Tania Peitzker

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Tania Peitzker, (born 1 March 1970), a writer, literary scholar and publicist for the Creative Industries. She has worked in publishing, academia and theater.[1]

In 2010 Peitzker became an investor in high tech, specifically web-based Artificial Intelligence as applied to content aggregation, filtering information for users, Virtual Assistants and the latest Life Extension technology,[2] as well as in companies with innovative online business models.
Muse & Model: early portrait photography by the artist Jun Chen,© 1992-1993. Photos taken on the University of Melbourne campus and in a Carlton apartment, published from the private collection of Tania Peitzker, Sydney, 2012.
© John Webber, Australian photographer, formerly of the music magazine for Countdown (Australian TV series). Photo taken at Elizabeth Bay Marina, Sydney Harbour, 2012.

Business & technology interests

Tania Peitzker became a businesswoman in 2006 when she founded a strategic communications, investor liaison and capital raising consultancy for the Creative Industries, EU PR, http://www.eupublicrelations.com in Berlin, Germany.[3] The Intellectual Property surrounding the brand name "EU PR" was quickly ranked number one by google, giving it a high value according to the search engine's algorithm and SERPs.[4]

The domain names for EU PR have been continually ranked in first position since 2007 and are still at the top of First Page Results in google's, Bing's and Yahoo's organic rankings for the long-tail strategic keywords "eu public relations" and core keywords "eu pr".[5]

In pursuit of her e-commerce interests, Peitzker has become an expert in chatterbot or chatbot technology [6] due to her co-ownership of http://www.myownreporter.com or MOR. Its precursor test site is http://www.viledge.com where extreme sports fans interact with artificially intelligent chatbots in a digital toy town.

The successor site myownreporter features the next generation of these online avatars "MOR velmais" which are chatbots with organically growing memories, and so can be considered a disruptive innovation. MOR utilises the code language VAIP (Velmai Artificial Intelligence Patois) which is held by a third company she co-owns, http://www.velmai.com.[7]

Broadcasting and Reporting

From 1989 to 1990 in Australia, she became known for the country's first regular radio show devoted to female composers of classical music from around the globe, “Why Not Women?”. The monthly radio programme was broadcast live on the public radio station for classical music, 4MBS in Brisbane, Queensland, and was created in collaboration with the International League of Women Composers (ILWC) in New York, USA.[8]

During this intensive period of community and volunteer work in broadcasting, Peitzker pioneered the establishment of the first Australian archive for the original recordings of contemporary compositions and historic classical music by women composers from around the world, most of which the American ILWC had sent to 4MBS in the 1980s and 1990s.

She was also the initiator of a live, free public concert featuring the acclaimed Brisbane composers, Mary Mageau and Betty Beath, whose classical music was performed by local musicians in the auditorium of the State Library of Queensland. The concert took place through Peitzker getting sponsors, State Government patronage and organizing the performances by other volunteers, as an extension of her work as a community broadcaster at 4MBS, then based on a local university campus.[9]

In the early 2000s, Dr Peitzker was a regular correspondent for the London-based Times Higher Education Supplement, now THE, reporting on R&D and tertiary education issues from Berlin, Zurich and the United Nations' departments in Geneva. She also featured in a supplement of The Wall Street Journal Europe as a guest writer for Business Education, specifically MBAs offered in the EU compared with American Masters of Business courses. [10]

Academic Achievements

Dr. phil. Peitzker was awarded a PhD in 2000 by the University of Potsdam for her Cultural Studies analysis of the twentieth-century Australian author, Dymphna Cusack.[11]

In 1998, her uncompleted dissertation won the inaugural "Australia Award" of the International Federation of University Women in Geneva, Switzerland. The IFUW prize and grant had been created especially to acknowledge Peitzker's first empirical study and poststructuralist analysis of the internationally known humanitarian Dymphna Cusack, who had been a widely respected public cultural figure throughout the Cold War in Europe. Australia's largest independent publishing house Allen & Unwin recently created a national revival of Dymphna Cusack, whose work had been largely out of print for decades, making her a "forgotten author". From June to October 2012, the publishers reprinted six of her best known novels and they have been steadily promoting Cusack's reputation as a significant Australian author.[12]

After her 1999 lecture at the Einstein Forum in Potsdam,[13] the famous American philosopher, Judith Butler - upon whose work Peitzker's textual analysis of gender was based - personally appraised the Australian scholar's original "Cusack thesis" as the first in the world to apply Butler's poststructuralist philosophy to the fields of literary history and Cultural Studies. Peitzker's Auseinandersetzung with Butler's philosophical theories was a continuation of the concerns in her earlier, postgraduate, primary research: “A Genealogy of Australian Cultural Studies” and a history of female sexuality in Australia, acquired by the Fryer Library's Special Collections on her leaving Australia for Germany in 1994.[14]

Upon completion, Peitzker's key arguments of the Cusack thesis were then published as an essay by the historic literary journal, Southerly, University of Sydney. The dissertation is held in the National Libraries of Germany, France and Australia, as well as in the special collections of a number of notable universities in Europe. In 2013, Google Books published these three academic works by Peitzker, in addition to a volume of her collected "Papers" held by the University of Queensland archive.[15]

After graduating from the University of Potsdam, Peitzker was offered an appointment as Professor of English and Cultural Studies to create a multilingual postgraduate curriculum for the first ever European Masters Degree in Australian Studies, initiated by the English Department at the University of Lodz, Poland, with corporate and Australian Embassy support.[16] As a postdoctoral academic, Lodz University subsequently commissioned from her a historiography on "The Cultural History of Women and Men in Europe" for an EU-funded university textbook on “European Civilisations” written by Swedish, English, Irish, Welsh and Polish academics on a grant from the Brussels-based university research programme TEMPUS.

Plays, Poetry and Writing

In the field of drama, Tania Peitzker wrote and directed "Life with Marion" (1990) which ran for two seasons due to its popularity: one at the Metro Arts Theatre's dance studios and another at the University of Queensland's Cement Box Theatre. "Life with Marion" deals with contemporary society's ideas of love, religion, health and family. The three act play was first produced through government and university grants, while its second season was funded by box office revenue.

Peitzker later wrote "Gargoyles" - dealing with themes of spirituality, gender, migration and ageing - and the four act, epic drama written in verse, "Crux", which is a metaphorical, mystical work set in an antipodean colony, amongst other scripts for theatre and broadcast. A number of her poems were published in journals as well as recorded and performed by local multimedia artists then broadcast on radio to favorable reviews. Some of her early work was inspired by the "Old Town" of Launceston where she lived for the summer of 1991, after she had been selected during national auditions in Sydney to be the inhouse playwright for the University of Tasmania's Theatre Faculty in Hobart.

Fryer Library has collected her published material as well as her unpublished manuscripts (the latter has restricted access), including the poetry collection "Palinode - Poems from Brisbane and Nuremberg 1990 - 1995" and the novel "Salamandra, or a Tale of a Last Survival", set in Geneva, Berlin, Brisbane and Cairns. These texts, recordings, manuscripts, academic papers and correspondence with "public intellectuals" of note are held in the Tania Peitzker Collection [17] by the Fryer archive at the University of Queensland Library.

Private Life

An Australian citizen by birth, she is also a Permanent Resident of Germany. Dr Peitzker runs her consultancy from the capital Berlin, providing business development services in the home counties, London, from Rugen Island in the Baltic Sea and around the Cote d'Azur region of France.[18]

She was married in the early 90s to a well-known painter, Jun Chen, who had been an art lecturer at Guangzhou University before emigrating to Australia. Chen has since been a serial finalist in the national portrait competition, the Archibald Prize. [19] Tania Peitzker's second marriage is with a British farmer and agribusiness entrepreneur based in Kent, a county known as the "Garden of England".[20]

References

  1. Guest articles written by Tania Peitzker: http://pipl.com/directory/people/Tania/Peitzker
  2. see the advances in Life Extension biotechnology and computer science as discussed at these Moscow and New York conferences http://www.gf2045.com
  3. Sydney-based Oxley9 Gallery was featured in her story about the world´s leading fair, Art Basel, published by The Australian Art Market Report. See 'Grand Tour Fever', Issue 25, Spring, pp.50-51, 2007. http://www.roslynoxley9.com.au/artists/31/Patricia_Piccinini/profile and also "Discovering the Businesswoman Within", University of Potsdam alumni journal: http://www.uni-potsdam.de/portal-alumni/06-08/alumni%20insight/peitzker.html
  4. http://articles.businessinsider.com/2011-07-12/strategy/29966696_1_keywords-seo-google
  5. For an accepted valuation formula, see the paper by Kevin Bailey, "What´s the value of a first page search engine ranking anyway?" published online. These domain names can be licensed or acquired, see http://eupublicrelations.com
  6. http://www.chatbots.org/expert/tania_peitzker/28566/
  7. For a definition of the VAIP algorithm, see http://www.facebook.com/intrapreneurship and http://www.morofficialsite.com
  8. The ILWC later merged with other organisations in the USA to become the International Alliance for Women in Music
  9. see the archives of the State Library of Queensland and the classical music radio station 4MBS in Brisbane.
  10. Examples of her contributions as a stringer for THES http://www.docstoc.com/docs/9636548/World-Top-200-University-Ranking and the WSJE http://www.careerjournaleurope.com/jobhunting/usingnet/20020923-peitzker.html
  11. Doctoral thesis cited in New Literatures in English, Oxford Journals, Oxford University Press, 2001. http://ywes.oxfordjournals.org/cgi/content/abstract/80/1/819
  12. http://www.allenandunwin.com/default.aspx?page=311&author=1129
  13. See the 1999 Yearbook http://www.amazon.de/Einstein-Forum-Jahrbuch-Jahrb-1999-Zeugenschaft/dp/3050034785 and the archives of the forum http://www.einsteinforum.de/index.php?id=10&L=1
  14. http://www.library.uq.edu.au/fryer/ms/uqfl310.pdf
  15. http://www.google.co.uk/search?tbo=p&tbm=bks&q=inauthor:%22Tania+Peitzker%22
  16. 2007 Polish university conference referencing the collaboration: http://www.zsb.byethost10.com/index.php?option=com_content&view=article&id=44&Itemid=44
  17. http://www.library.uq.edu.au/fryer/ms/uqfl310.pdf
  18. http://www.taniapeitzker.com & http://www.linkedin.com/in/drtaniapeitzker
  19. http://www.artgallery.nsw.gov.au/prizes/archibald/2012/29221/
  20. http://www.courtfarm.org
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