Tamrakar

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Maru Satah

Tāmrakār (Devanagari: ताम्रकार) is a Nepalese caste group from the Newar community of the Kathmandu Valley in Nepal.[1] [2]

The name Tamrakar is derived from the Sanskrit words "tamra", meaning copper, and "aakar", meaning shape or to give shape. In their mother tongue Nepal Bhasa, they are known as Tamo or Tamot. They are skilled craftsmen with a distinct culture among Newars. They follow both Hinduism and Buddhism.

Tamrakars are spread all over the Kathmandu Valley, but are mostly concentrated in the heart of Patan, Kathmandu and Bhaktapur.[3] Many live in various towns across Nepal.

In Kathmandu, the main Tamrakar neighborhoods are Maru at Durbar Square, Yatkha Baha and Mahabati (Mahabouddha).

Traditional occupation

Tamrakars are traditional coppersmiths who make household utensils of copper and brass according to the division of labour practiced from ancient times. Jewelry and ritual objects made of silver are other products. They are also known for making traditional musical instruments like the ponga and the payntah, long horns made of copper.[4]

Many Tamrakars of Kathmandu participated in the traditional Tibet trade, and used to operate shops in Lhasa in Tibet, Ladakh in India and other trade centers on the Silk Road.[5] Following the Sino-Indian War in 1962 when the caravan route linking India and Tibet through Sikkim was shut down, the centuries-old trade system came to an end, and the merchants and craftsmen based in Tibet closed up shop and returned home to Nepal.

Today, Tamrakars are involved in handicraft, retail trade and the professions, and can be found among the leading names in business and industry.

Cultural life

The Tamrakars of Maru have the task of playing the payntāh (long horn) during the Samyak festival, the greatest Newar Buddhist celebration which is held once every 12 years in Kathmandu and in which each Urāy caste has a duty.[6]

During the Yenya festival (also known as Indra Jatra) held in Kathmandu, a Tamrakar family of Maru has the responsibility of bringing out the procession of the goddess Dagin (दागिं) (alternative name: Dagim).[7] Similarly, a Tamrakar dancer from Maru plays the part of Daitya in sacred dances.[8]

name of this community in indian languages

hindi-thathera/kasera/vadhera/tamera/tamrakar/hayaran, punjabi-thatheri/thathiyar, marathi-twastha tambat kasar, bangla-karmakar, gujarati-kansara, nepali-tamo/tamot/tamrakar, english-coppersmith/tinker/brasier/brazier,


Notable Tamrakars

References

  1. Lewis, Todd T. (January 1996). "Notes on the Uray and the Modernization of Newar Buddhism". Contributions to Nepalese Studies. Retrieved 22 September 2011.  Pages 110-111.
  2. Wright, Daniel (1877). "History of Nepal with an Introductory Sketch of the Country and People of Nepal". Cambridge. Retrieved 23 September 2012.  Page 86.
  3. Gutschow, Niels and Michaels, Axel (2008) Growing up: Hindu and Buddhist initiation rituals among Newar children in Bhaktapur, Nepal. Otto Harrassowitz Verlag. ISBN 3447057521, 9783447057523. Pages 23, 33. Retrieved 27 March 2012.
  4. "Nepalese Musical Instruments". Retrieved 23 September 2011. 
  5. Tuladhar, Kamal Ratna (10 March 2012). "Long ago in Ladakh". The Kathmandu Post. Retrieved 27 March 2012. 
  6. Lewis, Todd T. (1995). "Buddhist Merchants in Kathmandu: The Asan Twah Market and Uray Social Organization". Contested Hierarchies. Oxford: Clarendon Press. Retrieved 28 March 2012.  Page 47.
  7. van den Hoek, A. W. (2004) Caturmāsa: Celebrations of death in Kathmandu, Nepal. CNWS Publications. ISBN 9057890984, 9789057890987. Page 53. Retrieved 27 March 2012.
  8. Gellner, David N. and Quigley, Declan (1995) Contested hierarchies: A collaborative ethnography of caste among the Newars of the Kathmandu Valley, Nepal. Clarendon Press. ISBN 0198279604, 9780198279600. Retrieved 28 March 2012.

External links

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