Tao Yuanming

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Names
Portrait of Tao Yuanming by Chen Hongshou
Xìng 姓:Táo 陶
Míng 名:Qián 潛, or
Yuānmíng 淵明
Zì 字:Yuánliàng 元亮, or
Yuānmíng 淵明
Hào 號:Wǔliǔ Xiānsheng 五柳先生
(Five Willows)
Shì 謚:Jìngjié 靖節

Tao Yuanming (365–427) was a Chinese poet of the Six Dynasties period (c. 220 - 589 CE). In the middle of his life, he changed his name Tao Yuanming (traditional Chinese: 陶淵明; simplified Chinese: 陶渊明; pinyin: Táo Yuānmíng; Wade–Giles : T'ao Yüan-ming) to Tao Qian (simplified Chinese: 陶潜; traditional Chinese: 陶潛; pinyin: Táo Qián; Wade–Giles: T'ao Ch'ien).

Tao Yuanming is generally regarded as the greatest poet during the centuries between the Han and Tang dynasties. He is also the foremost of the "recluse" poets,[1] or the poets who seem to have written their greatest work while in reclusion and/or those poets in whose poems the theme of countryside solitude particularly resonates.

In Tao Yuanming's poems can be found superlative examples of the theme which urges its audience to drop out of official life, move to the country, and take up a cultivated life of wine, poetry, and avoiding people with whom friendship would be unsuitable, but in Tao's case this went along with actually engaging in farming. Tao's poetry also shows an inclination to fulfillment of duty, such as feeding his family. Tao's simple and plain style of expression, reflecting his back-to-basics lifestyle, first became better known as he achieved local fame as a hermit.[2] This was followed gradually by recognition in major anthologies. By the Tang Dynasty, Tao was elevated to greatness as a poet's poet, revered by Li Bai and Du Fu.

Han poetry foreshadowed some of Tao's particular symbolism and the general "returning home to the country" theme, but his poems, prose and style broke new ground and became a fondly relied upon historical landmark. Much subsequent Chinese painting and literature would require no more than the mention or image of chrysanthemums by the eastern fence to call to mind Tao Yuanming's life and poetry. Later, his poetry and the particular motifs which Tao Yuanming exemplified would prove to importantly influence the innovations of Beat poetry and the 1960s poetry of the United States and Europe. Both in the 20th century and subsequently, Tao Yuanming has come to occupy a position as one of the select group of great world poets.

Names

"Master of the Five Willows" seems to be a soubriquet of his own invention, which he used when quite young.[3] There is a surviving autobiographical essay from his youth in which Tao Yuanming uses "Five Willows" to allude to himself. After this, Tao refers to himself in his earlier writings as "Yuanming"; however; it is thought that with the demise of the Eastern Jin dynasty in 420, that he began to refer to himself as "Qian", meaning "hiding", as a signification of his final withdrawal into the quiet life in the country and his decision to avoid any further participation in the political scene.[4] Tao Qian could also be translated "Recluse Tao".[5] However, this in no way implies an eremitic lifestyle or extreme asceticism; rather a comfortable dwelling, with family, friends, neighbors, musical instruments, wine, a nice library, and the beautiful scenery of a mountain farm were Tao Qian's compensation for giving up on the lifestyle of Tao Yuanming, government servant.[6]

Life

Tao Yuanming was born during the Eastern Jin dynasty (317–420), which was a time of military uncertainty and political infighting. However, he would live into the times of the succeeding Liu Song Dynasty, one of the southern kingdoms.

Background

Tao Yuanming's great-grandfather was the eminent Eastern Jin general and governor, Tao Kan (259-334), and his grandfather and father also both served as government officials.[7] However, the family circumstances into which Tao Yuanming was born were only those of moderate poverty and lack of much political influence.[8]

Birth and childhood

Tao Yuanming was born in the year 365, in Chaisang[9] (柴桑), which is southwest of modern Jiujiang, Jiangxi, an area of great natural beauty. The name of his ancestral village, Chaisang, literally means "Mulberry-Bramble".[10] Nearby sights included Mount Lu, Poyang Lake (then known as P'eng-li), as well as a good selection of nature's features located in the immediate vicinity of Chaisang.[11]

Career

Tao Yuanming ended up serving more than ten years in government service, personally involved with the sordid political scene of the times.[12] He served in both civil and military capacities, which included making several trips down the Yangzi to the capital Jiankang,[13] then a thriving metropolis, and the center of power during the Six Dynasties. The ruins of the old Jiangkang walls can still be found in the modern municipal region of Nanjing. During this period of service in a series of minor posts, Tao Yuanming's poems begin to indicate that he was becoming torn between ambition and a desire to retreat into solitude.

Family

Tao Yuanming had five sons.[14][15]

Retirement

In the Spring of 405, Tao Yuanming was serving in the army, as aide-de-camp to the local commanding officer.[16] The death of his sister together with his disgust at the corruption and infighting of the Jin Court prompted him to resign, factors which had led to his become convinced that life was too short to compromise on his principles. As he himself put it "為五斗米折腰": he would not "bow like a servant in return for five bushels of grain", a saying which has entered common usage meaning "swallowing one's pride in exchange for a meager existence" (the 'Five bushels of grain' being the specified salary of certain low-rank officials). For his last 22 years, he lived in retirement.

Death

Tao Qian died in 427 CE, at the age of sixty-three.[17]

Works

Approximately 130 of his works survive: mostly poems or essays which depict an idyllic pastoral life of farming and drinking.

Poetry

Because his poems depict a life of farming and drinking of this, he would later be termed "Poet of the Fields".

The following is an extract from one of his poems ("Written on the Ninth Day of the Ninth Month of the Year yi-yu"), A.D. 409:

The myriad transformations
unravel one another
And human life
how should it not be hard?
From ancient times
there was none but had to die,
Remembering this
scorches my very heart.
What is there I can do
to assuage this mood?
Only enjoy myself
drinking my unstrained wine.
I do not know
about a thousand years,
Rather let me make
this morning last forever.[18]

Tao's poems greatly influenced the ensuing poetry of the Tang and Song Dynasties. A great admirer of Tao, Du Fu wrote a poem Oh, Such a Shame of life in the countryside:

Only by wine one's heart is lit,
only a poem calms a soul that's torn.
You'd understand me, Tao Qian.
I wish a little sooner I was born!

Peach Blossom Spring

Aside from his poems, Tao is also known for his short, influential, and intriguing prose depiction of a land hidden from the outside world called "Peach Blossom Spring" (桃花源記). The name Peach Blossom Spring (桃花源 Tao Hua Yuan) has since become the standard Chinese term for 'utopia'.

Ideology

Tao Yuanming is usually regarded as a Taoist. Indeed, according to Zhu Ziqing's account, his work contains 49 allusions to the Zhuangzi and 21 to the Liezi. However, as pointed out by D.Holzman, the Confucian overtones of his work should not be underestimated as well: while the mentioned books occupy the 1st and 3d places in the rate of the allusions, the 2d place is taken by the Lunyu (37 occurrences).[19]

Critical appraisal

Zhong Rong 鍾嶸 (468-518) described Yuanming's literary style as "spare and limpid, with scarcely a surplus word."[20] In 詩品 (Poetry Gradings), Zhong Rong wrote:

[Yuanming's] sincerity is true and traditional, his verbalized inspirations supple and relaxed. When one reads his works, the fine character of the poet himself comes to mind. Ordinary men admire his unadorned directness. But such lines of his as "With happy face I pour the spring-brewed wine," and "The sun sets, no clouds are in the sky," are pure and refined in the beauty of their air. These are far from being merely the words of a farmer. He is the father of recluse poetry past and present.[20]

Su Shi (1037–1101), one of the major poets of the Song era, said that the only poet he was particularly fond of was Yuanming, who "deeply impressed [him] by what he was as a man." Su Shi exalted Yuanming's "unadorned and yet beautiful, spare and yet ample" poems, and even asserted that "neither Cao Zhi, Liu Zhen, Bao Zhao, Xie Lingyun, Li Bai, nor Du Fu achieves his stature".[21]

Lin Yutang (1895–1976) considered Yuanming the perfect example of "the true lover of life". He praised the harmony and simplicity in Yuanming's life as well as in his style, and claimed that he "represents the most perfectly harmonious and well-rounded character in the entire Chinese literary tradition."[22]

In Great lives from history (1988), Frank Magill highlights the "candid beauty" of Yuanming's poetry, stating that the "freshness of his images, his homespun but Heaven-aspiring morality, and his steadfast love of rural life shine through the deceptively humble words in which they are expressed, and as a consequence he has long been regarded one of China's most accomplished and accessible poets."[23] He also discusses what makes Yuanming unique as a poet, and why his works were perhaps overlooked by his contemporaries:

It is this fundamental love of simplicity that distinguishes T'ao Ch'ien's verses from the works of court poets of his time, who utilized obscure allusions and complicated stylistic devices to fashion verses that appealed only to the highly educated. T'ao Ch'ien, by way of contrast, seldom made any literary allusions whatsoever, and he wrote for the widest possible audience. As a consequence, he was slighted by his era's critics and only fully appreciated by later generations of readers.[24]

Gallery

Tao Yuanming has inspired not only generations of poets, but also painters and other artists.

Translation

Editions

  • Meng Erdong ed. Tao Yuanming Ji Yi Zhu ISBN 7-80626-064-1.
  • Wu Zheshun ed. Tao Yuanming Ji ISBN 7-80520-683-X
  • David Hinton (translator). The Selected Poems of T'ao Ch'ien (Copper Canyon Press, 1993) ISBN 1-55659-056-3.
  • Karl-Heinz Pohl (translator). Der Pfirsichbluetenquell (Bochum University Press, 2002)
  • Davis, A.R. T'ao Yuan-ming (Hong Kong, 1983) 2 vols.
  • William Acker (translator). T'ao the Hermit: Sixty Poems by T'ao Ch'ien, 365-427 (London & New York: Thames and Hudson, 1952)

Commentary

See also

Notes

  1. Davis, vii
  2. Cai 2008, 122
  3. Chang, 24-25
  4. Chang, 22
  5. Hinton, 111
  6. Hinton, 111-112
  7. Chang, 22
  8. Chang, 22
  9. Chang, 22
  10. Hinton, 110
  11. Chang, 22
  12. Davis, vii
  13. Chang, 22
  14. Chang, 25
  15. "Blessed I am with five sons" — Tao Yuanming, as quoted in 陶潛, 譚時霖 The complete works of Tao Yuanming (1992), p. 34
  16. Chang, 22
  17. T'ao Ch'ien on life and death: the concept of tzu-jan in his poetry by Wing-ming Chan (1981), p. 193
  18. Translated by William Acker. Anthology of Chinese Literature, Vol. I (1965), p. 188-9
  19. Holzman,79 and passim.
  20. 20.0 20.1 Zhong Rong, The Poets Graded, translated by J. Timothy Wixted, as quoted in John Minford, Joseph S. M. Lau Classical Chinese Literature: An Anthology of Translations (2000)
  21. Su Shi, quoted by his brother Su Ziyou (1039-1112), as translated by J. Timothy Wixted; Classical Chinese Literature: An Anthology of Translations (2000), p. 491
  22. Lin Yutang, in The Importance Of Living (1937), p. 116
  23. Frank Northen Magill, in Great lives from history: Ancient and medieval series, Vol. 5 (1988), p. 2073
  24. Ibid., p. 2071

References

  • Cai, Zong-qi, ed. (2008). How to Read Chinese Poetry: A Guided Anthology. New York: Columbia University Press. ISBN 0-231-13941-1
  • Chang, H. C. (1977). Chinese Literature 2: Nature Poetry. (New York: Columbia University Press). ISBN 0-231-04288-4
  • Cui, Jie and Zong-qi Cai (2012). How to Read Chinese Poetry Workbook. New York: Columbia University Press. ISBN 0-231-15658-8
  • Davis, A. R. (Albert Richard), Editor and Introduction,(1970), The Penguin Book of Chinese Verse. (Baltimore: Penguin Books).
  • Hinton, David (2008). Classical Chinese Poetry: An Anthology. New York: Farrar, Straus, and Giroux. ISBN 0-374-10536-7 / ISBN 978-0-374-10536-5.
  • Holzman, Donald. "A Dialogue with the Ancients: Tao Qian's Interrogation of Confucius" in Scott Pearce, Audrey Spiro, Patricia Ebrey (eds.), Culture and Power in the Reconstitution of the Chinese Realm, 200-600. Harward, 2001:75-98.
  • Liao, Zhongan, "Tao Yuanming". Encyclopedia of China (Chinese Literature Edition), 1st ed.
  • Watson, Burton (1971). CHINESE LYRICISM: Shih Poetry from the Second to the Twelfth Century. (New York: Columbia University Press). ISBN 0-231-03464-4

External links

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