Joe Strummer, 1952–2002". Popular Music and Society (Bowling Green, Ohio: Taylor & Francis) 26 (4): pp. 523–525. doi:10.1080/0300776032000144968. ISSN 0300-7766. OCLC 89586252.
- Salewicz, Chris (2007-05-15). Redemption Song: The Ballad of Joe Strummer (1st American ed.). New York: Faber and Faber. ISBN 0-571-21178-X. OCLC 76794852.
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